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Who is always perfectly put together and never at a loss for words? Who is professional, courteous, and harder working than anyone else? Whose Christmas cards arrive the day after Thanksgiving, year after year? Y'all know she's got to be a Southern Belle. A Southern Belle takes care of herself and makes sure people treat her right. She always gets her way, even if her man thinks it was his idea. (That's a win for you both.) But you don't have to be raised in the South to be the same fun-loving package of looks, charm, and determination that makes a Belle a Belle. That's what this little book is for! Take it from Phaedra Parks, the smart, confident, and always poised star of The Real Housewives of Atlanta. Life as a Belle is simply better--for you and for the people around you.--From publisher description.
In memory of Dorothy Lackey given by Annette Snider.
Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.
Not Just Any Old Riches to Rags Story. Nicknamed the Southern Belles by the tabloid press, heiresses Evelyn, Georgia and Olivia Belle have everything they've ever wanted. But after their father dies in a tragic accident on Evelyn's 30th birthday, the Belles are left with a massive hole in their finances. With the world's media and National Crime Agency looking on, their family home, cars and other assets are sold at auction, leaving the sisters penniless, homeless and jobless. Shunned by their celebrity friends, the sisters must learn to fend for themselves for the first time in their lives. Evelyn, the eldest, knows how dire their situation is, and asks their father’s solicitor to look into their father’s case. Meanwhile, the three hunt for jobs, meet new people and fall in love, learning along the way that the world doesn’t owe them any favors, and that money doesn’t buy you happiness.
Women of Discriminating Taste examines the role of historically white sororities in the shaping of white womanhood in the twentieth century. As national women’s organizations, sororities have long held power on college campuses and in American life. Yet the groups also have always been conservative in nature and inherently discriminatory, selecting new members on the basis of social class, religion, race, or physical attractiveness. In the early twentieth century, sororities filled a niche on campuses as they purported to prepare college women for “ladyhood.” Sorority training led members to comport themselves as hyperfeminine, heterosocially inclined, traditionally minded women following a model largely premised on the mythical image of the southern lady. Although many sororities were founded at non-southern schools and also maintained membership strongholds in many non-southern states, the groups adhered to a decidedly southern aesthetic—a modernized version of Lost Cause ideology—in their social training to deploy a conservative agenda. Margaret L. Freeman researched sorority archives, sorority-related materials in student organizations, as well as dean of women’s, student affairs, and president’s office records collections for historical data that show how white southerners repeatedly called upon the image of the southern lady to support southern racial hierarchies. Her research also demonstrates how this image could be easily exported for similar uses in other areas of the United States that shared white southerners’ concerns over changing social demographics and racial discord. By revealing national sororities as significant players in the grassroots conservative movement of the twentieth century, Freeman illuminates the history of contemporary sororities’ difficult campus relationships and their continuing legacy of discriminatory behavior and conservative rhetoric.
Meet the Sassy Belles. They're strong as a mint julep, sweet as peach cobbler, and no matter what, they stick together. There are only two seasons in Tuscaloosa—football and waiting-for-football. When Lewis Heart, football announcer and voice of the Crimson Tide, vanishes after an impromptu romp with Vivi Anne McFadden at the Fountain Mist Motel, Vivi does what any Southern woman would do: calls her best friend, Blake O'Hara Heart, attorney-at-law. With the town gossip swirling around them, Vivi and Blake are determined to find out what happened to Lewis and clear Vivi's reputation. Because after all, men may come and go, but the Sassy Belles are forever. Not since Steel Magnolias have we fallen in love with such sexy, strong and hilarious Southern women. So grab your best girlfriends and join these Belles on the first of many joyrides through the Deep South…. Sexy Southern fun…with a hint of magnolia!
Fifteen-year-old Isabelle loves her impoverished North Carolina beach community, but when her grandmother must enter a nursing home, Izzie is placed with distant relatives she never knew--a state senator and his preppy wife and children.
To know the Sweet Potato Queens is to love them, and if you haven't heard about them yet, you will. Since the early 1980s, this group of belles gone bad has been the toast of Jackson, Mississippi, with their glorious annual appearance in the St. Patrick's Day parade. In The Sweet Potato Queens' Book of Love, their royal ringleader, Jill Conner Browne, introduces the Queens to the world with this sly, hilarious manifesto about love, life, men, and the importance of being prepared. Chapters include: • The True Magic Words Guaranteed to Get Any Man to Do Your Bidding • The Five Men You Must Have in Your Life at All Times • Men Who May Need Killing, Quite Frankly • What to Eat When Tragedy Strikes, or Just for Entertainment • The Best Advice Ever Given in the Entire History of the World From tales of the infamous Sweet Potato Queens' Promise to the joys of Chocolate Stuff and Fat Mama's Knock You Naked Margaritas, this irreverent, shamelessly funny book is the gen-u-wine article.
For all its tongue-in-cheek humor, Schwartz's guide is a sincere tribute to the iron-willed ladies upholding the vanishing traditions of the South.
lively southern belles, one a bride, each with 5 elegant ensembles. 16 plates.