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A ship heading from Earth to Athena, a planet 500 light years away, is suddenly attacked by the Gerns, an alien empire in its expansion phase. People aboard are divided by the invaders into Acceptables and Rejects. The Acceptables would become slave labor for the Gerns on Athena, and the Rejects are forced ashore on the nearest 'Earth-like' planet, called Ragnarok. The Gerns say they will return for the Rejects, but the Rejects quickly realise that that isn't going to happen.
"Space Prison" is an epic tale of survival. After war between Humans and Gerns erupted, a human interstellar ship with eight thousand colonists is captured. Half of the group is left to die on a hellish planet called Ragnarok -- a planet of high gravity, impossible temperature extremes, murderous wildlife, and no usable resources. "Space Prison" covers the two-century history of this stranded colony, and describes its survival and how it eventually adapts and thrives.
A ship heading from Earth to Athena, a planet 500 light years away, is suddenly attacked by the Gerns, an alien empire in its expansion phase. People aboard are divided by the invaders into Acceptables and Rejects. The Acceptables would become slave labor for the Gerns on Athena, and the Rejects are forced ashore on the nearest 'Earth-like' planet, called Ragnarok. The Gerns say they will return for the Rejects, but the Rejects quickly realise that that isn't going to happen. Ragnarok has a gravity 1.5 times that of Earth, and is populated by deadly, aggressive creatures and it contains little in the way of usable metal ores. This, combined with a terrible deadly fever that kills in hours, more than decimates the population.
Alien meets Alexandra Bracken’s The Darkest Minds in this thrilling debut novel about prison-guard-in-training, Kenzie, who is taken hostage by the superpowered criminal teens of the Sanctuary space station—only to have to band together with them when the station is attacked by mysterious creatures. Kenzie holds one truth above all: the company is everything. As a citizen of Omnistellar Concepts, the most powerful corporation in the solar system, Kenzie has trained her entire life for one goal: to become an elite guard on Sanctuary, Omnistellar’s space prison for superpowered teens too dangerous for Earth. As a junior guard, she’s excited to prove herself to her company—and that means sacrificing anything that won’t propel her forward. But then a routine drill goes sideways and Kenzie is taken hostage by rioting prisoners. At first, she’s confident her commanding officer—who also happens to be her mother—will stop at nothing to secure her freedom. Yet it soon becomes clear that her mother is more concerned with sticking to Omnistellar protocol than she is with getting Kenzie out safely. As Kenzie forms her own plan to escape, she doesn’t realize there’s a more sinister threat looming, something ancient and evil that has clawed its way into Sanctuary from the vacuum of space. And Kenzie might have to team up with her captors to survive—all while beginning to suspect there’s a darker side to the Omnistellar she knows.
Johnny Ryan’s mind-boggling prison planet/wrestling/monster/horror mash-up is back! Prison Pit blends Angry Youth Comix creator Johnny Ryan’s fascination with WWE wrestling, grindhouse cinema, first person action video games, Gary Panter’s Jimbocomics, and Kentaro Miura’s “Berserk” manga into a brutal and often hilarious showcase of violence like no other comic book ever created.
Carceral Space, Prisoners and Animals explores resonances across human and nonhuman carceral geographies. The work proposes an analysis of the carceral from a broader vantage point than has yet been done, developing a ‘trans-species carceral geography’ that includes spaces of nonhuman captivity, confinement, and enclosure alongside that of the human. The linkages across prisoner and animal carcerality that are placed into conversation draw from a number of institutional domains, based on their form, operation, and effect. These include: the prison death row/ execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; sites of exploited prisoner and animal labor; and the prison solitary confinement cell and the zoo cage. The relationships to which I draw attention across these sites are at once structural, operational, technological, legal, and experiential / embodied. The forms of violence that span species boundaries at these sites are all a part of ordinary, everyday, industrialized violence in the United States and elsewhere, and thus this ‘carceral comparison’ amongst them is appropriate and timely.
"Prison Land: Mapping Carceral Power across Neoliberal America offers a geographic excavation of the prison as a set of social relations-including property, work, gender and race-enacted across various spatial forms and landscapes within American life"--
The final adventure! Zita the Spacegirl is back and the odds are stacked high against her. Will everyone's favorite spacegirl prevail?
An innocent man fights to escape—and exact vengeance—in this New York Times–bestselling author’s riveting science fiction adventure. Convicted of a crime he did not commit, Jonathan Renn is sentenced to life in the Swamp, a prison planet death row in a distant galaxy. Renn only has two choices, escape the Swamp or die in the process. Defending himself from attacks by deadly, native monsters and his fellow convicts, Renn is obsessed with escaping the planet and getting his revenge on the people who set him up. Marla Marie Mendez is even more down on her luck. Trapped inside a cybernetic dog and dropped defenseless into the Swamp, Marla can only rely on Renn and her claws to save her from the unfriendly elements. They must find a way out of the Swamp and quickly before their life sentence is cut short.
In this ethnographic study Maria Adams turns a geographical and feminist lens on prisoners’ families. She captures the testimonies of families as they navigate the sociological and social challenges of the imprisonment of loved ones, exploring key concepts including inequality, penal power, and vulnerability. She also measures the impacts on many aspects of families’ emotions, relationships, and identities, and considers the sources of support and resilience they draw on. With original research and fresh insights, the book deepens our understanding of carceral geography and how families experience spaces, both inside prison and beyond the bars.