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Two couples in their everyday life wake up face to face in front of Zurchid aliens. One tries in vein to seek help. The other disregards absorbed in their own turmoil. Find out what happens when you flip the pages of: Space Ship City.
In 2006 Abu Dhabi launched an ambitious project to construct the world’s first zero-carbon city: Masdar City. In Spaceship in the Desert Gökçe Günel examines the development and construction of Masdar City's renewable energy and clean technology infrastructures, providing an illuminating portrait of an international group of engineers, designers, and students who attempted to build a post-oil future in Abu Dhabi. While many of Masdar's initiatives—such as developing a new energy currency and a driverless rapid transit network—have stalled or not met expectations, Günel analyzes how these initiatives contributed to rendering the future a thinly disguised version of the fossil-fueled present. Spaceship in the Desert tells the story of Masdar, at once a “utopia” sponsored by the Emirati government, and a well-resourced company involving different actors who participated in the project, each with their own agendas and desires.
Two novels in one large volume, both set in the same universe as The Ship Who Sang: The City Who Fought: Simeon was bored with running the mining and processing station that made up his "body." If anyone was to survive, somehow he must transform his wargaming hobby into the real thing and become The City Who Fought. The Ship Avenged: Ten years later, Joat, the eleven year old techno-demon heroine of the first novel is now an adult herself. She and her ship are on the trail of the Kolnari space raiders, trying to stop them before they can spread an infectious, mind-destroying disease among the inhabited stars and destroy civilization throughout the galaxy. At the publisher's request, this title is sold without DRM (Digital Rights Management). "Anne McCaffrey and S.M. Stirling have, in The City Who Fought, combined her brain-ships and his military expertise to produce a superior book." ¾Chicago Sun-Times "McCaffrey and Stirling create vivid heroes and villains in a complex and deadly game." ¾Publishers Weekly "Intriguing . . . McCaffrey and Stirling have produced a book that expands the boundaries of the series to which it belongs, yet remains consistent with the cycle's overall design. Fans of both writers should be more than pleased." ¾Dragon "[The Ship Avenged is a] compelling story of resourcefulness and politics in space." ¾ Midwest Book Review
A New York Times bestseller! The historic race that reawakened the promise of manned spaceflight A Finalist for the PEN/E. O. Wilson Literary Science Writing Award Alone in a Spartan black cockpit, test pilot Mike Melvill rocketed toward space. He had eighty seconds to exceed the speed of sound and begin the climb to a target no civilian pilot had ever reached. He might not make it back alive. If he did, he would make history as the world’s first commercial astronaut. The spectacle defied reason, the result of a competition dreamed up by entrepreneur Peter Diamandis, whose vision for a new race to space required small teams to do what only the world’s largest governments had done before. Peter Diamandis was the son of hardworking immigrants who wanted their science prodigy to make the family proud and become a doctor. But from the age of eight, when he watched Apollo 11 land on the Moon, his singular goal was to get to space. When he realized NASA was winding down manned space flight, Diamandis set out on one of the great entrepreneurial adventure stories of our time. If the government wouldn’t send him to space, he would create a private space flight industry himself. In the 1990s, this idea was the stuff of science fiction. Undaunted, Diamandis found inspiration in an unlikely place: the golden age of aviation. He discovered that Charles Lindbergh made his transatlantic flight to win a $25,000 prize. The flight made Lindbergh the most famous man on earth and galvanized the airline industry. Why, Diamandis thought, couldn’t the same be done for space flight? The story of the bullet-shaped SpaceShipOne, and the other teams in the hunt, is an extraordinary tale of making the impossible possible. It is driven by outsized characters—Burt Rutan, Richard Branson, John Carmack, Paul Allen—and obsessive pursuits. In the end, as Diamandis dreamed, the result wasn’t just a victory for one team; it was the foundation for a new industry and a new age.
Rusty found the flying saucer in the city dump when his dog, Cookie, barked at a lizard-like creature, named Tiphia. With a few repairs, Rusty, Susan, Cookie and Tiphia are off to try and find Tiphia's home, the moon Eopee.
With their discovery by the CoDominium Imperial Navy ending their own one-thousand-year isolation, Prince Samual's World will become a lowly administrated colony, unless the monarch can discover the secrets of space technology
In 2006 Abu Dhabi launched an ambitious project to construct the world’s first zero-carbon city: Masdar City. In Spaceship in the Desert Gökçe Günel examines the development and construction of Masdar City's renewable energy and clean technology infrastructures, providing an illuminating portrait of an international group of engineers, designers, and students who attempted to build a post-oil future in Abu Dhabi. While many of Masdar's initiatives—such as developing a new energy currency and a driverless rapid transit network—have stalled or not met expectations, Günel analyzes how these initiatives contributed to rendering the future a thinly disguised version of the fossil-fueled present. Spaceship in the Desert tells the story of Masdar, at once a “utopia” sponsored by the Emirati government, and a well-resourced company involving different actors who participated in the project, each with their own agendas and desires.
David Kherdian tells the uncompromising inside story of his time in the Gurdjieff Work. He describes his interaction with the hierarchy of various groups involved in the Work and tells the story of his own awakening. Kherdian offers a brutally honest account of the confrontations that arise in the spiritual process.
BEYOND SPACESHIP EARTH: 50+ Sci-Fi Books in One Volume is a monumental anthology that encapsulates the breadth and diversity of early science fiction literature. This collection showcases a range of literary stylesfrom sweeping intergalactic adventures to meticulous utopian explorations, highlighting the genre's capacity to both entertain and prognosticate. The works included navigate the intersection of technology, ethics, and the human spirit, underlying the speculative essence that defines science fiction. Standout pieces, without focusing on a single author, illustrate the genres evolution and its pivotal role in addressing perennial human questions through the lens of the extraordinary. The contributing authors, including luminaries like Jules Verne, H.G. Wells, and lesser-known yet significant figures such as Stanley G. Weinbaum and Malcolm Jameson, bring a rich palette of cultural, historical, and philosophical perspectives. Their collective contributions trace the genre's lineage from fanciful tales of exploration to sophisticated narratives exploring societal structures and the human condition. This assembly underlines key movements within science fiction, showcasing its growth from mere escapism to a critical tool for societal critique and envisioning future paradigms. BEYOND SPACESHIP EARTH is an essential volume for readers seeking to immerse in the science fiction genre's vast universe. It offers a unique opportunity to explore a multiplicity of voices, themes, and speculative visions within a single compendium. This anthology is not only an educational journey through the history and evolution of science fiction but also a profound exploration of the human experience as envisaged through the prism of different eras and imaginations. It invites readers to engage in a dialogue with the past, presented through the speculative futures of its contributors.