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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
In the late nineteenth century, mediums across the country were busy delivering messages from the dead to anyone who would listen. And there were plenty who would. Often these words from beyond appeared on slates during seances. But the brand of magic that mediums offered was nothing more than that - magic. Author William E. Robinson an accomplished magician who worked as a stage manager and assistant to Alexander Herrmann and Harry Kellar, Knew all the tricks of the trade. His book, Spirit Slate Writing and Kindred Phenomena, published in 1898, explained them all.This version is a reprint of the original in large print for easy reading and examination. Brought to you by Chris Herren and Will Roberts.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
This Is A New Release Of The Original 1898 Edition.
Posters, photography, and objects from the height of Spiritualism and the history of magic gain renewed power when seen through today’s lens. The human desire to connect with the dead since the mid-19th century gave rise to a fascination with the supernatural and the magical. Mediums and magicians from Harry Houdini, Margery the Medium, Howard Thurston, and the Fox Sisters offered “communication” with the departed at séances and magic shows, two interrelated forms of popular culture that relied heavily on illusions and stagecraft. This is the first illustrated volume to gather the art and objects that made medium and magician performances iconic during the Spiritualism movement and beyond, a time when people actively debated and wondered, "can spirits return?" An international selection of paintings, photographs, posters, stage apparatuses, film, publications, and other objects reveal how audiences were entranced and mystified by these experiential performances, captivating willing believers and garnering skeptics as they navigated the intersecting realms of science and spirituality. From the origins of the iconic Oujia board to spirit photography, this book is a treasure trove.