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An American phenomenon, Gone with the Wind is one of the most popular American novels of all time, winning a Pulitzer Prize and amazingly returning to the New York Times bestseller list 50 years after its first appearance. Now comes an absorbing biography of its author, Margaret Mitchell, revealing how elements of her life made their way into this classic. 25 halftones.
The first unabridged publication of the memoirs of Cornelia Jones Pond, a privileged child of a slaveholding family in Georgia, follws her life from her birth into the antebellum world of 1834, through the apocalyptic Civil War, and beyond. UP.
Wall Street Journal’s Five Best Books on the Confederates’ Lost Cause Southern Association for Women Historians Julia Cherry Spruill Prize Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South—all in the name of preserving Confederate culture. Karen Cox traces the history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause. In this edition, with a new preface, Cox acknowledges the deadly riots in Charlottesville, Virginia, showing why myths surrounding the Confederacy continue to endure. The Daughters, as UDC members were popularly known, were daughters of the Confederate generation. While southern women had long been leaders in efforts to memorialize the Confederacy, UDC members made the Lost Cause a movement about vindication as well as memorialization. They erected monuments, monitored history for "truthfulness," and sought to educate coming generations of white southerners about an idyllic past and a just cause—states' rights. Soldiers' and widows' homes, perpetuation of the mythology of the antebellum South, and pro-southern textbooks in the region's white public schools were all integral to their mission of creating the New South in the image of the Old. UDC members aspired to transform military defeat into a political and cultural victory, in which states' rights and white supremacy remained intact. To the extent they were successful, the Daughters helped to preserve and perpetuate an agenda for the New South that included maintaining the social status quo. Placing the organization's activities in the context of the postwar and Progressive-Era South, Cox describes in detail the UDC's origins and early development, its efforts to collect and preserve manuscripts and artifacts and to build monuments, and its later role in the peace movement and World War I. This remarkable history of the organization presents a portrait of two generations of southern women whose efforts helped shape the social and political culture of the New South. It also offers a new historical perspective on the subject of Confederate memory and the role southern women played in its development.
Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.
McCray shares the true and touching journey of a southern child who later encountered many tragedies when she moved to New York. Readers will laugh, cry, and be truly inspired. (Practical Life)
Bell came running down the street because she seen that I was about to fight, she told me get back because I was pregnant. So she ran to keep Hattie and Debra from Hazel I felt like it all was my fault because they were trying to protect my dumb ass. When will I get a backbone to stand up for myself, that’s when you know love is truly blind. Being a teenager really sucked back then to me, you did and allowed and thing for your so call boyfriend. During the time Marcus worked for in the coco cola company in their warehouse. Everything just keeps getting worst. Marcus was in the army before he meets me; he had a grant from the military to use.
ABOUT THIS PREVIEW These are the opening pages of A Southern Girl, John Warley’s novel of international adoption and of families lost, then found anew through revelations, courage, and the perseverance of a love without bounds. A Southern Girl: Beginnings introduces readers to the harrowing plight of Soo Yun, a newborn Korean girl, through the perspectives of her birth mother, her orphanage nurse, and her prospective adoptive parents. The complete story unfolds in A Southern Girl: A Novel, the first publication of Pat Conroy’s Story River Books imprint of the University of South Carolina Press. Set against the exquisite, historical backdrop of Charleston's insular South of Broad neighborhood, A Southern Girl is a tale of international adoption and of families lost, then found anew through revelations, courage, and the perseverance of a love without bounds. With two biological sons and a promising career, Coleman Carter seems set to fulfill his promise as a resourceful trial lawyer, devoted husband, and dutiful father until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman's conservative parents and demands that he now embrace the unknown as fully as he has always entrenched himself in the familiar. Elizabeth, a self-proclaimed liberal with a global sense of duty, is eager for the adoption, while Coleman, a scion of the Old South, is at best a reluctant participant. But the arrival of Soo Yun (later called Allie) into the Carter household and the challenging reactions of Coleman's peers and parents awakens in him a broadening sense of responsibility and dedication to his new family that opens his eyes to the subtle racism and exclusionary activities that had dominated his sheltered life. To garner Allie's entrance into Charleston society, Coleman must come to terms with his past and guide Allie toward finding her own origins as the Carters forge a new family identity and confront generations-old fears inherent in Southern traditions of purity and prestige. Deftly told through the distinctive voices of Allie's birth mother, her orphanage nurse, her adoptive mother Elizabeth, and finally Coleman himself, A Southern Girl brings us deeply into Allie's plights—first for her very survival and then for her sense of identity, belonging, and love in her new and not always welcoming culture. In this truly international tale, John Warley guides us through the enclaves of southern privilege in New Hampton, Virginia, and Charleston, the poverty-stricken back alleys of Seoul, South Korea, the jungles of Vietnam, and the stone sidewalks of San Miguel de Allende, Mexico, as the bonds between father and daughter become strong enough to confront the trials of their pasts and present alike. The first release from Pat Conroy's Story River Books, A Southern Girl includes a foreword by New York Times bestselling novelist Therese Anne Fowler.
In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation. Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts. Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.
"Go read Andy Davidson’s lush nightmare, The Boatman’s Daughter. It put an arrow through my head and heart.” —Paul Tremblay, author of Growing Things "Ample bloodshed is offset by beautiful prose . . . A stunning supernatural Southern Gothic." —Kirkus (starred) Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm. But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe. With the heady mythmaking of Neil Gaiman and the heartrending pacing of Joe Hill, Andy Davidson spins a thrilling tale of love and duty, of loss and discovery. The Boatman's Daughter is a gorgeous, horrifying novel, a journey into the dark corners of human nature, drawing our worst fears and temptations out into the light.