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She missed him because of her inferiority complex when they were young. She never thought that they would meet again seven years later. The little hoodlum turned into an overbearing CEO and kept pestering her with all kinds of 'bullying'.
Bai Jia was originally a pitiful little white flower in his previous life. His biological father didn't hurt, but his stepmother schemed against him. She had never been able to make a comeback in her life. In this lifetime of hard work, she had accidentally bumped into the CEO's arms, receiving an explosive boost of luck. He had wanted to officially start face smacking mode and be a dregs fighter! However, the CEO was the first to take the lead in everything. Bai Jia felt a headache coming, "Lu Yan, I don't need you to do anything, I can solve this myself!" The CEO glanced at her. "Is it that good?"
Emma Hagström Molin uncovers the history of a most peculiar heritage: seventeenth-century plunder in the form of archival documents, manuscripts and books preserved in Swedish archives and libraries.
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
All three books in 'Spoils Of War', a series of science fiction novels by Conor H. Carton, now available in one volume! Bottle Born Blues: Shakbout Mansard, an artificial life form, wants a quiet life with his family. However, his dangerous knowledge of a plot to overthrow the government of Mengchi makes him a target for terrorists and security forces alike. To make matters worse, he has been hiding a secret that could threaten the lives of all free bottle-born life forms across the systems. In this gripping sci-fi novel, Shakbout must take desperate measures to protect his loved ones and prevent a systems-wide war between factions. The Thousand Year Fall: In the second book in the series, Shakbout finds himself pursued by his past and embroiled in a race against time to stop a cult from destroying inhabited systems. As he becomes a pawn in the struggle to harness the power of the Bottle Born, Shakbout must rely on allies to survive. Ladder To The Sun: Shakbout is forced back into a dangerous situation when a claimant to the Emperor's throne arises, risking a return to war in the Inhabited Systems. Along with his allies, Shakbout fights to stop the process, but faces many obstacles from those who wish to prevent him. As he delves deeper, he uncovers a conspiracy that reveals the dark truth about the spoils of war.
In Spoils of the Kingdom, Anson Shupe investigates clergy misconduct as it has recently unfolded across five faith-based groups. Looking at episodes of abuse in the Roman Catholic, Mormon, African American Protestant, white Evangelical Protestant, and First Nations communities, Spoils of the Kingdom tackles hard questions not only about the sexual abuse of women and children, but also about economic frauds perpetrated by church leaders (including embezzlement, mis-represented missions, and outright theft) as well as cases of excessively authoritarian control of members’ health, lifestyles, employment, and politics. Drawing on case evidence, Shupe employs classical and modern social exchange theories to explain the institutional dynamics of clergy misconduct. He argues that there is an implicit contract of reciprocity and compliance between congregants and religious leaders that, when amplified by the charismatic awe often associated with religious authorities, can lead to misconduct.
To the Collector Belong the Spoils rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectors—Henry James, Walter Benjamin, and Carl Einstein—Annie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting which that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught between preservation and transformation, order and chaos, the past and the future. Positing a shadow history of modernism rooted in collection, citation, and paraphrase, To the Collector Belong the Spoils traces the movement's artistic innovation to its preoccupation with appropriating and rewriting the past. By despoiling and decontextualizing the work of others, these three authors engaged in a form of creative plunder that evokes collecting's long history in the spoils of war and conquest. As Pfeifer demonstrates, more than an archive or taxonomy, modernist collecting practices became a radical, creative endeavor—the artist as collector, the collector as artist.