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Sam and Lizzie are freezing and hungry on the streets of Victorian London. When Sam asks a wealthy man for some coins, he is rudely turned away. Months of struggle suddenly find their focus, and Sam resolves to kill the man. Huddling in a graveyard for warmth, Sam and Lizzie are horrified to see the earth around one of the tombs begin to shift, shortly followed by the wraithlike figure of a ghostly man. He warns Sam about the future which awaits such a bitter heart, and so begins Sam's journey led by terrifying spirits through the past, present and future, after which Sam must decide whether to take the man, Scrooge's, life or not. A perfectly layered, tense and supremely satisfying twist on one of Dickens' most popular books, cleverly reinvented to entice a younger readership.
The evil Nyibu Gagam, once outcasted from Damyo village, is filled with grudges in his heart and now seeks vengeance. The shaman who was resurrected to life by Uyu Gomte has to confront Nyibu Gagam with his sheer power and determination. Amidst the clash between the two shamans, the secret spirits of the past arise.
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
Before the massive environmental change wrought by the European colonization of the South, hundreds of species of birds filled the region's flyways in immeasurable numbers. Before disease, war, and displacement altered the South's earliest human landscape, Native Americans hunted and ate birds and made tools and weapons from their beaks, bones, and talons. More significant to Shepard Krech III, Indians adorned themselves with feathers, invoked avian powers in ceremonies and dances, and incorporated bird imagery on pottery, carvings, and jewelry. Krech, a renowned authority on Native American interactions with nature, reveals as never before the omnipresence of birds in Native American life. From the time of the earliest known renderings of winged creatures in stone and earthworks through the nineteenth century, when Native southerners took part in decimating bird species with highly valued, fashionable plumage, Spirits of the Air examines the complex and changeable influences of birds on the Native American worldview. We learn of birds for which places and people were named; birds common in iconography and oral traditions; birds important in ritual and healing; and birds feared for their links to witches and other malevolent forces. Still other birds had no meaning for Native Americans. Krech shows us these invisible animals too, enriching our understanding of both the Indian-bird dynamic and the incredible diversity of winged life once found in the South. A crowning work drawing on Krech's distinguished career in anthropology and natural history, Spirits of the Air recovers vanished worlds and shows us our own anew.
Stories are embedded in the world around us; in metal, in brick, in concrete, and in wood. In the very earth beneath our feet. Our history surrounds us and the tales we tell, true or otherwise, are always rooted in what has gone before. The spirits of place are the echoes of people, of events, of ideas which have become imprinted upon a location, for better or for worse. They are the genii loci of classical Roman religion, the disquieting atmosphere of a former battlefield, the comfort and familiarity of a childhood home. Twelve authors take us on a journey; a tour of places where they themselves have encountered, and consulted with, these Spirits of Place.
She’s researching her family’s genealogy, but she never expected to become history herself. Sarah Johansson is planning a family reunion when a photo of a little-known relative sparks her curiosity. A closer look at the post-World War I image causes her to tumble back in time to 1919 and into the hospital room of a brooding, wounded infantry corporal. Jacob Bellamy is done with war and everything it involves. After risking his life in the trenches, he hopes to finally find peace by retiring to his family’s farm. But when the war’s toll strikes too close to home and lands him in a hospital bed, the last thing he’s prepared for is the beautiful, mysterious woman who barges into his room and demands help—or the long-dead feelings she stirs inside him. As Sarah tries to unravel clues about her family’s history, her attraction toward the sexy Army veteran only grows. But her time in the past is growing short, and when an old wartime enemy of Jacob’s sets his sights on the blond beauty, Jacob will stop at nothing to keep her safe...even if it means losing her for good. Reader advisory: This book contains mature themes and adult language.
New York Times best-selling author Jentezen Franklin is back with a message that will inspire you to break free and reclaim a life of passion, purpose, and praise.
The bestselling book from two prizewinning, critically acclaimed contemporary chroniclers of San Francisco-a rich, illustrated, idiosyncratic portrait of this great city. In Spirits of San Francisco, #1 bestselling Cool Gray City of Love author Gary Kamiya joins forces with celebrated, bestselling artist Paul Madonna to take a fresh look at this one-of-a-kind city. Marrying image and text in a way no book about this city has done before, Kamiya's illuminating narratives accompany Madonna's masterful pen-and-ink drawings, breathing life into San Francisco sites both iconic and obscure. Paul Madonna's atmospheric images will awe: his wide-angle drawings offer a new perspective on the “crookedest street in the world” and vistas across the city. And Kamiya's engaging prose, accompanying each image, offers striking vignettes of this incredible city: witness his story of “Dumpville,” the bizarre community that sprang up in the 19th century on top of a massive garbage dump. Handsome and irresistible-much like the city it chronicles-Spirits of San Francisco is both a visual feast and a detailed, personal, loving, informed portrait of a beloved city.