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The "Baseball Guide provides fans with more than 600 pages of statistics to prepare for the season and for reference during the year. As in a media guide, fans will find team schedules, spring training rosters, ballpark information, and team directories for the 2003 season; team-byteam day-by-day reviews, highlights, records, and team leaders for the 2002 season; stories that review the 2002 play-offs and the All-Star Game; records and notable performances from 2002; and individual statistics for 2002.
Before the "Bronx Zoo" of George Steinbrenner and Billy Martin, there were the Oakland Athletics of the early 1970s, one of the most successful, most colorful-and most chaotic-baseball teams of all time. They were all of those things because of Charlie Finley. Not only the A's owner, he was also the general manager, personally assembling his team, deciding his players' salaries, and making player moves during the season-a level of involvement no other owner, not even Steinbrenner, engaged in. Drawing on interviews with dozens of Finley's players, family members, and colleagues, G. Michael Green and Roger D. Launius present "Baseball's Super Showman" (Time magazine's description of Finley on the cover of an August 1975 issue) in all his contradictions: generous yet vengeful, inventive yet destructive. The stories surrounding him are as colorful as the life he led, the chronicle of which fills an important gap in baseball's literature.
Described by famed baseball scribe Roger Angell as looking like “a festive prison yard” during the 1962 World Series, Candlestick was loved and hated by sports teams and fans alike for its 43 years of existence. Built on a landfill above a garbage dump in a city rocked by an 8.6 earthquake only 54 years earlier, it was notorious for the tornadic winds that came off the bay, probably costing Willie Mays at least 100 career home runs. The fogs that rolled in looked like something God sent to pass over His Chosen people. And of course, there was the famous 1989 World Series earthquake that postponed the opening game for 10 days. But it was also home to the greatest run of sustained excellence in pro football history: the 1981–1994 49ers, as well as the exploits of baseball stars such as Mays and Juan Marichal.
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The 1960s were among the most compelling years in the history of the United States, from the intensifying clamor for civil rights to the tragic incidents of assassination and war. Caught up in this sea of restlessness was major league baseball, and the manner in which baseball addressed the challenges of this decade would have a lasting impact on the game. In The New Boys of Summer: Baseball's Radical Transformation in the Late Sixties, Paul Hensler looks at the key issues confronting baseball during this tumultuous time. Hensler carefully examines how domestic racial issues, the war in Vietnam, assassinations of prominent public figures, youthful rebellion, and drug use each placed their imprint on the game just as baseball was about to celebrate its centennial season. The expansion of both the American and National leagues is also covered in depth, as are the new divisional alignments and major rule changes that were implemented in 1969. Other factors impacting the national pastime include the appointment of Bowie Kuhn as commissioner, the rising influence of Marvin Miller as the director of the players association, the construction of modern stadiums, and the rapid developments in information technology. An earlier generation of players was venerated as the Boys of Summer, and indeed, they continue to hold their rightful place in baseball’s legend and lore; but in the late 1960s, a fresh cast of characters made their own mark as transformations in the game brought baseball into the new modern era. Baseball historians and fans alike will be entertained and informed by this fresh look at the national pastime in the decade of discontent.
Sweet ’60: The 1960 Pittsburgh Pirates is the joint product of 44 authors and editors from the Society for American Baseball Research (SABR) who have pooled their efforts to create a portrait of the 1960 team which pulled off one of the biggest upsets of the last 60 years. Game Seven of the 1960 World Series between the Pirates and the Yankees swung back and forth. Heading into the bottom of the eighth inning at Forbes Field, the Yankees had outscored the Pirates, 53-21, and held a 7–4 lead in the deciding game. The Pirates hadn’t won a World Championship since 1925, while the Yanks had won 17 of them in the same stretch of time, seven of the preceding 11 years. The Pirates scored five times in the bottom of the eighth and took the lead, only to cough it up in the top of the ninth. The game was tied 9–9 in the bottom of the ninth. At 3:36, Bill Mazeroski swung at Ralph Terry’s slider. As Curt Smith writes in these pages: “There goes a long drive hit deep to left field!” said Gunner. “Going back is Yogi Berra! Going back! You can kiss it good-bye!” No smooch was ever lovelier. “How did we do it, Possum? How did we do it?” Prince said finally, din all around. Woods didn’t know—only that, “I’m looking at the wildest thing since I was on Hollywood Boulevard the night World War II ended.” David had toppled Goliath. It was a blow that awakened a generation, one that millions of people saw on television, one of TV’s first iconic World Series moments.
America's national pastime has been marked from its inception by bitter struggles between owners and players over profit, power, and prestige. In this book, the first installment of a highly readable, comprehensive labor history of baseball, Robert Burk d
"Orioles Magic" is a phrase fans still associate with the 1979-1983 seasons, Baltimore's last championship era, when they played excellent, exciting ball with a penchant for late-inning heroics. This book analyzes the Orioles not just as a great team but as the team to be marked by the fabled "Oriole Way," an organizational commitment to fundamentally sound baseball that guided them for nearly 30 years. The Magic years are discussed in the context of Baltimore sports, fan culture and baseball history, recalling the thrills of a splendid squad that delighted fans and reminding us why Peter Gammons called the 1979-1983 Orioles one of the major league's "last fun teams."