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Educators and technology experts share their thoughts on classroom technology and how equity, the digital divide, and other issues need to be addressed to ensure students and teachers are realizing the full potential of different technologies.
The new edition of this long unavailable classic features an extensive analytical introduction by the noted architectural historian Dell Upton. Containing 416 black-and-white photographs, 81 measured drawings and an extensive text, this volume presents a splendid array of the early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones of western Pennsylvania.
Excerpt from Pennsylvania, Political, Governmental, Military and Civil: Physical, Economic and Social Volume Pennsylvania is I 58 miles wide between two parallels 39° 43' and 42° I 5' north latitude, which constitute its northern and southern boundaries, and 302 miles long, measured from the Ohio State line to either of two points on the Delaware River. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.