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Romanian artist George Tomaziu expected to be imprisoned for monitoring German troop movements during the Second World War. He also expected that, after the war and his release, he might be honoured for fighting Fascism. Instead the new Communist government sent him back to prison and stranded him there, for 13 years. This is his memoir.
Nothing in Soviet-style communism was as shrouded in mystery as its secret police. Its paid employees were known to few and their actual numbers remain uncertain. Its informers and collaborators operated clandestinely under pseudonyms and met their officers in secret locations. Its files were inaccessible, even to most party members. The people the secret police recruited or interrogated were threatened so effectively that some never told even their spouses, and many have held their tongues to this day, long after the regimes fell. With the end of communism,ÿmany ofÿtheÿnewly established governments?among them Romania?s?opened their secret police archives. From those files,ÿas well asÿher personal memories, the author has carried out historical ethnography of the Romanian Securitate.ÿSecrets and Truthsÿis not only of historical interest but has implications for understanding the rapidly developing ?security state? of the neoliberal present. ÿ
"Spufford cunningly maps out a literary genre of his own . . . Freewheeling and fabulous." —The Times (London) Strange as it may seem, the gray, oppressive USSR was founded on a fairy tale. It was built on the twentieth-century magic called "the planned economy," which was going to gush forth an abundance of good things that the lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. Red Plenty is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan and every Lada would be better engineered than a Porsche. It's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending. Red Plenty is history, it's fiction, it's as ambitious as Sputnik, as uncompromising as an Aeroflot flight attendant, and as different from what you were expecting as a glass of Soviet champagne.
The Routledge Companion to Fascism and the Far Right is an engaging and accessible guide to the origins of fascism, the main facets of the ideology and the reality of fascist government around the world. In a clear and simple manner, this book illustrates the main features of the subject using chronologies, maps, glossaries and biographies of key individuals. As well as the key examples of Hitler's Germany and Mussolini's Italy, this book also draws on extreme right-wing movements in Latin America, Eastern Europe and the Far East. In a series of original essays, the authors explain the complex topics including: the roots of fascism fascist ideology fascism in government and opposition nation and race in fascism fascism and society fascism and economics fascism and diplomacy.
For the centenary of the Russian Revolution, a new edition of the Russian Nobel Prize-winning author's most accessible novel One Day in the Life of Ivan Denisovich is an undisputed classic of contemporary literature. First published (in censored form) in the Soviet journal Novy Mir in 1962, it is the story of labor-camp inmate Ivan Denisovich Shukhov as he struggles to maintain his dignity in the face of communist oppression. On every page of this graphic depiction of Ivan Denisovich's struggles, the pain of Aleksandr Solzhenitsyn's own decade-long experience in the gulag is apparent—which makes its ultimate tribute to one man's will to triumph over relentless dehumanization all the more moving. An unforgettable portrait of the entire world of Stalin's forced-work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary works to have emerged from the Soviet Union. The first of Solzhenitsyn's novels to be published, it forced both the Soviet Union and the West to confront the Soviet's human rights record, and the novel was specifically mentioned in the presentation speech when Solzhenitsyn was awarded the Nobel Prize in Literature in 1970. Above all, One Day in the Life of Ivan Denisovich establishes Solzhenitsyn's stature as "a literary genius whose talent matches that of Dostoevsky, Turgenev, Tolstoy" (Harrison Salisbury, The New York Times). This unexpurgated, widely acclaimed translation by H. T. Willetts is the only translation authorized by Solzhenitsyn himself.
Placing Stalinism in its international context, The Stalinist Era explains the origins and consequences of Soviet state intervention and violence.
In The Real North Korea, Lankov substitutes cold, clear analysis for the overheated rhetoric surrounding this opaque police state. Based on vast expertise, this book reveals how average North Koreans live, how their leaders rule, and how both survive
Imprisoned by the Romanian Communists for his work in the Christian Underground, and subjected to medieval torture, Wurmbrand kept his faith and strengthened it. For fourteen years, he shared that faith with suffering cellmates and gave them solace. In solitary confinement, he tapped out his message of hope and Christian love. In Room Four, the "death room", he helped dying patients even though his lungs were riddled with tuberculosis and his body lacerated and bloody from whips and kicks. Anguished over the fate of his wife and son, he could still tell jokes and stories to make despairing prisoners laugh. Sorely tempted by the promise of release and reprieve, he refused to become a Communist collaborator. And the miracle is that he survived. With humble gratitude to God and Christ, he tells his personal story. It¿s an inspiring drama of triumphant faith.
Analyses mid-twentieth century British spy thrillers as resistance to political oppressionEspionage and Exile demonstrates that from the 1930s through the Cold War British writers Eric Ambler, Helen MacInnes, John le Carr Pamela Frankau and filmmaker Leslie Howard combine propaganda and popular entertainment to call for resistance to political oppression. Their spy fictions deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. With politically charged suspense and compelling plots and characters, these writers challenge distinctions between villain and victim and exile and belonging by dramatising relationships between stateless refugees, British agents, and most dramatically, between the ethics of espionage and responses to international crisis.Key FeaturesThe first narrative analysis of mid-twentieth century British spy thrillers demonstrating their critiques of political responses to the dangers of Fascism, Nazism, and CommunismCombines research in history and political theory with literary and film analysisAdds interpretive complexity to understanding the political content of modern cultural productionOriginal close readings of the fiction of Eric Ambler, John Le Carr and British women spy thriller writers of World War II and the Cold War, including Helen MacInnes, Ann Bridge, and Pamela Frankau as well as the wartime radio broadcasts and films of Leslie Howard
The lives of a group of Romanian students under Communism, with its poverty, regimentation and depressing greyness. Life gets no better after graduation, so much so that several commit suicide.