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This collection of exemplary essays by internationally recognized scholars examines the fairy tale from historical, folkloristic, literary, and psychoanalytical points of view. For generations of children and adults, fairy tales have encapsulated social values, often through the use of fixed characters and situations, to a far greater extent than any other oral or literary form. In many societies, fairy tales function as a paradigm both for understanding society and for developing individual behavior and personality. A few of the topics covered in this volume: oral narration in contemporary society; madness and cure in the 1001 Nights; the female voice in folklore and fairy tale; change in narrative form; tests, tasks, and trials in the Grimms' fairy tales; and folklorists as agents of nationalism. The subject of methodology is discussed by Torborg Lundell, Stven Swann Jones, Hans-Jorg Uther, and Anna Tavis.
The narratives of former slaves and the children of slaves in Plantation Slave Weavers Remember is an oral history of the weaving, spinning, dyeing and knitting activities of African-Americans during enslavement. It offers a glimpse into day to day activities on plantations and farms committed to the growth and profitability of their operations through slave-based labor.
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
In the 1970s, feminists focused critical attention on fairy tales and broke the spell that had enchanted readers for centuries. Now, after three decades of provocative criticism and controversy, this book reevaluates the feminist critique of fairy tales.
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.
Who could be here? This is a jungle. There are no street-lights, no houses, no shops,' said my daughter. My son, aged six, looked out of the car window and announced, 'I'll stay in the car for the next fifteen days.' When Bulbul Sharma first sees Shaya, she sees it at its worst. So what makes her return to the tiny, hidden hamlet in the hills again and again until she finally makes it her home? Is it the incredible beauty of the changing seasons and the birds and beasts they usher in? Is it the convivial company of robust hill folk, like Thakur, the conspicuously hands-off handyman, and Bua, who ages before our eyes and grows younger and younger in her outlook, and the lives they lead unspoilt by urban sophistication? Or the sheer flavour of Shaya, embodied in its rhododendron wine and apricot chutney on hot chapattis? Sharma whips out her famous sketch pad and writing paper to record all things bright and beautiful in Shaya. Hers is a keen but humorous eye, and reading the observations she makes from a simple two-roomed cottage in the mountains, it is easy to believe that paradise resides there.
Spring on the farm means sheep-shearing time! In this enchanting tale, a family of adorable mice learn how sheep fleeces can be dyed, spun, and woven into a blanket. But that wool also looks so soft and inviting to the little mice—surely no one would mind if they take a little for their beds? Featuring the beloved family of mice from The Weaver’s Surprise,Tom Knisely spins this yarn of their new adventures. What will happen when the weaver runs out of wool for his blanket? Can his mouse friends replenish his supply in time?
For knitters, crocheters, and weavers ready to make their own yarn, this handy guide provides detailed instructions for spinning both on a spindle and a wheel, and offers a special section devoted to troubleshooting and wheel maintenance that keeps projects on track. It offers a comprehensive look at the various available fiber options, choosing and preparing each type of fiber for use, and crafting these materials into ready-to-work pieces. A final chapter on the various uses of spun yarn focuses on project planning, with definitions and context for measuring wraps per inch, determining yards for specific projects, and choosing a yarn size.
The Tale of the Spinning Wheel by Elizabeth Cynthia Barney Buel: "The Tale of the Spinning Wheel" by Elizabeth Cynthia Barney Buel is a heartwarming children's story that revolves around a spinning wheel and the people connected to it. Through a series of interconnected tales, the book weaves a delightful narrative that highlights the importance of kindness, compassion, and community. Elizabeth Cynthia Barney Buel's storytelling captures the magic of folktales and imparts valuable life lessons to young readers. Key Aspects of the Book "The Tale of the Spinning Wheel by Elizabeth Cynthia Barney Buel": Interconnected Stories: The book presents a collection of interconnected tales that revolve around a central theme, imparting important life lessons. Moral Values: Elizabeth Cynthia Barney Buel uses storytelling to convey moral values such as kindness, generosity, and the rewards of virtuous behavior. Children's Literature: "The Tale of the Spinning Wheel" exemplifies the charm and enchantment of classic children's literature, catering to the young reader's imagination. Elizabeth Cynthia Barney Buel was an American author known for her contributions to children's literature. Her stories often centered around valuable life lessons and the magic of folktales. "The Tale of the Spinning Wheel" exemplifies her talent for crafting charming narratives that leave a lasting impact on young readers.