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In southeast Europe, more than 20 years of rapid change under the combined impact of transformation, globalization, and EU integration have deeply affected the structures of everyday life and have produced a variety of (post-)modern lifestyles. This book's contributions focus on the changing practices and patterns of everyday life. The concepts of multiple modernities and post-modernity appear to be particularly appropriate for a region in which everyday life is marked by often sharp contrasts: the coexistence of modern and traditional labor relations and legal concepts * the return to traditional religions and the adherence to new religious forms * the enthusiasm for modern communication technologies * the reliance on national identification. Understanding these paths to (post-)modernity is relevant for those generally interested in processes of socio-cultural change, but particularly for those interested in the Balkans. (Series: Ethnologia Balkanica - Vol. 16)
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
In this original and eye-opening study, Stefan Morawski sheds light on the often confused debate about postmodernism, postmodernity and human values. Drawing upon a wide range of evidence from the experience of everyday life in the sciences, religion, visual arts, literature, film, television and contemporary music, The Troubles with Postmodernism is an indispensable guide to our understanding and evaluation of contemporary literature.
The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy. Southeastern Europe is characterized by a high degree of ethnical, religious and cultural diversity. Jews, whether Sephardim, Ashkenazim or Romaniots – settling there in different periods – experienced divergent life worlds which engendered rich cultural production. Though recent scholarly and popular interest in this heterogeneous region has grown impressively, Jewish cultural production is still an under-researched area. The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy, thus creating a dialogue between Jewish studies, Balkan studies, and current literary and cultural theories.
Since the early 1990s, Southeast European studies have undergone profound changes, being shaped by the wars of Yugoslav succession and the ramifications of post-socialism, coupled with democratic deficiencies, which characterize most of Southeast Europe. The countries which it encompasses rest uneasily on the periphery of the developed variant of Western capitalism, but they have nonetheless to contend with the challenges of adjusting to a market economy. The imprint of these contexts on academic research has led to a discussion of the role of Southeast European studies. It is the task of this volume to summarize and raise awareness of this discussion. (Series: Studies on South East Europe - Vol. 16) [Subject: European Studies, Sociology, Politics]
"Each chapter concludes with a detailed chronology of the major literary texts of each movement, covering fiction, drama and poetry."--Cover.
This book discusses how American literary modernism and postmodernism interconnect memory and identity and if, and how, the intertwining of memory and identity has been related to the dominant socio-cultural trends in the United States or the specific historical contexts in the world. The book’s opening chapter is the interrogation of the narrator’s memories of Jay Gatsby and his life in F. Scott Fitzgerald’s The Great Gatsby. The second chapter shows how in William Faulkner’s Light in August memory impacts the search for identities in the storylines of the characters. The third chapter discusses the correlation between memory, self, and culture in Tennessee Williams’s A Streetcar Named Desire. Discussing Robert Coover’s Gerald’s Party, the fourth chapter reveals that memory and identity are contextualized and that cognitive processes, including memory, are grounded in the body’s interaction with the environment, featuring dehumanized characters, whose identities appear as role-plays. The subsequent chapter is the analysis of how Jonathan Safran Foer’s Everything Is Illuminated deals with the heritage of Holocaust memories and postmemories. The last chapter focuses on Thomas Pynchon’s Against the Day, the reconstructive nature of memory, and the politics and production of identity in Southeastern Europe.