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A nostalgic guide detailing the creation of SpongeBob SquarePants. Featuring interviews with SpongeBob SquarePants' creator Stephen Hillenburg, a detailed early episode guide, a SpongeBob fan certificate, and other treats fill an insider's guide to the popular cartoon series.
SpongeBob Squarepants and his friends offer important tips for dealing with life's problems such as controlling a runaway seahorse, getting out of bed, and surviving gym class.
Includes a bonus facsimile reprint of the first SpongeBob Comics issue, inserted in pocket on page 3 of cover.
Inside you'll find trivia about the actors, writers, and producers of Rugrats, a detailed description of how each episode is made, and a complete listing of all story lines.
The critically acclaimed, bestselling novel from Gayle Forman, author of Where She Went, Just One Day, and Just One Year. Soon to be a major motion picture, starring Chloe Moretz! In the blink of an eye everything changes. Seventeen ­year-old Mia has no memory of the accident; she can only recall what happened afterwards, watching her own damaged body being taken from the wreck. Little by little she struggles to put together the pieces- to figure out what she has lost, what she has left, and the very difficult choice she must make. Heartwrenchingly beautiful, this will change the way you look at life, love, and family. Now a major motion picture starring Chloe Grace Moretz, Mia's story will stay with you for a long, long time.
Squidward tries to interfere with the frienship that SpongeBob and Patrick Star have for one another.
Current characters in children’s entertainment media illustrate a growing trend of representations that challenge or subvert traditional notions of gender and sexuality. From films to picture books to animated television series, children’s entertainment media around the world has consistently depicted stereotypically traditional gender roles and heterosexual relationships as the normal way that people act and engage with one another. Heroes, Heroines, and Everything in Between: Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media examines how this media ecology now includes a presence for nonheteronormative genders and sexualities. It considers representations of such identities in various media products (e.g., comic books, television shows, animated films, films, children’s literature) meant for children (e.g., toddlers to teenagers). The contributors seek to identify and understand characterizations that go beyond these traditional understandings of gender and sexuality. By doing so, they explore these nontraditional representations and consider what they say about the current state of children’s entertainment media, popular culture, and global acceptance of these gender identities and sexualities.
SpongeBob SquarePants and Philosophy is designed to introduce fans of SpongeBob SquarePants to some of the great thinkers and questions in philosophy. The essays can be shared by young and old alike, kindling new interest in philosophy and life’s big questions. What keeps SpongeBob “reeling in” major audiences on a daily basis is that underneath the lighthearted and whimsical exterior are the seeds of long-standing and important philosophical discussions about identity and the self, our obligations toward others, benefits and tensions of the individual in community, principles of the marketplace and environmental ethics, and questions of just how exactly Jack Kahuna Laguna can build a fire at the bottom of the ocean. (Okay, so perhaps we don’t have an answer for that last one, but maybe if you look into that fire long enough the answer will be revealed.) The book begins with a section exploration of the major characters of the series. To begin, Nicole Pramik uses the philosophies of Aristotle to demonstrate why SpongeBob, more than any other character in the series, is defined by a life of well-being and flourishing. In chapter two, Timothy Dunn provides an assessment of SpongeBob’s best friend, Patrick Star, using the writings of J.S. Mill to ask if the life of simple pleasures preferable to the life of the mind, while in chapter three Natasha Liebig uses the German pessimist philosophers to reveal what it means to live the life of Squidward Q. Tentacles. Chapter four uses the competing philosophies of Ayn Rand and Karl Marx to evaluate the actions of SpongeBob’s boss, Mr. Eugene Krabs, while in chapter five Denise Du Vernay explains how Sandy Cheeks offers a brand of feminism that breaks down traditional assumptions about masculine and feminine identity and repackages them into constructive and empowering messages for young people. Concluding this section of the book, Nicholas Michaud uses the philosophy of Friedrich Nietzsche to ask us reconsider our belief that SpongeBob and his friends are somehow heroic by giving us insight into the “will to power” held by the powerful little protozoan, Plankton. Section two of the book is dedicated to exploring the community of Bikini Bottom, starting with Shaun Young’s examination of Bikini Bottom as a representation of various theories of the just state. In chapter eight, Nathan Zook looks into whether we might learn something about theories of democracy and political participation from an election between SpongeBob and Squidward for “Royal Krabby,” while in chapter nine Adam Barkman uses the writings of Dante Alighieri to assess the monarchal rule of King Neptune. Chapter ten uses the legal philosophies of thinkers like Thomas Hobbes, John Locke, John Rawls, and David Hume to answer whether Mr. Krabs has the proper philosophical basis upon which to claim an individual right to possess and profit from the secret Krabby Patty formula. Chapter eleven then takes us to the pristine Jellyfish Fields where Greg Ahrenhoerster uses literary naturalism and the works of transcendentalist thinkers to examine environmental ethics and an individual’s obligations to shared resources. The third and final section uses SpongeBob to explore psychological and scientific questions that float around under the sea. In chapter twelve, Katie Anderson uses the episode “Sleepy Time” to explore Cartesian principles related to the philosophical questions that attempt to distinguish between dreams and reality, and in chapter thirteen Robert Kincaid continues the examination into philosophical issues related to the mind by using SpongeBob, Squidward, and Patrick to relate the theories of Sigmund Freud. Chapter fourteen is dedicated to an introduction into the philosophy of science by Wilson González-Espada, and Robert Vuckovich concludes the volume with an essay on SpongeBob’s
Imagine a management philosophy based not upon serving a company's customers, but on serving the company's employees. Vineet Nayar, CEO of HCL Technologies in India, has put such a philosophy into practice with remarkable results. His "employee first, customer second" mantra has been recognized globally as an example of organizational innovation, and was deemed a "new and radical management philosophy" ripe for the picking in the Western world by Business Week. In this book, Nayar himself describes his blunt refusal to treat the flesh and blood of HCL--its people--as "human resource" or as "intellectual capital" or even as an asset like all its other assets-and how his unique perspective led to an holistic transformation of his organization. By putting employees on top of the organizational pyramid, he argues, your company can fully realize the value created in the interface between customers and employees. This book leads managers and executives through the five core aspects of Nayar's approach, demonstrating how to create a sense of urgency, overhaul incentives and reporting structures, foster transparency in communications and feedback, provide platforms for achievement and personal growth, and finally recognize the potential of every individual in the organization. The "Employee First" philosophy should be the fulcrum of the transformation journey of any organization.