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The classic book on how we experience intimate spaces. "A magical book. . . . A prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the foreword by John R. Stilgoe 6473-4 / $15.00tx / paperback
Focusing on Second Generation New York School poetry from 1960 to the present day, this volume explores the poets who lived and wrote from or about New York, the forms of their poems, and the a relationship between the structures they inhabited and the structures they created.
Drawing from a broad range of contemporary British poets, including Thomas Kinsella, Kathleen Jamie, and Alice Oswald, this study examines the inherently spatial and affective nature of our engagement with poetry. Adding to the expanding field of geocritical studies, Yeung specifically discusses ideas of space and constructions of voice in poetry.
This ambitious book investigates a major yet underexplored nexus of themes in Roman cultural history: the evolving tropes of enclosure, retreat and compressed space within an expanding, potentially borderless empire. In Roman writers' exploration of real and symbolic enclosures - caves, corners, villas, bathhouses, the 'prison' of the human body itself - we see the aesthetic, philosophical and political intersecting in fascinating ways, as the machine of empire is recast in tighter and tighter shapes. Victoria Rimell brings ideas and methods from literary theory, cultural studies and philosophy to bear on an extraordinary range of ancient texts rarely studied in juxtaposition, from Horace's Odes, Virgil's Aeneid and Ovid's Ibis, to Seneca's Letters, Statius' Achilleid and Tacitus' Annals. A series of epilogues puts these texts in conceptual dialogue with our own contemporary art world, and emphasizes the role Rome's imagination has played in the history of Western thinking about space, security and dwelling.
Interiors and Narrative shows how crucial interiors are for our understanding of the nature of narrative. A growing cultural fascination with interior dwelling so prevalent in the late nineteenth century parallels an intensification of the rhetorical function interior architecture plays in the development of fiction. The existential dimension of dwelling becomes so intimately tied to the novelistic project that fiction surfaces as a way of inhabiting the world. This study illustrates this through a comparative reading of three realist masterpieces of the Luso-Hispanic nineteenth century: Machado de Assis’s Quincas Borba (1891), Eça de Queirós’s The Maias (1888), and Leopoldo Alas’s La Regenta (1884–1885). The first full-length study to juxtapose the renowned writers, Interiors and Narrative analyzes the authors’ spatial poetics while offering new readings of their work. The book explores the important links between interiors and narrative by explaining how rooms, furnishings, and homes function as metaphors for the writing of the narrative, reflecting on the complex relation between private dwellings and human interiority, and arguing that the interior design of rooms becomes a language that gives furnishings and decorative objects a narrative life of their own. The story of homes and furnishings in these narratives creates a semiotic language that both readers and characters rely on in order to make sense of fiction and reality.
This book investigates the relationship architecture has with the underground. It provides a broad ranging historical and theoretical survey of, and critical reflection on, ideas pertaining to the creation and occupation of underground space. It overturns the classic dictates of construction on the surface and through numerous examples explores recoveries of existing voids, excavations, caves, quarries, grottos and burrows. The exploitation of land, especially in areas of particular value, has given rise to the need to reformulate the usual approach to building. If the development of urban sprawl, its infrastructure and its networks, generates increasingly compromised landscapes, what are the possible strategies to transform, expand and change the usual relationship between abuse of soil and unused subsoil? Psychological, philosophical, literary and cinematographic legacies of underground architecture are mixed with the compositional, typological and constructive expedients, to produce a rich, diverse and compelling argument for these spaces. As such, the book will appeal to architecture students, scholars and academics as well as those with an interest in literary theory, cinema and cultural studies.
Following the spatial turn in the humanities and social sciences, Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination offers a wide range of essays that reframe or transform contemporary criticism by focusing attention, in various ways, on the dynamic relations among space, place, and literature. These essays reflect upon the representation of space and place, whether in the real world, in imaginary universes, or in those hybrid zones where fiction meets reality. Working within or alongside related approaches, such as geocriticism, literary geography, and the spatial humanities, these essays examine the relationship between literary spatiality and different genres or media, such as film or television. The contributors to Spatial Literary Studies draw upon diverse critical and theoretical traditions in disclosing, analyzing, and exploring the significance of space, place, and mapping in literature and in the world, thus making new textual geographies and literary cartographies possible.
Spatial Literary Studies in China explores the range of vibrant and innovative research being done in China today. Chinese scholars have been exploring spatially oriented literary criticism in two different and mutually reinforcing directions: the first has focused on the study of Western literature, especially U.S. and European texts and theory, and the second has examined Chinese cultures, texts, and spaces. This collection of essays demonstrates Chinese scholars’ insightful interpretation, evaluation, and innovative application of international spatial analyses, theories, and methodologies, as well as their inspiring exploration and reconstruction of distinctively Chinese critical and theoretical discourses. For the first time in English, the essays in this volume demonstrate the vitality of literary geography, geocriticism, and the spatial humanities in China in the twenty-first century.
This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.
Recent decades have seen a marked shift in approaches to cultural analysis, with the critical role of location and spatial experience in the formation of the human subject gaining increasing prominence. This volume applies the insights and concerns of the 'spatial turn' to this specifically Roman engagement with space, and explores its representation and manipulation in Latin literature. The terrain covered by the contributions is broad, both temporally (from Catullus to St Augustine) and in terms of genre, with lyric, epic, elegy, satire, epistolography, and historiography all finding their place in discussions that focus mainly on movement and the mobile subject in the experience and making of space. Offering a detailed exploration of Roman engagement with space, the ideological stakes of this engagement, and its intersections with empire, urbanism, identity, ethics, exile, and history, the volume contains a wealth of insights for readers across and beyond the discipline of classical studies: those looking equally for new approaches to ancient texts and authors or to explore the relationship between the materiality of antiquity and its literary aspects will find these discussions illuminating.