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On the eve of the controversial, posthumous publication of The Original of Laura, Michael Maar follows his critically acclaimed The Two Lolitas with a revealing new perspective on Vladimir Nabokov’s life and work. Hunting down long-hidden clues in the novels, and using the themes that run through Nabokov’s fiction to illuminate the life that produced them, Maar constructs a compelling psychological and philosophical portrait. Characteristically graceful and engaging, Speak, Nabokov offers a vital new perspective on the twentieth-century master.
A rich compilation of the previously uncollected Russian and English prose and interviews of one of the twentieth century's greatest writers, edited by Nabokov experts Brian Boyd and Anastasia Tolstoy. “I think like a genius, I write like a distinguished author, and I speak like a child": so Vladimir Nabokov famously wrote in the introduction to his volume of selected prose, Strong Opinions. Think, Write, Speak follows up where that volume left off, with a rich compilation of his uncollected prose and interviews, from a 1921 essay about Cambridge to two final interviews in 1977. The chronological order allows us to watch the Cambridge student and the fledgling Berlin reviewer and poet turn into the acclaimed Paris émigré novelist whose stature brought him to teach in America, where his international success exploded with Lolita and propelled him back to Europe. Whether his subject is Proust or Pushkin, the sport of boxing or the privileges of democracy, Nabokov’s supreme individuality, his keen wit, and his alertness to the details of life illuminate the page.
Longlisted for the 2019 Center for Fiction First Novel Prize, Ryan Chapman’s “gritty, bracing debut” (Esquire) set during a prison riot is “dark, daring, and laugh-out-loud hilarious…one of the smartest—and best—novels of the year” (NPR). A largescale riot rages through Westbrook prison in upstate New York, incited by a poem in the house literary journal. Our unnamed narrator, barricaded inside the computer lab, swears he’s blameless—even though, as editor-in-chief, he published the piece in question. As he awaits violent interruption by his many, many enemies, he liveblogs one final Editor’s Letter. Riots I Have Known is his memoir, confession, and act of literary revenge. His tale spans a childhood in Sri Lanka, navigating the postwar black markets and hotel chains; employment as a Park Avenue doorman, serving the widows of the one percent; life in prison, with the silver lining of his beloved McNairy; and his stewardship of The Holding Pen, a “masterpiece of post-penal literature” favored by Brooklynites everywhere. All will be revealed, and everyone will see he’s really a good guy, doing it for the right reasons. “Fitfully funny and murderously wry,” Riots I Have Known is “a frenzied yet wistful monologue from a lover of literature under siege” (Kirkus Reviews).
In this book, Brian Boyd surveys Vladimir Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd also offers new ways of reading Lolita, Pale Fire, Ada or Ardor, and the unparalleled autobiography, Speak, Memory, disclosing otherwise unknown information about the author's world. Sharing his personal reflections as he recounts the adventures, hardships, and revelations of researching Nabokov's life? oeuvre?, he cautions against using Nabokov's metaphysics as the key to unlocking all of the enigmatic author's secrets. Assessing and appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever Nabokov's multifaceted genius.
No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov’s to Véra Slonim. She shared his delight at the enchantment of life’s trifles and literature’s treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimir’s letters to Véra chronicle a half-century-long love story, one that is playful, romantic, and memorable. At the same time, the letters reveal much about their author. We see the infectious fascination with which Vladimir observed everything—animals, people, speech, landscapes and cityscapes—and glimpse his ceaseless work on his poems, plays, stories, novels, memoirs, screenplays, and translations. This delightful volume is enhanced by twenty-one photographs, as well as facsimiles of the letters and the puzzles and drawings Vladimir often sent to Véra. With 8 pages of photographs and 47 illustrations in text
Strong Opinions offers Nabokov's trenchant, witty, and always engaging views on everything from the Russian Revolution to the correct pronunciation of Lolita. • "First published in 1973, this collection of interviews and essays offers an intriguing insight into one of the most brilliant authors of the 20th century." - The Guardian Nabokov ranges over his life, art, education, politics, literature, movies, among other subjects. Keen to dismiss those who fail to understand his work and happy to butcher those sacred cows of the literary canon he dislikes, Nabokov is much too entertaining to be infuriating, and these interviews, letters and articles are as engaging, challenging and caustic as anything he ever wrote.
A leading German scholar reveals his astonishing discovery about Nabokov’s influential novel We know the girl and her story, just as we know the title. But the author was Heinz von Eschwege, whose tale of Lolita appeared in 1916 under the pen name Heinz von Lichberg, forty years before Nabokov’s celebrated novel took the world by storm. Von Lichberg later became a prominent journalist in the Nazi era, and his youthful work faded from view. The Two Lolitas uncovers a remarkable series of parallels between the two works and their authors—too many for coincidence. With an introduction by best-selling German novelist Daniel Kehlmann, Maar’s extraordinary literary detective story casts new light on the making of one of the most influential works of the twentieth century. This new edition includes an interview with the author, conducted by Kehlmann, in which Maar reveals that since writing the book he has discovered what might be the final piece of the puzzle.
A startling and revelatory examination of Nabokov’s life and works—notably Pale Fire and Lolita—bringing new insight into one of the twentieth century’s most enigmatic authors Novelist Vladimir Nabokov witnessed the horrors of his century, escaping Revolutionary Russia then Germany under Hitler, and fleeing France with his Jewish wife and son just weeks before Paris fell to the Nazis. He repeatedly faced accusations of turning a blind eye to human suffering to write artful tales of depravity. But does one of the greatest writers in the English language really deserve the label of amoral aesthete bestowed on him by so many critics? Using information from newly-declassified intelligence files and recovered military history, journalist Andrea Pitzer argues that far from being a proponent of art for art’s sake, Vladimir Nabokov managed to hide disturbing history in his fiction—history that has gone unnoticed for decades. Nabokov emerges as a kind of documentary conjurer, spending the most productive decades of his career recording a saga of forgotten concentration camps and searing bigotry, from World War I to the Gulag and the Holocaust. Lolita surrenders Humbert Humbert’s secret identity, and reveals a Nabokov appalled by American anti-Semitism. The lunatic narrator of Pale Fire recalls Russian tragedies that once haunted the world. From Tsarist courts to Nazi film sets, from CIA front organizations to wartime Casablanca, the story of Nabokov’s family is the story of his century—and both are woven inextricably into his fiction.
Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.
The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.