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The alphabet is the message. With these special effects and topical alphabets, you can advertise or identify a product or service in lettering that reinforces your message. For example: letters shaped like chopsticks; letters made up of logs; letters made up of bones; letters frozen in ice; letters with stars and stripes. These are just a few of the alphabets you can use from the 100 fonts selected by Dan X. Solo from the Solotype Typographers Catalog. All the fonts appear in upper case, while many also have lower case and/or numerals. Whether your message is about the Fourth of July, cool refreshment, outdoor life, modern technology, summer, spring, winter, or a hundred other moods and occasions, you'll find in this collection an alphabet that tells the story. The typographic designs may be sophisticated or naïve, but all are eminently useful and difficult to find in usual sources.
Handy archive of royalty-free typefaces ideal for ads, signs, menus, etc. Calico Casual, Designer Raleigh, Easter Gothic, Galaxy One, many other fonts. Use with any copier for an endless source of condensed type.
More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
Monograms are immensely useful and eye catching visual devices consisting of two or more letters interwoven in artistic harmony. They lend themselves to numerous graphic applications: stationery, fabrics, advertising, book illustration, greeting cards, posters, menus, logos — virtually any project requiring symbolic or high-recognition lettering. The present volume offers graphic designers an unusually comprehensive collection of contemporary monograms — over 1,300 attention-getting designs, arranged alphabetically for convenience. Each letter of the alphabet is combined with every other letter, creating a versatile archive of monograms in an incredible array of type styles: 3-D, shaded, calligraphic, Gothic, ribbon, block, cartoon, script, Oriental, digital letters, and hundreds of others. Moreover, many monograms appear in more than one style for added flexibility. In addition to an enormous variety of typefaces, the monograms embody numerous spacing variations: overlapping, interlocking, and various other arrangements that offer the utmost versatility to designers. You'll also find a useful selection of monograms incorporated into larger illustrations: a necktie, automobile, tote bag, coffee mug, and other familiar objects. Graphic artists, illustrators, typographers, and students will find this collection indispensable — a nearly inexhaustible array of imaginative lettering configurations, arranged for maximum convenience — ready to solve a myriad of design problems. Best of all, every monogram is royalty-free — ready to use without any prior permission or fee.
An updated version of the classic Renaissance manuals, this handbook is geared toward modern practitioners. It features the best ideas from the early guides, compiled into a contemporary system that makes writing the Italic as simple as possible. With this manual as a guide, both experienced and novice calligraphers can cultivate their natural creativity.
No need for copper or plates to achieve the distinctive calligraphic script of eighteenth-century Europe ― just a pen, ink, and this comprehensive workbook will do. Master calligrapher Dick Jackson explains the basic strokes for almost all letters of the copperplate alphabet. Simple instructions and examples introduce the swirls, flourishes, strikings, and thick and thin strokes that make copperplate calligraphy a source of pleasure for the practitioner and a delight to the reader. A historical introduction traces the growth of copperplate from its roots in the French ronde of the seventeenth century, to its adaptation by English clerks into their copybooks, and the development of the style known as round hand. In addition, guide sheets and instructions for individual letters and numbers offer aspiring calligraphers a practical approach to this enduring art form.
In recent years, calligraphy has evolved from an esoteric art form to an everyday pursuit for artists, students, and amateurs. This guide for novices with some experience offers the chance to advance to the next level. Well-illustrated, step-by-step instructions by an expert calligrapher explain every detail of the two most popular calligraphic alphabets. Author Eleanor Winters introduces the Italic hand, which originated during the Renaissance, and the Copperplate style, which dominated European calligraphy during the eighteenth century. Her three-part approach begins with a review of the basics, advancing to variations in letter size, form, weight, and flourishes. It concludes with a wealth of advice on layout and design as well as inspiration for original projects.
"Eminent calligrapher, designer and design historian Jan Tschichold here offers admirers of fine art and handwriting a stunning collection of over 300 years of the best of European calligraphic art. Treasury of Calligraphy presents 219 examples of work by dozens of Europe's master calligraphers--the cream of the manuals and copybooks, selected according to Tschichold's personal criteria of expressiveness and aesthetic importance. Here is the near-Gothic rodonda of 16th-century Spaniard Juan de Yciar; the variations on northern Fraktur and southern cursive practices by his German contemporary Caspar Neff; the sparingly used, dramatic ornaments of 17th-century Lyons master François Desmoulins; and magnificent scripts by Palatino, Wyss, Vespasiano, Cresci, van den Velde, Beauchesne and Baildon, Barbedor, Casanova, Snell, Bickham, Stirling and many others."--back cover.