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‘It starts to rain as I step out of my hotel ....’ So begins Subhash Jaireth's striking collection of essays on the writers, and their writing, that have enriched his own life. The works of Franz Kafka, Marina Tsvetaeva, Mikhail Bulgakov, Paul Celan, Hiromi Ito, Dutch philosopher Baruch Spinoza and others ignite in him the urge to travel (both physically and in spirit), almost like a pilgrim, to the places where such writers were born or died or wrote. In each essay a new emotional plane is reached revealing enticing connections. As a novelist, poet, essayist and translator born into a multilingual environment, Jaireth truly understands the power of words across languages and their integral connections to life of the body and the spirit. Drawing on years of research, translation and travel Spinoza's Overcoat – and its illuminations of loss, mortality and the reverie of writing – will linger with readers. ‘Eloquent and original, Jaireth’s meditations on the lives-of-poets are full of astonishing details, tender connections and the magnificent melancholy of devotion to words. Encompassing matters of translation, love, mortality and homage, this is a rare model of what might be called “literary philosophy” and an utter joy and surprise for anyone interested in the reading and writing life …’ – GAIL JONES, author of The Death of Noah Glass Subhash Jaireth was born in India. Between 1969 and 1978 he spent nine years in Russia studying geology and Russian literature. In 1986 he migrated to Australia. He has published writing in Hindi, English and Russian and his novel After Love (Transit Lounge 2012) was published in Spain in 2018.
Spinoza is among the most controversial and asymmetrical thinkers in the tradition and history of modern European philosophy. Since the 17th century, his work has aroused some of the fiercest and most intense polemics in the discipline. From his expulsion from the synagogue and onwards, Spinoza has never ceased to embody the secular, heretical and self-loathing Jew. Ivan Segré, a philosopher and celebrated scholar of the Talmud, discloses the conservative underpinnings that have animated Spinoza's numerable critics and antagonists. Through a close reading of Leo Strauss and several contemporary Jewish thinkers, such as Jean-Claude Milner and Benny Levy (Sartre's last secretary), Spinoza: the Ethics of an Outlaw aptly delineates the common cause of Spinoza's contemporary censors: an explicit hatred of reason and its emancipatory potential. Spinoza's radical heresy lies in his rejection of any and all blind adherence to Biblical Law, and in his plea for the freedom and autonomy of thought. Segré reclaims Spinoza as a faithful interpreter of the revolutionary potential contained within the Old Testament.
The Spinoza Quartet follows four distinguished contemporary scholars of Spinoza's thought as they meet in Amsterdam to receive the Spinoza Prize. The four come from Jerusalem, San Diego, Vienna and New York, each with a different take on Spinoza's thought and very different temperaments and worldviews, and almost immediately the sparks fly. At several luncheons hosted by the Regents each speaks about their relationship to Spinoza, the man and the thinker. For the next week, prior to the gala ceremony, the four prize recipients walk the streets of Amsterdam arguing heatedly, exposing their personal idiosyncrasies and sharing their fraught biographies. Spinoza is never far from their exchanges. In the course of the spirited discussions the characters' personal outlooks as well as their views of Spinoza merge dramatically into a tense but deeply humane tale.
This book offers a new and radical interpretation of the core of Spinoza's metaphysics. The first half of the book, which concentrates on the metaphysics of substance, suggests a new reading of Spinoza's key concepts of Substance and Mode, of Spinoza's pantheism and monism, and of his understanding of causation. The second half addresses Spinoza's metaphysics of Thought and presents three bold and interrelated theses on Spinoza's two doctrines of parallelism, on the multifaceted structure of ideas, and on Spinoza's reasons for holding that we cannot know any attributes of God, or Nature, other than Thought and Extension. Finally, the author shows that Spinoza assigns clear priority to the attribute of Thought without embracing reductive idealism.
A haunting portrait of Arthur Rosenberg, one of Nazism's chief architects, and his obsession with one of history's most influential Jewish thinkers In The Spinoza Problem, Irvin Yalom spins fact and fiction into an unforgettable psycho-philosophical drama. Yalom tells the story of the seventeenth-century thinker Baruch Spinoza, whose philosophy led to his own excommunication from the Jewish community, alongside that of the rise and fall of the Nazi ideologue Alfred Rosenberg, who two hundred years later during World War II ordered his task force to plunder Spinoza's ancient library in an effort to deal with the Nazis' "Spinoza Problem." Seamlessly alternating between Golden Age Amsterdam and Nazi Germany, Yalom investigates the inner lives of these two enigmatic men in a tale of influence and anxiety, the origins of good and evil, and the philosophy of freedom and the tyranny of terror.
The words of others, as an unpleasant remark ("You’re not hardworking") or a medical diagnosis ("You’re bipolar"), have the power to plunge us into anguish whenever they show an image of ourselves that we do not recognize: "In a world where words become viruses, certain sentences can kill." The reductive identity that is thus assigned to us creates the illusion that our life can be summed up by these few words, allowing others to exercise the tyrannical power of anxiety over us. Max Dorra explains how this illusion, created temporarily by the gaze of others, is just a montage-effect of our memory—as in a movie—and that it is enough to understand the mechanisms of this illusion in order to free ourselves from it: "To become aware of the fact that one is held captive by a montage is to be freed from a false confinement." In virtuosic and sensitive language ("The affects—shapeless and promising, wonderful clouds"), the author journeys through music, painting and cinema, appealing to sociology, psychoanalysis and philosophy, while remaining firmly rooted in reality: "There are more things in a hospital elevator than in all of philosophy." He shows us that trusting our imagination allows us to tame anxiety without fearing it, and understanding that "another montage is possible" allows us to go towards the other without losing ourselves. Max Dorra is a professor at the Faculty of Medicine in Paris Ouest. His specialty is internal medicine, a discipline that aims at a comprehensive understanding of patients: medical, psychological, social. He believes that there is more philosophy in a hospital corridor than in books. Author of nonfiction and fiction, Max Dorra received the Psyche Prize in 2001 for his book Heidegger, Primo Levi et le séquoia. La double inconscience. (Gallimard). He has also published La Syncope de Champollion, entre les images et les mots (Gallimard 2003), Quelle petite phrase bouleversante au coeur d'un être? (Gallimard 2005), Lutte des rêves et interprétation des classes (L'Olivier 2013).
“Heschel, in the play, is a fascinating, complex, at times charming, and at other times a self-defeating, somewhat crabby personality who was an enormous force among those who were enormous forces. At many moments I found myself recalling how Kennedy seemed to blow the lid off of the Eisenhower stodginess and how Pope John seemed to do something similar to the Catholic Church.”—Rabbi Michael Lerner, Editor, Tikkun Magazine
Spinoza and Biblical Philology in the Dutch Republic, 1660-1710 investigates the biblical criticism of Spinoza from the perspective of the Dutch Reformed society in which the philosopher lived and worked. It focuses on philological investigation of the Bible: its words, language, and the historical context in which it originated. Jetze Touber expertly charts contested issues of biblical philology in mainstream Dutch Calvinism to determine if Spinoza's work on the Bible had bearing on the Reformed understanding of the way society should handle Scripture. Spinoza has received considerable attention both in and outside academia. His unconventional interpretation of the Old Testament passages has been examined repeatedly during the past decades. So has that of fellow 'radicals' (rationalists, radicals, deists, libertines, and enthusiasts), against the backdrop of a society that is assumed to have been hostile, overwhelmed, static, and uniform. Touber counteracts this perspective and considers how the Dutch Republic used biblical philology and biblical criticism, including that of Spinoza. In doing so, Touber takes into account the highly neglected area of the Dutch Reformed ministry and theology of the Dutch Golden Age. The study concludes that Spinoza—rather than simply pushing biblical scholarship in the direction of modernity—acted in an indirect way upon ongoing debates, shifting trends in those debates, but not always in the same direction, and not always equally profoundly at all times, on all levels.
The Story of Civilization, Volume VIII: A history of European civilization in the period of Pascal, Moliere, Cromwell, Milton, Peter the Great, Newton, and Spinoza: 1648-1715. This is the eighth volume of the Pulitzer Prize-winning series.
"Any version of universalism, pluralistic sensitivities, and post-colonial awareness would need to balance a universalistic perspective with the richness of human diversity. Modern Jewish philosophers who partook in the Enlightenment's universalistic vision and maintained their distinct identity are relevant for current thinking about the balance between universalism and diversity"--