Download Free Squa Tront 13 Book in PDF and EPUB Free Download. You can read online Squa Tront 13 and write the review.

Five years in the making and meticulously edited by John Benson, Squa Tront returns with a profusion of rare and interesting features from the EC era: the story behind Basil Wolverton's first EC art; Howard Nostrand's last interview; art from the unpublished third issue of Flip; Jack Davis's WWII cartoons; plus EC era art by Wallace Wood, John and Marie Severin, Harvey Kurtzman, and Roy Krenkel. The longest running EC historical magazine and a perfect companion to Fantagraphics' series of EC reprints.
The latest (and possibly last) issue of the greatest magazine devoted to EC comics ever published.
A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.
Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.
Cain (House of Mystery) and Abel (House of Secrets) visit our devilish hosts. Harold Beedle must walk. A sculptor reshapes life and death. For some, the Revolution never ended.
The history of one company's romance comics and their publisher Archer St. John. It includes a short biography and interviews with the company's editors and artists. St. John's good reputation as a publisher attracted many of the top artists of the day, including Joe Kubert, Leonard Starr, and George Tuska. Benson provides an engaging account of Archer St. John, (once kidnapped by Al Capone) and his distinctive comics. Confessions is lavishly illustrated with examples of the comics and includes rare visuals from the period.
Mr. Higgins was just the beginning! Follow Professor J.T. Meinhardt and Mr. Knox as they continue their pursuit of ne'er-do-well creatures of the night! Backed by the dauntless vampire hunter Ms. Mary Van Sloan, the heroes of Mr. Higgins Comes Home pursue vampires, werewolves, and other horrors that even they are hard-put to name or explain. The only thing that's for certain is that the strange truths these adventurers uncover are seldom what they seem. From the horror-genius minds of Mike Mignola and Warwick Johnson-Cadwell comes the next installment of endearingly terrifying tales from Meinhardt, Knox, and Van Sloan. Set against the detailed and stylized background of Johnson-Cadwell's art, these stories are a striking continuation of daring occult adventure! Grab some garlic and silver bullets, and settle in for a thrilling read!
Frank R. Paul is almost universally recognized as the "Father of Science Fiction Illustration," and rightly so, since his work has influenced and inspired generations of artists and visionaries over the past eighty years. From Flash Gordon to Luke Skywalker, Paul's presence is still being felt in the twenty-first century. Jerry Weist, noted Science Fiction historian, scholar, and founding editor of the prestigious EC comic fanzine Squa Tront, has turned his keen insight towards Paul, who envisioned a world of futuristic cities, space travel, and alien life forms. These fantastic visions were realized in the pages of Amazing Stories and hundreds of other science fiction pulps and digest magazines. Weist, who authored Ray Bradbury: An Illustrated Life (in collaboration with Bradbury) has brought together informative text on Paul and a visual record of nearly every one of his incredible covers, as well as some of his very best, and rarely seen, pen and ink interior illustrations. Featuring an Introduction by Hugo Award-winning science fiction illustrator Vincent Di Fate, this will be a visual feast for lovers of classic science fiction art.
While the Clone Wars wreak havoc throughout the galaxy, the situation on the far world of Drongar is desperate, as Republic forces engage in a fierce fight with the Separatists. . . . The threatened enemy offensive begins as the Separatists employ legions of droids into their attack. Even with reinforcements, the flesh and blood of the Republic forces are just no match for battle droids’ durasteel. Nowhere is this point more painfully clear than in the steaming Jasserak jungle, where the doctors and nurses of a small med unit face an impossible situation. As the dead and wounded start to pile up, surgeons Jos Vandar and Kornell “Uli” Divini know that time is running out. Even the Jedi abilities of Padawan Barriss Offee have been stretched to the limit. Ahead lies a test for Barriss that could very well lead to her death–and that of countless others. For the conflict is growing–and for this obscure mobile med unit, there’s only one resolution. Shocking, bold, unprecedented, it’s the only option Jos and his colleagues really have. The unthinkable has become the inevitable. Whether it kills them or not remains to be seen.
The Legendary Intellectual and Raconteur Talks to Hal Foster, Walt Kelly, Harvey Kurtzman, Howard Chaykin, Robert Crumb, and Other Artists.