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Looks at the life cycle of a cherry tree, the history behind the gift of the Japanese cherry trees to our nation's capital, and the association of cherry trees and spring.
Spring is in the air—and in the trees! Spring is here, and with the new season come trees full of life, color. . .and blossoms! From the creators of Leaf Jumpers and Winter Trees, Spring Blossoms introduces readers to a variety of different flowering trees. During a stroll through the forest, two children come across the small and white flowers on a crab apple tree, the rich, red buds on a red maple, and many more. Along the way, readers learn that some trees have both male and female flowers—each with a distinctive appearance. Back matter includes extended botanical facts and more information about trees and their life cycles. Told in lyrical rhymes with beautiful linoleum-cut illustrations, Spring Blossoms offers a unique blend of science, poetry, and art studies.
Yellow and red, orange and brown—fall is full of color! This nonfiction picture book, written and illustrated by Mia Posada, beautifully explains why leaves change color in fall. It highlights both the eye-catching colors of the season and the science behind the colors. Back matter offers additional scientific details for curious readers as well as suggested further reading and links to hands-on activities. "A visually appealing and unusually informative picture book for curious kids."—starred, Booklist "[G]lorious art . . ."—starred, Kirkus Reviews
Illustrations and rhyming text describe different leaves and the trees from which they fall.
In spring, seeds are planted. Sprouts pop up through the soil. Colorful flowers bloom. See how plants come to life in spring.
This Level 1 guided reader examines plants that blossom in spring. Students will develop word recognition and reading skills while learning about flowering plants of spring, including lilacs and apple trees.
'Kokin Wakashū' (Collection of Early and Modern Japanese Poetry) is one of the world's earliest and most important poetic anthologies. It consists of over 1,000 poems, almost all of which were probably written between the last half of the eighth century and 905, the approximate date of the work's compilation. This is the first full-scale study in English of Kokinshū (as it is usually called), the anthology that fixed the basic style of Japanese poetry, and in so doing defined the aesthetics of an entire literary tradition. Kokinshū cannot be appreciated without some knowledge of Chinese poetry and its influence on Japanese writers, Heian aesthetics ideals, the aims of the anthology's poets and compilers, the expectations of the intended audience, and the nature of Heian society. Brocade by Night attempts to provide the necessary perspective by discussing the Chinese poetry known to the Japanese, the characteristics of early Japanese composition in both Chinese and Japanese, and the social and literary atmosphere out of which Kokinshū arose. The author also discusses the content and form of typical Kokinshū poems, the structure of the anthology, and the question of individuality in a genre of convention. The role of Kokinshū principal compiler, Ki no Tsurayuki, is described, and the author examines two of Tsurayuki's other works, Tosa nikki and Shinsen waka. A companion volume, 'Kokin Wakashū', The First Imperial Anthology of Japanese Poetry, consists of new translations of Kokinshū and Tosa nikki and the first translation in any language of Shinsen waka