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An collection of over 50 guitar solos by composers of the genre from the 19th and early 20th Century.
(Easy Guitar). Easy arrangements with tab of favorites by Albeniz, Granados, Sor, Tarrega, and others. Includes: Cielito Lindo * Lagrima * Leyenda * Malaguena * La Paloma * Salamanca * and more. Also includes a demonstration CD.
Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.
English with excerpts in Spanish and French.
The guitar's entrance into American culture began in the early 1800s, introduced primarily by visiting and immigrant Spanish guitarists. Many of these newly arrived Spaniards exerted great influence on the guitar's development in 19th century America. the works in this book contain the compositions and arrangements of eight noted 19th century Hispanic American guitarist/composers with an emphasis on their works that reflect Latin themes or rhythms. Rounding out this anthology are dance forms such as the Habanera, Jota, Cachucha, Sevillaño, Spanish Mazurka, and other Spanish dance related works along with extended concert pieces such as Theme and Variations, Serenades, Polonaises and a delightful arrangement of the Celebrated Spanish Retreat, a programmatic work with an unusual "C" tuning and novel harmonic effects crafted to imitate the bugles, horns and drums as heard on the battlefield. the book features twenty-one solos and two duets which range in difficulty from easy to advanced. an extensive and well researched text along with photos and a companion recording by acclaimed guitarist/scholar Douglas Back help to make this a landmark book.
Books in Mel Bay's Acoustic Guitar category are written to be played fingerstyle on either nylon or steel string guitars. the titles in this category are extremely eclectic. Subjects range from Latin American music to Renaissance classics. Music of Mexico for Acoustic Guitar is a superb solo collection. Ruben Delgado has penned wonderful solos based on 11 favorite Mexican songs. Contents include such standards as Maria Elena; Donde Estas, Corazon?; and Noche de Ronda. All arrangements are written in notation and tablature.
A highly detailed teaching method that continues and extends the instrumental principles of Vol. 1 in this tutor series. It takes the student from approximately a 2nd to 5th grade standard.
Song & Social Change in Latin America offers seven essays from a diverse group of scholars on the topic of music as a reflection of the many social-political upheavals throughout Latin America from the 20th century to the present. Topics covered include: the Tropic lia movement in Brazil, the Nueva Canci n in Central America, Rock in Mexico, Argentina, Chile and Peru, the Vallenato in Colombia, Trova in Cuba, and urban music of Puerto Rico in the mid-20th century. The collection also includes five interviews from prominent and up-and-coming musicians --Ruben Blades, Roy Brown, Habana Abierta, Ana Tijoux, and Mare-- representing a variety of musical genres and political issues in Central America, the Caribbean, South America, and Mexico.
Flamenco Explained, The Guitarist's Survival Guide, is the first book that breaks down the inner workings of flamenco and helps the guitarist truly understand this this amazing art form. Flamenco Explained presents the underlying architecture of flamenco in a new way that is accessible to all musicians and prepares the aspiring guitarist to accompany flamenco dance and Cante and communicate with other flamenco musicians. Flamenco Explained has already been used as the foundation for Berklee College of Music's first ever flamenco guitar class.
A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in the tango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi, by Horacio Salgan; Gallo Ciego, by Agustin Bardi; El Choclo, by Angel Villoldo; and Milonga del Viento and Otro Tango; Buenos Aires, by Jorge Morel. A companion CD featuring Mr. Morel's performance of each solo is included.