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Mann examines how the financial patronage of newly empowered local rulers allowed Romanesque architecture and sculptural decoration to significantly redefine the cultural identities of those who lived in the frontier kingdoms of Christian Spain.
Understanding Art is a two-volume, fully illustrated work that strives to explain and discuss four important periods in the history of western art--the Romanesque, Gothic, Renaissance, and Baroque. It aims to create a sense of understanding, recognition, and appreciation of art by analysing, within the four periods, three distinct artistic genres: painting; sculpture; and architecture. Besides the excellence of the illustrations, one of the great virtues of this book is its clear and concise explanations. It is truly an excellent first stop for anyone embarking on a serious study of art--or anyone wishing to refresh his or her memory of the facts about the art history of the western world.
In this book Allan Doig explores the interrelationship of liturgy and architecture from the Early Church to the close of the Middle Ages, taking into account social, economic, technical, theological and artistic factors. These are crucial to a proper understanding of ecclesiastical architecture of all periods, and together their study illuminates the study of liturgy. Buildings and their archaeology are standing indices of human activity, and the whole matrix of meaning they present is highly revealing of the larger meaning of ritual performance within, and movement through, their space. The excavation of the mid-third-century church at Dura Europos in the Syrian desert, the grandeur of Constantine's Imperial basilicas, the influence of the great pilgrimage sites, and the marvels of soaring Gothic cathedrals, all come alive in a new way when the space is animated by the liturgy for which they were built. Reviewing the most recent research in the area, and moving the debate forward, this study will be useful to liturgists, clergy, theologians, art and architectural historians, and those interested in the conservation of ecclesiastical structures built for the liturgy.
The essays in this volume, written in honor of retired scholar John Williams, treat a variety of topics pertaining to Medieval Spain; providing an interdisciplinary, international, and intergenerational view of current work in the field.
Following the Milky Way is the story of Elyn Aviva's 500-mile-long journey on foot on the Camino de Santiago. This 1000-year-old pilgrimage road stretches from the French Pyrenees across northern Spain to Santiago de Compostela, supposed tomb of St. James the Apostle. It is a journey that crosses the landscape of the soul as well as the mountains and mesetas of Spain.
CALIPHS AND KINGS: SPAIN, 796-1031 The last twenty-five years have seen a renaissance of research and writing on Spanish history. Caliphs and Kings offers a formidable synthesis of existing knowledge as well as an investigation into new historical thinking, perspectives, and methods. The nearly three-hundred-year rule of the Umayyad dynasty in Spain (756-1031) has been hailed by many as an era of unprecedented harmony and mutual tolerance between the three great religious faiths in the Iberian Peninsula – Christianity, Judaism, and Islam – the like of which has never been seen since. And yet, as this book demonstrates, historical reality defies the myth. Though the middle of the tenth century saw a flowering of artistic culture and sophistication in the Umayyad court and in the city of Córdoba, this period was all too shortlived and localized. Eventually, twenty years of civil war caused the implosion of the Umayyad regime. It is through the forces that divided – not united – the disparate elements in Spanish society that we may best glean its nature and its lessons. Caliphs and Kings is devoted to better understanding those circumstances, as historian Roger Collins takes a fresh look at certainties, both old and new, to strip ninth- and tenth-century Spain of its mythic narrative, revealing the more complex truth beneath.
Arthur Kingsley Porter, (1883 1933) renowned American, Harvard professor and owner of Glenveagh Castle, vanished without trace from Inishbofin Island, Co. Donegal, in 1933. No trace of the professor was ever found. Over the decades stories of Porter's disappearance turned into legend. A strong swimmer and always fond of the outdoors, was it likely that Porter had been drowned by misadventure or was foul play involved? Perhaps Porter took off alone to pursue new adventures? By the late 1920s Porter and his wife Lucy possessed every asset that most mortals can only dream of. But was there a dark secret that led the enigmatic professor to jump from the rocks on that fateful morning? The truth about the secret inner world of Arthur Kingsley Porter has only recently been revealed. In a historical thriller set in Ireland, America and Europe in the 1920s and 30s, Lucy Costigan conjures up the world of Irish cultural and rural life, examines Porter s friendship with the literary figure AE and Irish society luminaries, and celebrates the raw beauty of Glenveagh and Donegal.
The Routledge Companion to Contemporary Architectural History offers a comprehensive and up-to-date knowledge report on recent developments in architectural production and research. Divided into three parts – Practices, Interrogations, and Innovations – this book charts diversity, criticality, and creativity in architectural interventions to meet challenges and enact changes in different parts of the world through featured exemplars and fresh theoretical orientations. The collection features 29 chapters written by leading architectural scholars and highlights the reciprocity between the historical and the contemporary, research and practice, and disciplinary and professional knowledge. Providing an essential map for navigating the complex currents of contemporary architecture, the Companion will interest students, academics, and practitioners who wish to bolster their understanding of built environments.
The Allegory of the Church is the first full-length study of Romanesque verse inscriptions in the context of church portals and portal sculpture, and is the product of a twenty-year study.