Download Free South Central La Life Book in PDF and EPUB Free Download. You can read online South Central La Life and write the review.

Before Sharquent was old enough to drive, she turned to a life of addiction and crime. "South Central L.A. LIFE" is a frank look at Sharquent's incredible experiences at the edge of society's borders. In these unflinching pages, she describes what its like to get mixed up L.A.s darkest criminal life, where those with no future and nothing to lose will do anything for the next high. Then Sharquent stumbles upon Victory Outreach, a remarkable women's rehabilitation for women's recovery. What happened next would put Sharquent on the path towards a higher purpose in life. But not before the greatest struggle of all- the struggle to believe in herself enough to have a future.
Race, place, and identity in a changing urban America Over the last five decades, South Los Angeles has undergone a remarkable demographic transition. In South Central Dreams, eminent scholars Pierrette Hondagneu-Sotelo and Manuel Pastor follow its transformation from a historically Black neighborhood into a predominantly Latino one, providing a fresh, inside look at the fascinating—and constantly changing—relationships between these two racial and ethnic groups in California. Drawing on almost two hundred interviews and statistical data, Hondagneu-Sotelo and Pastor explore the experiences of first- and second-generation Latino residents, their long-time Black neighbors, and local civic leaders seeking to build coalitions. Acknowledging early tensions between Black and Brown communities. they show how Latino immigrants settled into a new country and a new neighborhood, finding various ways to co-exist, cooperate, and, most recently, demonstrate Black-Brown solidarity at a time when both racial and ethnic communities have come under threat. Hondagneu-Sotelo and Pastor show how Latino and Black residents have practiced, and adapted innovative strategies of belonging in a historically Black context, ultimately crafting a new route to place-based identity and political representation. South Central Dreams illuminates how racial and ethnic demographic shifts—as well as the search for identity and belonging—are dramatically shaping American cities and neighborhoods around the country.
South Central Los Angeles is often characterized as an African American community beset by poverty and economic neglect. But this depiction obscures the significant Latina/o population that has called South Central home since the 1970s. More significantly, it conceals the efforts African American and Latina/o residents have made together in shaping their community. As residents have faced increasing challenges from diminished government social services, economic disinvestment, immigration enforcement, and police surveillance, they have come together in their struggle for belonging and justice. South Central Is Home investigates the development of relational community formation and highlights how communities of color like South Central experience racism and discrimination--and how in the best of situations, they are energized to improve their conditions together. Tracking the demographic shifts in South Central from 1945 to the present, Abigail Rosas shows how financial institutions, War on Poverty programs like Headstart for school children, and community health centers emerged as crucial sites where neighbors engaged one another over what was best for their community. Through this work, Rosas illuminates the promise of community building, offering findings indispensable to our understandings of race, community, and place in U.S. society.
Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.
He’s a hip-hop icon credited with single-handedly creating gangsta rap. Television viewers know him as Detective Odafin “Fin” Tutuola on the top-rated drama Law & Order: SVU. But where the hype and the headlines end, the real story of Ice-T—the one few of his millions of fans have ever heard—truly begins. Ice is Ice-T in his own words—raw, uncensored, and unafraid to speak his mind. About his orphan upbringing on the gang-infested streets of South Central, his four-year stint in the U.S. Army, his successful career as a hustler and thief, and his fateful decision to turn away from a life of crime and forge his own path to international stardom. Along the way, Ice shares never-before-told stories about friends such as Tupac, Dick Wolf, Chris Rock, and Flavor Flav, among others. And he offers up candid observations on marriage and monogamy, the current state of hip-hop, and his latest passion: mentoring at-risk youths around the country. With insights into the cutthroat world of the street—and the cutthroat world of Hollywood—Ice is the unforgettable story of a true American original.
What many readers have wished for is now reality: a richly descriptive ethnography of street rappers. Blowing up refers to rappers dream of becoming rich and famous, or, at the least, successful as recording artists. Jooyoung Lee adds a shape to his story of Flawliis, VerBS, E. Crimsin, Psychosiz, and Tick-a-Lott: how do young black men from the inner city navigate their twenties? Blowin Up is a vibrant look at the young-adult stage of people who grow up in the shadow of gangs, dead-end jobs, and a glittering entertainment industry (the setting is Los Angeles). No other account of ghetto youth affords us this particular angle of vision. Lee discovers that in South Central L.A., rap can create bridges that bring young men together with peers from different neighborhoods (underscoring the importance of a healthy alternative to gangs). A rapper s underground artistic career is rooted in battle skills and crowd appeal, and, to boot, is meritocratic (whereas mainstream career success is based on branding, timing, funding, networks, and gimmicks). Rapping is an embodied artit takes much practice to learn, and requires body skills in dance, stance, and voice. Lee homes in on the skills and personalities of individual rappers, but he also illuminates the complex hip-hop scene around which these young men orbit, giving us detailed understandings of how young men navigate the intricate, tightly-wound world of tragedy and opportunity in the city. Lee balances the prospect of risk and existential uncertainty for youth entering a young adult life-stage with the hope for a big break in forging an entertainment career. In the end, Lee shows us how the arts can shape the lives of at-risk youth."
SOUTH CENTRAL L.A. CRIPS is the story of why nearly 10,000 people were destined to get killed during the 1970's, 80's and 90's in a social explosion that began in L.A. then spread across this nation and, indeed, the world. This is the story of O.G. Jimmie Black (aka O.G. Bobby Johnson in the movie), who evolves during those explosive years in South Central L.A. from the Watts Rebellion (1965) to just prior to the days that sparked the L.A. Uprising (1992). It is the story of a father and son's triumph in the midst of America's most deadly gang war. "Bakeer's story moves swiftly, and his writing is deft", Gayle Anthony, LA. Sentinel. "I loved the book and the movie." Tupac Shakur. "The novel CRIPS by Don Bakeer corrects your assumptions about the gangs." LA Weekly. Many of the characters personify the collective spirit of the Original Crips/ O.G.'s and specifically that of Raymond Washington, the founder. But, even more than that, the characters represent the rebellious spirits of Bunchy Carter, Stanley (Tookie) Williams, Ice T, Ice Cube, Tupac, Nipsey Hussle, and Sanyinka Shakur (aka Monster Cody), etc. Bakeer collaborated with Oliver Stone, Steve Anderson, and Warner Bros. to develop the classic fi lm, SOUTH CENTRAL (1992) from this book, yet, the movie only tells a small portion of the true story. Hajji* Donald Bakeer, 77 and father to 9, has been a poet in Los Angeles for over 50 years and taught secondary school English in South Central L.A. for 30 years. He is, now, retired from teaching and lives in Inglewood, CA. He made the pilgrimage to Mecca in 1997. His books: South Central L.A. CRIPS - The Story of the L.A. Street Gang ($8.99); PTSD! Who, Me? ($7.99), and his songs are available at donaldbakeerbooks.com
A hardcore look into the mind of a patrol officer working in South Central Los Angeles. The author uses personal testimony to illustrate how "Da Hood" changed him from a "community base" police officer into an aggressive predator of gang members. The LAPD recruitment posters forgot to mention that he would be shot at, called an "Uncle Tom," and treated like an outsiders by his partners because he grew up and lived in the neighborhood he patrolled. The employment pamphlets failed to describe the helplessness he would feel while handling rape investigations or the sadness he would have to block out at homicide scenes. Nothing prepared him for what he would experience. His Bachelors degree did not prepare him for a career with the LAPD. Growing up with gang members did not prepare him for the streets as a cop. The only adequate preparation he had was his religious beliefs. He was prepared to die.
Morgan Boy is a memoir of Noah's time in South Central, LA. Dealing with racism, gentrification, and other social issues, this manuscript combines the collective experiences and thoughts of a boy looking for inner healing within an environment that many don't make it out of. Morgan Boy is not only a testimony but a resolution to create a place where Noah can rest within his own healing.
Girlz in the Hood is the unsentimental, moving, and surprisingly humorous account of a girl and her ten siblings who grew up in one of the roughest neighborhoods in Los Angeles. Mary's mother was a fierce matriarch, a single mom who raised eleven children with the help of welfare checks and a fire arm hidden in her bra. Drugs, guns, and pregnancies were everyday occurrences, but Mary and her siblings took it all in stride, spying on the grown-ups, playing in the streets, and helping to take care of the new babies when they were born. The dubious yet colorful cast of characters that came into their lives (the Jehovah Witnesses, the whores, the addicts, the "fathers"), and the never-ending series of hardships (the jail terms, the knife fights, the mental illness, and homicides), couldn't shake the core of the family. This is the story of Mary, but, even more so, it's the story of her mother, a uniquely strong and extraordinary woman who was able to survive moments of pain and disappointment by laughing at the comedy of human missteps, miscalculations, and downright stupidity. This is also a story about race and of poverty and how, over time, it can wear you down and destroy you, because, although Mary got out okay, her sisters and brothers were not so lucky.