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This book reminds me, in the sweetest way possible, that I probably should have never left Nashville.— CHRIS THILE Introduction by Pulitzer Prize-winning Author Jon Meacham. A dynamic, experiential, and intimate portrait that explores the many sides of the legendary Southern city and country music capital, from award-winning writers Ann Patchett, Jon Meacham, and acclaimed photographer Heidi Ross. Nashville is a creative collaboration that awakens the senses, providing a virtual immersion in this unique American city hailed as the Athens of the South. Patchett, Ross, and Meacham in his introduction, at once capture both the city’s iconic historical side—its deep, rich Southern roots, from its food and festivals to its famous venues, recording studios, and style—and its edgier, highly vibrant creative side, which has made it a modern cultural mecca increasingly populated by established and upcoming artists in art, film, and music. Nashville celebrates Nashvillians’ beloved locales and events, both established and new, that are the heart of the city’s character including: Bobbie’s Dairy Dip Broadway Cumberland River Buchanan Arts District Bolton’s Chicken and Fish Dino’s East Nashville Tomato Arts Festival Germantown The Gulch Grand Ole Opry Pie Town (SoBro) Pride Festival Prince’s Hot Chicken Schermerhorn Symphony Center Stanley Cup Playoffs Tennessee Performing Arts Center Tennessee State Fair Third Man Records WXNA Independent Radio Here, too, are engaging vignettes spotlighting the diverse talent that makes the Tennessee city a significant cultural incubator and influencer, including singer-songwriters Marty Stuart, Gillian Welsh, and Dave Rawlings; film director Harmony Korine, textile designer Andra Eggleston, country music fashion designer to the stars Manuel, chef Margot McCormack, acclaimed pastry chef Lisa Donovan, and model and musician Karen Elson. Blending exceptional narrative, evocative photography—including 175 black-and-white and color photographs—and a bold graphic design, Nashville is an intimate, textured panorama that brilliantly illuminates one of America’s most remarkable treasures.
Includes bibliographic reference (page 127).
A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.
Over the past 150 years, the boundaries and demographics of South Nashville have changed dramatically. Starting out as an industrial and blue-collar area comprised of factories, mills, and rail yards, the area quickly grew, drawing thousands looking for employment or more affordable housing. South Nashville has traditionally been the most diverse part of the city, racially and culturally. During the past 30 years, stark changes have transformed the appearance of the southern portion of Nashville and Davidson County. Urban renewal programs and the construction of interstate highways resulted in the removal of thousands of buildings deemed as substandard, further obliterating traditional neighborhoods. Today, the district faces new challenges as many established neighborhoods now cope with gentrification.
Among Nashville's many slogans, the one that best reflects its emphasis on manners and decorum is the Nashville Way, a phrase coined by boosters to tout what they viewed as the city's amicable race relations. Benjamin Houston offers the first scholarly book on the history of civil rights in Nashville, providing new insights and critiques of this moderate progressivism for which the city has long been credited. Civil rights leaders such as John Lewis, James Bevel, Diane Nash, and James Lawson who came into their own in Nashville were devoted to nonviolent direct action, or what Houston calls the “black Nashville Way.” Through the dramatic story of Nashville's 1960 lunch counter sit-ins, Houston shows how these activists used nonviolence to disrupt the coercive script of day-to-day race relations. Nonviolence brought the threat of its opposite—white violence—into stark contrast, revealing that the Nashville Way was actually built on a complex relationship between etiquette and brute force. Houston goes on to detail how racial etiquette forged in the era of Jim Crow was updated in the civil rights era. Combined with this updated racial etiquette, deeper structural forces of politics and urban renewal dictate racial realities to this day. In The Nashville Way, Houston shows that white power was surprisingly adaptable. But the black Nashville Way also proved resilient as it was embraced by thousands of activists who continued to fight battles over schools, highway construction, and economic justice even after most Americans shifted their focus to southern hotspots like Birmingham and Memphis.
In 1998, roughly 2 million visitors came to see what there was to see in Nashville. By 2018, that number had ballooned to 15.2 million. In that span of two decades, the boundaries of Nashville did not change. But something did. Or rather, many somethings changed, and kept changing, until many who lived in Nashville began to feel they no longer recognized their own city. And some began to feel it wasn't their own city at all anymore as they were pushed to its fringes by rising housing costs. Between 1998 and 2018, the population of Nashville grew by 150,000. On some level, Nashville has always packaged itself for consumption, but something clicked and suddenly everyone wanted a taste. But why Nashville? Why now? What made all this change possible? This book is an attempt to understand those transformations, or, if not to understand them, exactly, then to at least grapple with the question: What happened?
In 1998, roughly 2 million visitors came to see what there was to see in Nashville. By 2018, that number had ballooned to 15.2 million. In that span of two decades, the boundaries of Nashville did not change. But something did. Or rather, many somethings changed, and kept changing, until many who lived in Nashville began to feel they no longer recognized their own city. And some began to feel it wasn't their own city at all anymore as they were pushed to its fringes by rising housing costs. Between 1998 and 2018, the population of Nashville grew by 150,000. On some level, Nashville has always packaged itself for consumption, but something clicked and suddenly everyone wanted a taste. But why Nashville? Why now? What made all this change possible? This book is an attempt to understand those transformations, or, if not to understand them, exactly, then to at least grapple with the question: What happened?
This collection uncovers the fascinating past of Tennessee’s legendary Music City from true tall tales to larger than life characters and much more. Perched on the banks of the Cumberland River, Nashville is best known for its role in the civil rights movement, world-class education and, of course, country music. In this unique collection of columns written for The Tennessean, journalist and longtime Tennessee native George Zepp illuminates a less familiar side of the city’s history. Here, readers will learn the secrets of Timothy Demonbreun, one of the city's first residents, who lived with his family in a cliff-top cave; Cortelia Clark, the blind bluesman who continued to perform on street corners after winning a Grammy award; and Nashville's own Cinderella story, which involved legendary radio personality Edgar Bergen and his ventriloquist protegee. Based on questions from readers across the nation, these little-known tales abound with Music City mystery and charm.
Cities were the core of a changing economy and culture that penetrated the rural hinterland and remade the South in the decades following the Civil War. In New Men, New Cities, New South, Don Doyle argues that if the plantation was the world the sl
Settled north of Nashville in 1782, Inglewood began as a farming community on the Cumberland River. Early prominent citizens built many grand homes in the area, including Weakley and Riverwood, which are still standing today. A new community called "Inglewood Place" began in 1908 and churches, schools, and businesses soon followed. Nearly 700 homes were built prior to 1940, but Inglewood saw its heyday following World War II as Nashville's first modern suburb. Inglewood's Isaac Litton High School was known throughout Middle Tennessee for its academic excellence, championship sports, and its renowned band, "The Marching 100." Today people are moving back to Inglewood because of its history and beauty still reflected in the majestic Cumberland River, the numerous natural springs, and varied architecture.