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What is of particular significance about this set of interviewees is the fact that each has approached the process of research and historical writing by applying a variety of techniques from the broad spectrum of the humanities, liberal arts, and social and natural sciences; each has avoided narrow specialization by comparing the particular contexts they study with other times and places. Collectively, they see the study of history in a global perspective.
“Speaking in the Past Tense participates in an expanding critical dialogue on the writing of historical fiction, providing a series of reflections on the process from the perspective of those souls intrepid enough to step onto what is, practically by definition, contested territory.” — Herb Wyile, from the Introduction The extermination of the Beothuk ... the exploration of the Arctic ... the experiences of soldiers in the trenches during World War I ... the foibles of Canada’s longest-serving prime minister ... the Ojibway sniper who is credited with 378 wartime kills—these are just some of the people and events discussed in these candid and wide-ranging interviews with eleven authors whose novels are based on events in Canadian history. These sometimes startling conversations take the reader behind the scenes of the novels and into the minds of their authors. Through them we explore the writers’ motives for writing, the challenges they faced in gathering information and presenting it in fictional form, the sometimes hostile reaction they faced after publication, and, perhaps most interestingly, the stories that didn’t make it into their novels. Speaking in the Past Tense provides fascinating insights into the construction of national historical narratives and myths, both those familiar to us and those that are still being written.
Showcases and analyzes a private collection of 130 kimonos made for men, women, and children between 1900 and 1940, evaluating the historical and cultural factors that have inspired their designs, in a volume that features three hundred commissioned photographs.
Consists of interviews with eleven Canadian historical novelists.
From the Women's Marches to the MeToo movement, it is clear that feminist activism is still alive and well in the twenty-first century. But how does a new generation of activists understand the work of the movement today? How are their strategies and goals unfolding? What worries feminist leaders most, and what are their hopes for the future? In Speaking of Feminism, Rachel F. Seidman presents insights from twenty-five feminist activists from around the United States, ranging in age from twenty to fifty. Allowing their voices to take center stage through the use of in-depth oral history interviews, Seidman places their narratives in historical context and argues that they help explain how recent new forms of activism developed and flourished so quickly. These individuals' compelling life stories reveal their hard work to build flexible networks, bridge past and present, and forge global connections. This book offers essential reading for anyone seeking to understand the contemporary American women's movement in all its diversity. Interviewees include: Noorjahan Akbar Soledad Antelada Elisa Camahort Page Park Cannon Soraya Chemaly Dana Edell Kate Farrar Ivanna Gonzalez Tara Hall Trisha Harms Kwajelyn Jackson Holly Kearl Emily May Kenya McKnight Samhita Mukhopadhyay Ho Nguyen Katie Orenstein Patina Park Erin Parrish Andrea Pino Joanne Smith Rebecca Traister Alice Wilder Kabo Yang Rye Young
This oral history reader, designed to supplement texts on the second half of the U.S. history survey, features the words of ordinary people who describe how they shaped, viewed, and remembered American history.
Did you know that your answers to just a handful of questions can predict the zip code of where you grew up? Speaking American offers a visual atlas of the American vernacular--who says what, and where they say it--revealing the history of our nation, our regions, and the language that divides and unites us.
In this highly original work, Steven A. Epstein shows that the ways Italians employ words and think about race and labor are profoundly affected by the language used in medieval Italy to sustain a system of slavery. The author's findings about the surprising persistence of the "language of slavery" demonstrate the difficulty of escaping the legacy of a shameful past. For Epstein, language is crucial to understanding slavery, for it preserves the hidden conditions of that institution. He begins his book by discussing the words used to conduct and describe slavery in Italy, from pertinent definitions given in early dictionaries, to the naming of slaves by their masters, to the ways in which bondage has been depicted by Italian writers from Dante to Primo Levi and Antonio Gramsci. Epstein then probes Italian legal history, tracing the evolution of contracts for buying, selling, renting, and freeing people. Next he considers the behaviors of slaves and slave owners as a means of exploring how concepts of liberty and morality changed over time. He concludes by analyzing the language of the market, where medieval Italians used words to fix the prices of people they bought and sold. The first history of slavery in Italy ever published, Epstein's work has important implications for other societies, particularly America's. "For too long," Epstein notes, "Americans have studied their own slavery as it if were the only one ever to have existed, as if it were the archetype of all others." His book allows citizens of the United States and other former slave-holding nations a richer understanding of their past and present.