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An analysis of the trickster spider character from West African folklore, performance, and Ghanian politics. The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. “A precise and inviting appeal to political economy, performance, and the enduring relevance of the cultural and archetypal trickster.” —D. Soyini Madison, Northwestern University “David Afriyie Donkor’s experience as a theatre artist and director supports the rich political economic component that frames this analysis of performance and performance traditions for broad audiences.” —Jesse Weaver Shipley, Haverford College “By sharing the performance experiences, rather than texts, Donkor accomplishes the challenging task of introducing rare theatre performances in a particularly compelling context for a Western readership in a global age.” —Theatre Survey “Overall, as a Ghanaian actor and director as well as a scholar, Donkor’s cultural insider analyses of ananse theatre within the space of political economy make important contributions and interventions to the discourses on performance (theory) and neoliberalism and their interaction in Ghana and Africa.” —African Studies Review
An analysis of the trickster spider character from West African folklore, performance, and Ghanian politics. The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. “A precise and inviting appeal to political economy, performance, and the enduring relevance of the cultural and archetypal trickster.” —D. Soyini Madison, Northwestern University “David Afriyie Donkor’s experience as a theatre artist and director supports the rich political economic component that frames this analysis of performance and performance traditions for broad audiences.” —Jesse Weaver Shipley, Haverford College “By sharing the performance experiences, rather than texts, Donkor accomplishes the challenging task of introducing rare theatre performances in a particularly compelling context for a Western readership in a global age.” —Theatre Survey “Overall, as a Ghanaian actor and director as well as a scholar, Donkor’s cultural insider analyses of ananse theatre within the space of political economy make important contributions and interventions to the discourses on performance (theory) and neoliberalism and their interaction in Ghana and Africa.” —African Studies Review
The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters.
Bright and graphic characters hilariously come to life in these eye-catching, rhyming books with meaningful giggles on every page. These pocket-sized twisted tales have a special wit all their own that children will just love. Full color.
Spiders are among the most diverse groups of terrestrial invertebrates, yet they are among the least studied and understood. This first comprehensive guide to all 68 spider families in North America beautifully illustrates 469 of the most commonly encountered species. Group keys enable identification by web type and other observable details, and species descriptions include identification tips, typical habitat, geographic distribution, and behavioral notes. A concise illustrated introduction to spider biology and anatomy explains spider relationships. This book is a critical resource for curious naturalists who want to understand this ubiquitous and ecologically critical component of our biosphere.
Follow Gin Blanco, a kick-butt female assassin who moonlights at a BBQ joint in Tennessee, as she searches for the person who double-crossed her in this heart-pounding and fresh paranormal romance series. After Gin’s family was murdered by a Fire elemental when she was thirteen, she lived on the streets and eventually became an assassin to survive. Now, Gin is assigned to rub out an Ashland businessman, but it turns out to be a trap. After Gin’s handler is brutally murdered, she teams up with the sexy detective investigating the case to figure out who double-crossed her and why. Only one thing is for sure—Gin has no qualms about killing her way to the top of the conspiracy.
"I have never warmed much to spiders . . . [they] are too creepy . . . Well, I'm wrong and this book has changed my mind. Spiders are tops. . . . One is tempted to think there is no such thing as a dull spider." -- British Wildlife "The hair-raising factor will attract even arachnophobic teens." -- Booklist Spiders provides information on habitat, hunting techniques, anatomy, general characteristics and location of spiders, the most successful of all terrestrial predators in the world. Stephen Dalton has chosen to focus on spiders' hunting methods and provides fascinating information on the astonishing array of techniques spiders use for catching their prey: trapping in webs, lassoing, jumping, stealing, chasing, ambushing, spitting, fishing, masquerading as other animals and even attracting prey by mimicking the prey's pheromones. The spiders are grouped by their method of hunting: Nocturnal hunters Trappers: orderly webs Daylight: visual hunters Trappers: disorderly webs Jumping spiders Tunnel-web builders Ambushers and lurkers Nonconformists. Dalton's spectacular photographs are extraordinary in their detail, and some of them document spider behavior never recorded previously. He also gives expert guidance on photographing spiders.
For ten years, the White House, assisted by allies in London and Rome, brushed aside the law in a relentless quest to support Saddam Hussein. What were the forces that shaped this persisting embrace of a dictator whom George Bush would eventually compare to Adolf Hitler? How did Washington and its NATO allies nurture a frequently illicit rapport with Saddam, and what was the real story of why it became necessary to mount Operation Desert Storm? How did the governments led by George Bush and Margaret Thatcher seek to cover up their past dealings with the Iraqi leader after Desert Storm finally drove him from Kuwait in 1991?
In 2006, an oddball group of bankers, traders and brokers from some of the largest financial institutions made a startling realization: Libor�e"the London interbank offered rate, which determines the interest rates on trillions in loans worldwide�e"was set daily by a small group of easily manipulated administrators, and that they could reap huge profits by nudging it fractions of a percent to suit their trading portfolios. Tom Hayes, a brilliant but troubled mathematician, became the lynchpin of a wild alliance that included a prickly French trader nicknamed �eoeGollum�e ; the broker �eoeAbbo,�e who liked to publicly strip naked when drinking; a nervous Kazakh chicken farmer known as �eoeDerka Derka�e ; a broker known as �eoeVillage�e (short for �eoeVillage Idiot�e ) who racked up huge expense account bills; an executive called �eoeClumpy�e because of his patchwork hair loss; and a broker uncreatively nicknamed �eoeBig Nose�e who had once been a semi-professional boxer. This group generated incredible riches �e"until it all unraveled in spectacularly vicious, backstabbing fashion. With exclusive access to key characters and evidence, The Spider Network is not only a rollicking account of the scam, but also a provocative examination of a financial system that was crooked throughout.
This beautifully illustrated and updated guide to the spider families and genera north of Mexico is an indispensable reference for both amateur naturalists and professional arachnologists. It provides keys to over 600 genera in 71 different families.