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The Field of Dreams Official Souvenir Program answers all your questions and provides insight into this world famous baseball landmark. 36-pages full of color photos and unique editorial content. Great collector item.
After finding a box containing letters her father had written to her mother during World War II, as well as a Japanese flag bearing a profound inscription, the author embarks on a mission to discover what happened to her father and the men of his Twenty-fifth Infantry, which takes her all the way to Japan to return the flag to its rightful owner, where she forms a bond with the surviving family and ultimately discovers a side of her father she never knew.
This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.
The Wicked musical is one of the most exciting shows in the history of musicals and was the most successful Broadway show of 2004. Based on a novel by Gregory Maguire, the musical tells the back story of the Land of Oz, focusing on two very recognisable figures - Galinda, the good witch, and Elphaba, the Wicked Witch of the West. Cote takes fans and newfound friends backstage, providing photos of the vivid characters and set. More than a tie-in, it's a companion, a behind-the-scenes special and a celebration of the hottest show in town.
The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible.