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The Southern Literary Messenger enjoyed an impressive thirty-year run (1834-1864) and was in its time the South's most important literary periodical. Published in Richmond, Virginia, the monthly magazine was edited in its early years by Edgar Allan Poe. In addition to serving as a literary proving ground for Poe, it is also remembered for publishing poems, fiction, and essays by the nation's leading authors-both male and female, northern and southern-including William Gilmore Simms, Paul Hamilton Hayne, Joseph G. Baldwin, John Pendleton Kennedy, Mary E. Lee, and Caroline Lee Hentz. In 1905 Benjamin Blake Minor (1818-1905), editor of the Southern Literary Messenger during the 1840s, wrote the only book-length study of the magazine. Minor's authoritative account of the journal's history and influence is augmented in this edition with a new introduction by historian Jonathan Daniel Wells that places the magazine and Minor's account in their historical context. Both Wells and Minor reveal significant information found nowhere else about figures and facets of southern literary culture before and during the Civil War. Minor recounts in detail the relationships he forged with notable authors and includes excerpts from correspondence with Poe and others. Most important, Minor identifies and discusses hundreds of lesser contributors who might otherwise remain anonymous.
Lee demonstrates how Melville, Emerson and others tried to find rational solutions to the slavery conflict.
"This monograph presents a new history of early American literature that traces the diverse forms of fiction circulating in the early United States (1789-1861) and how they shaped the way Americans thought and argued about political and cultural issues of their age"--
“Fascinating . . . a lively and perceptive cultural history.” —Annette Gordon-Reed, The New Yorker In this wide-ranging, brilliantly researched work, David S. Reynolds traces the factors that made Uncle Tom’s Cabin the most influential novel ever written by an American. Upon its 1852 publication, the novel’s vivid depiction of slavery polarized its American readership, ultimately widening the rift that led to the Civil War. Reynolds also charts the novel’s afterlife—including its adaptation into plays, films, and consumer goods—revealing its lasting impact on American entertainment, advertising, and race relations.
Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.
Challenging the popular conception of Southern youth on the eve of the Civil War as intellectually lazy, violent, and dissipated, Peter S. Carmichael looks closely at the lives of more than one hundred young white men from Virginia's last generation to grow up with the institution of slavery. He finds them deeply engaged in the political, economic, and cultural forces of their time. Age, he concludes, created special concerns for young men who spent their formative years in the 1850s. Before the Civil War, these young men thought long and hard about Virginia's place as a progressive slave society. They vigorously lobbied for disunion despite opposition from their elders, then served as officers in the Army of Northern Virginia as frontline negotiators with the nonslaveholding rank and file. After the war, however, they quickly shed their Confederate radicalism to pursue the political goals of home rule and New South economic development and reconciliation. Not until the turn of the century, when these men were nearing the ends of their lives, did the mythmaking and storytelling begin, and members of the last generation recast themselves once more as unreconstructed Rebels. By examining the lives of members of this generation on personal as well as generational and cultural levels, Carmichael sheds new light on the formation and reformation of Southern identity during the turbulent last half of the nineteenth century.