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"Star Wisdom is scientific, resting on a solid mathematical-astronomical foundation and a secure chronology of the life of Jesus Christ, while it is also spiritual, aspiring to the higher dimension of existence, expressed outwardly in the world of stars. The scientific and the spiritual come together in the sidereal zodiac that originated with the Babylonians and was used by the three magi who beheld the star of Bethlehem and came to pay homage to Jesus a few months after his birth." -- Robert Powell, PhD Each volume of Star Wisdom includes articles of interest on star wisdom (Astrosophy) and a guide to the correspondences between stellar configurations during the life of Christ and those of today. The guide comprises a complete sidereal ephemeris and aspectarian, geocentric and heliocentric, for days throughout the year. According to Rudolf Steiner, every step taken by Christ during his ministry between the Baptism in the Jordan and the Resurrection was in harmony with--and an expression of--the cosmos. Star Wisdom is concerned with heavenly correspondences during the life of Christ. It is intended to provide a foundation for cosmic Christianity, the cosmic dimension of Christianity--a dimension that has been missing from its two-thousand-year history. Readers can begin on this path by contemplating today's movements of the Sun, Moon, and planets against the background of the zodiacal constellations (sidereal signs) in relation to corresponding stellar events during the life of Christ. This opens the possibility of attuning, in a living way throughout the year, to the life of Christ in the etheric cosmos. Star Wisdom, volume 6, features a variety of articles that, although historical in many cases, are relevant to the present time, beginning with Joel Matthews' foreword, which focuses on the social and spiritual significance of the eclipse of 2024 ("the gateway out of the Age of Eclipse and into Apocalypse"), as well as eclipses of recent years and another that will occur in 2045. Joel Park also brings part 3 of "The Sacrifices of Jesus and Christ," with a comprehensive view of several millennia of past and coming times of transformation. He also brings part 4 of "Returning to the Origin of the Houses: Practical Application and Summary," which aligns the Houses and Tarot. Julie Humphreys' article, "The Bull Hurls a Thunderbolt," discusses Uranus as it passes through the cusp of Aries and Taurus in June, in sync with the human biographical seven-year periods of life. Also included is a lecture by Rudolf Steiner, "Individual Spirit Beings and the Constant Foundation of the Universe," from Secret Brotherhoods and the Mystery of the Human Double, discussing the influences of secret brotherhoods and the transition of human culture to a new era. Krisztina Cseri's article, "One Hundred Years after the Karma Lectures by Rudolf Steiner," illumines "karmic relationships from an astrological point of view." Robert Powell's "Classics in Astrosophy" series revisits the concept of a lunar calendar for farmers and gardeners. The ephemerides for this volume cover not only the months of 2024, but also most of the months during the earthly ministry of Jesus Christ, from December ad 29 to June 33, which may be used in conjunction with The Visions of Anne Catherine Emmerich. Illustrated in color and black and white.
THE GRAND PIANO is an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976-79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv. When completed, THE GRAND PIANO will comprise ten parts, in which each of the ten authors will appear in a different sequence. These poets are Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, and Ted Pearson.
Amid early twentieth-century China’s epochal shifts, a vital and prolific commercial publishing industry emerged. Recruiting late Qing literati, foreign-trained academics, and recent graduates of the modernized school system to work as authors and editors, publishers produced textbooks, reference books, book series, and reprints of classical texts in large quantities at a significant profit. Work for major publishers provided a living to many Chinese intellectuals and offered them a platform to transform Chinese cultural life. In The Power of Print in Modern China, Robert Culp explores the world of commercial publishing to offer a new perspective on modern China’s cultural transformations. Culp examines China’s largest and most influential publishing companies—Commercial Press, Zhonghua Book Company, and World Book Company—during the late Qing and Republican periods and into the early years of the People’s Republic. He reconstructs editors’ cultural activities and work lives as a lens onto the role of intellectuals in cultural change. Examining China’s distinct modes of industrial publishing, Culp explains the emergence of the modern Chinese intellectual through commercial and industrial processes rather than solely through political revolution and social movements. An original account of Chinese intellectual and cultural history as well as global book history, The Power of Print in Modern China illuminates the production of new forms of knowledge and culture in the twentieth century.
Includes entries for maps and atlases.
In The Challenge of American History, Louis Masur brings together a sampling of recent scholarship to determine the key issues preoccupying historians of American history and to contemplate the discipline's direction for the future. The fifteen summary essays included in this volume allow professional historians, history teachers, and students to grasp in a convenient and accessible form what historians have been writing about.
Taking interdisciplinary and diverse approaches, these thirteen essays explore the multifaceted relationship between performance and history. By considering performance as both a useful frame for understanding historical practices and a mode of historical production itself--performance in history and performance as history--the contributors chart new directions in such fields as cultural studies, contemporary historiography, museum studies, and life narrative research. Geographically and chronologically, the collection's sweep is broad--ranging from the nineteenth century to the present, from Victorian theater to commissions of inquiry in Kenya, from dissent in post-Soviet Lithuania to plantation tours in the American South. Together, the essays make up a work that is truly interdisciplinary in breadth and focus. By combining the methodologies of history and performance studies, the contributors illuminate the structure and function of cultural production in all its forms. The contributors are Michael S. Bowman, Ruth Laurion Bowman, Elizabeth Gray Buck, Kay Ellen Capo, David William Cohen, Tracy Davis, Kirk W. Fuoss, Shannon Jackson, D. Soyini Madison, Carol Mavor, E. S. Atieno Odhiambo, Della Pollock, Jeffrey H. Richards, and Joseph R. Roach.