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"In Nikky Finney's Head Off & Split the beauty of language soars and saves us even as we skirt the raw edge of terror. And something rare and precious is restored, a light, a circling movement of the spirit. This is poetry to give thanks for."---Meena Alexander, author of Quickly Changing River --
"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
No detailed description available for "Poetry in Speech".
The Christian gospel, says Brueggemann, is too easily preached and heard. Too often technical reason and excessive religious certitude reduce the gospel to coercive, debilitating pietisms that mask the text's meaning and freeze the hearers heart. With skill and imagination, Brueggemann demonstrates how the preacher can engage in daring speech?differently voiced and therefore differently heard. This speech, as suggested by the Bible itself, is "poetic" speech, enabling the preacher to forge communion in the midst of alienation, bring healing out of guilt, and empower the hearer for "missional imagination." As an alternative to theological/homiletical discourse that is moralistic, pietistic or scholastic, Brueggemann proposes preaching that is artistic, poetic, and dramatic. The basis for the 1989 Lyman Beecher Lectures at Yale Divinity School, Finally Comes the Poet is a unique and transforming guide for powerful preaching.
From award-winning reporter and author of Pieces of Intelligence: The Existential Poetry of Donald H. Rumsfeld comes this collection of poems mined from the interviews, speeches, and tweets of Republican President-elect Donald Trump. The Vicious Ones I was attacked viciously By those women, Of course, it's very hard for them To attack me on looks, Because I'm so good looking. But I was attacked very viciously By those women. --August 9, 2015, NBC’s Meet the Press Straight from the mouth of “the Donald” himself, this treasury of spoken poetry—not a word is changed—has been culled from nearly 30 years of interviews, speeches, tweets, and ramblings from President-elect and billionaire Donald Trump. Since the 1980s, Trump has built his verses like his casinos, using only the highest quality words and phrases, regardless of cost. He’s run a real estate empire, achieved a net worth of ten billion dollars, scripted best-sellers, and starred in the top-rated TV show “The Apprentice.” Like a colossus, he bestrides the cultural world as if it were the bottle-strewn boardwalk of Atlantic City. But until now, Trump’s poetry—delivered spontaneously in moments of enduring clarity—has gone unnoticed, (making it the only aspect of Trump to be that way.) On a regular basis, The Donald speaks, tweets and hollers his verses—always without the needless restrictions of political correctness and grammar… because among world class poets, there don’t be no grammar, there only be truth… big time! Whether you’re a Trump debunker or admirer, The Bard of the Deal will delight, shock, and entertain you. So prepare to be Trumped by the ten billion dollar poetry of the ten billion dollar bard. This is the art of the poem.
The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.
Forty-three men with forty-three passions, but with one thing in common: a presidential place in America's history. With her gift for unforgettable rhythm and innovative rhyme, Marilyn Singer brings the presidents of the United States to life-from Washington to Obama-and contextualizes them in their time. Illustrations by John Hendrix are full of hilarious wit and refined exuberance, and backmatter enriches the experience with short biographies, quotes by each president, and more.
For the last decade, Rob Sears has been painstakingly combing the words of Donald J. Trump for signs of poetry. To the surprise of many, he has found riches. By simply cutting up and reordering lines from Trump’s tweets, Truths and transcripts, Sears has unearthed a trove of exquisite verse that was just waiting to be found. In this expanded edition of a poetry classic, fans can rediscover a writer of rare conviction (thirty-four felony charges and counting), and for the first time ponder the full span of Trump's artistic flowering and the paradoxes it poses. Like: How can one and the same person unite critics with beautiful poems, yet prove so divisive in his 'other life' as a political leader? And how can a man many consider desperately flawed produce works of such grace as 'All I ask is fairness', 'My hands are normal hands' and 'Shithole countries'? The Beautiful Poetry of Donald Trump is a carefully curated collection for our times that will make a thought-provoking addition to any poetry-lover’s library.
For this companion to her New York Times best-selling collection A Family of Poems, Caroline Kennedy has hand-selected more than a hundred of her favorite poems that lend themselves to memorization. Some are joyful. Some are sad. Some are funny and lighthearted. Many offer layers of meaning that reveal themselves only after the poem has been studied so closely as to be learned by heart. In issuing the challenge to memorize great poetry, Caroline Kennedy invites us to a deeply enriching experience. For as she reminds us, “If we learn poems by heart, not only do we have their wisdom to draw on, we also gain confidence, knowledge and understanding that no one can take away.” Illustrated with gorgeous, original watercolor paintings by award-winning artist Jon J Muth , this is truly a book for all ages, and one that families will share again and again. Caroline’s thoughtful introductions shed light on the many ways we can appreciate poetry, and the special tradition of memorizing and reciting poetry that she celebrates within her own family.