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In this book, Alison Stone argues that popular music since rock-‘n’-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music’s stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy.
(Guitar Chord Songbook). 80 rock 'n' roll classics in one convenient collection with guitar chords and lyrics for each. Includes: All Shook Up * At the Hop * Barbara Ann * Blue Suede Shoes * Chantilly Lace * Crying * Duke of Earl * Great Balls of Fire * Heartbreak Hotel * I Get Around * In My Room * It's My Party * Kansas City * La Bamba * The Loco-Motion * Lonely Street * My Boyfriend's Back * Peggy Sue * Return to Sender * Rock Around the Clock * Runaway * Sea of Love * Sincerely * Stand by Me * Surfin' U.S.A. * Teen Angel * Willie and the Hand Jive * and more.
South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.
"In The Electric Guitar, scholars working in American studies, business history, the history of technology, and musicology come together to explore the instrument's importance as an invention and its peculiar place in American culture. Documenting the critical and evolving relationship among inventors, craftsmen, musicians, businessmen, music writers, and fans, the contributors look at the guitar not just as an instrument but as a mass produced consumer good that changed the sound of popular music and the self-image of musicians."--BOOK JACKET.
How can cancer be funny? How can a writer bring you to tears of sorrow as her mother gives her to God and yet cause you to laugh out loud as she may die on grape juice! Peck has managed to instill in us those feelings. Somehow this first-time author grabs us and pulls our heart strings with such deep feelings of understanding the sorrow of her cancer to shaking our heads with laughter as we listen to her head voice describe her feelings. You want her to succeed as she takes that first bite of sandwich or plucks on the strings of her guitar. You will fall in love with Letty as she takes you along her challenging, miraculous journey of cancer. She beat the odds! Travel with her as she struggles through the many trails given to her, laugh with her as she dances through the tango of survival. Feel the hope and love she discovers as God lays his plan out for her of sharing her faith of survival through her love of storytelling and music. You will feel as if she is talking just to you as she unravels her tale. You can even pick up a few ideas on how to cope with cancer for yourself or you loved one. Come and learn to laugh at cancer with this book of wit, meaning, hope, and trust in God
Learn Guitar, a two-part book and CD kit, is the ultimate starting point for anyone picking up the guitar.
The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .
Whether theyre acoustic or electric; a Fender, Gibson, or Rickenbacker; whether theyre used to play rock or blues or country; guitars have revolutionized the music industry and have struck a chord with music fans everywhere. An anthology of memoirs, stories, and reminiscences about acoustic and electric guitars and their vital role in all styles of music, This Old Guitar is the supreme tribute to this popular instrument and pop culture icon. The stories in "This Old Guitar" cover such themes as first guitars, learning to play, guitar love and lust, oddball guitars, famous guitars that made (or didnt make) history, playing air guitar, the cliches of smashing and burning guitars, and more. The stories come from journalists and historians well-known in the music industry, including Dan Forte (former editor of Guitar Player and Guitar World magazines), Michael Wright (author of "Guitar Stories" vols. 1 and 2, and contributor to "Vintage Guitar" magazine), Ward Meeker (editor of "Vintage Guitar" magazine), and Charles Shaar Murray (Author of "Crosstown Traffic and Boogie Man"). Sidebars include quotes from such famous musicians as Willie Nelson, Eric Clapton, Muddy Waters, T-Bone Walker, B. B. King, Pete Townshend, Jimi Hendrix, and more.
Feast your eyes on more than 300 of today s most creative, imaginative, and gorgeous hand-made guitarsall illustrated in full color and featuring information about the innovative artisans who created them. Meet guitar-making legends, such as C.F. Martin, Les Paul, and Leo Fender, who revolutionized the instrument s design. Discover why the past 25 years have seen an explosion of craftspeople who build guitars by hand, employing an attention to detail factories can t afford and using higher quality materials and more technical skill than in any previous era. Explore the various guitar styles used in a range of musical traditions, from blues to classical. Detailed information about each guitar s specifications, plus personal statements and anecdotes from the artisans about their work and techniques complete each entry. Rounding out the book is a Web directory and an index of luthiers. Players, craftspeople, collectors, and those who are simply fans of this popular instrument will find this volume irresistible "
The author, Pino Viscusi, witness of changes in culture and traditions of the 21st century, sees in haiku poems an important element for the integration and union among people. If art is universal in its nature, the exercise of writing haiku verses can affect the lives of all, from the youngest to the elderly, allowing us to rediscover the enchantment of nature and the love for small things.