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The first comprehensive history of the Lakota Indians and their profound role in shaping America’s history This first complete account of the Lakota Indians traces their rich and often surprising history from the early sixteenth to the early twenty†‘first century. Pekka Hämäläinen explores the Lakotas’ roots as marginal hunter†‘gatherers and reveals how they reinvented themselves twice: first as a river people who dominated the Missouri Valley, America’s great commercial artery, and then—in what was America’s first sweeping westward expansion—as a horse people who ruled supreme on the vast high plains. The Lakotas are imprinted in American historical memory. Red Cloud, Crazy Horse, and Sitting Bull are iconic figures in the American imagination, but in this groundbreaking book they emerge as something different: the architects of Lakota America, an expansive and enduring Indigenous regime that commanded human fates in the North American interior for generations. Hämäläinen’s deeply researched and engagingly written history places the Lakotas at the center of American history, and the results are revelatory.
“Beautifully wrought and impossible to put down, Daniel Sharfstein’s Thunder in the Mountains chronicles with compassion and grace that resonant past we should never forget.”—Brenda Wineapple, author of Ecstatic Nation: Confidence, Crisis, and Compromise, 1848–1877 After the Civil War and Reconstruction, a new struggle raged in the Northern Rockies. In the summer of 1877, General Oliver Otis Howard, a champion of African American civil rights, ruthlessly pursued hundreds of Nez Perce families who resisted moving onto a reservation. Standing in his way was Chief Joseph, a young leader who never stopped advocating for Native American sovereignty and equal rights. Thunder in the Mountains is the spellbinding story of two legendary figures and their epic clash of ideas about the meaning of freedom and the role of government in American life.
In 1876 Lakota and Cheyenne warriors annihilated Custer's Seventh Cavalry at Little Bighorn. Three years later and half a world away, a British force was wiped out by Zulu warriors at Isandhlwana in South Africa. In both cases the total defeat of regular army troops by forces regarded as undisciplined barbarian tribesmen stunned an imperial nation. Although the similarities between the two frontier encounters have long been noted, James O. Gump's book The Dust Rose Like Smoke is the first to scrutinize them in a comparative context. "This study issues a challenge to American exceptionalism," he writes. Viewing both episodes as part of a global pattern of intensified conflict in the latter 1800s resulting from Western domination over a vast portion of the globe, Gump's comparative study persuasively traces the origins and aftermath of both episodes. He examines the complicated ways in which Lakota and Zulu leadership sought to protect indigenous interests while Western leadership calculated their subjugation to imperial authority. The second edition includes a new preface from the author, revised and expanded chapters, and an interview with Leonard Little Finger (great-great-grandson of Ghost Dance leader Big Foot), whose story connects Wounded Knee and Nelson Mandela.
This “meticulous and finely researched” biography tracks the Apache raider’s life from infamous renegade to permanent prisoner of war (Publishers Weekly). Notorious for his ferocity in battle and uncanny ability to elude capture, the Apache fighter Geronimo became a legend in his own time and remains an iconic figure of the nineteenth century American West. In Geronimo, renowned historian Robert M. Utley digs beneath the myths and rumors to produce an authentic and thoroughly researched portrait of the man whose unique talents and human shortcomings swept him into the fierce storms of history. Utley draws on an array of newly available sources, including firsthand accounts and military reports, as well as his geographical expertise and deep knowledge of the conflicts between whites and Native Americans. This highly accurate and vivid narrative unfolds through the alternating perspectives of whites and Apaches, arriving at a more nuanced understanding of Geronimo’s character and motivation than ever before. What was it like to be an Apache fighter-in-training? Why was Geronimo feared by whites and Apaches alike? Why did he finally surrender after remaining free for so long? The answers to these and many other questions fill the pages of this authoritative volume.
This monograph discusses the role of operational art in the Sioux War of 1876, the U.S. Army’s largest campaign between the Civil War and the Spanish-American War. This campaign, often overlooked in the historical study of operational art, demonstrates the successful application of operational art in a non-traditional campaign: the U.S. Army’s defeat of the Northern Sioux Indians and their allies. This campaign also demonstrates how operational art can lead to operational victory, despite repeated tactical failures. The monograph first defines operational art, based on emerging U.S. Army doctrine, and then reviews its role in three campaigns that served as models for the Army’s operations in the Sioux War of 1876: Grant’s 1864-1865 campaign to defeat the Confederacy, the Southern Plains War of 1868-1869, and the Red River War of 1874-1875. The plans and execution of the Sioux War of 1876 are then reviewed and analyzed utilizing the definition of operational art and modem concepts for operational planning. The causes of failure in the 1876 campaign are then analyzed, based on Cohen and Gooch’s methodology for analysis of military failure, followed by explanation of the campaign’s ultimate success. The monograph concludes that the Frontier Army’s success in this campaign demonstrates successful application of operational art, despite many errors in planning and execution committed by General Sheridan and his subordinates. Additional lessons from this campaign include the danger of blindly applying previously successful models for operations, the preeminent role of the operational commander, and the validity of operational art in campaigns against unconventional foes.