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The more 1100 sculptures in these two volumesrepresent the long overdue publication of the most important sculptures in custody of Tibetan monasteries
This volume brings together twenty-six papers to mark Susan Sherratt's 65th birthday - a collection that seeks to reflect both her broad range of interests and her ever-questioning approach to uncovering the realities of life in Europe and the Mediterranean in later prehistory.
Series B: Archaeology, etc.
Studies of seals and sealing practices have traditionally investigated aspects of social, political, economic, and ideological systems in ancient societies throughout the Old World. Previously, scholarship has focused on description and documentation, chronology and dynastic histories, administrative function, iconography, and style. More recent studies have emphasized context, production and use, and increasingly, identity, gender, and the social lives of seals, their users, and the artisans who produced them. Using several methodological and theoretical perspectives, this volume presents up-to-date research on seals that is comparative in scope and focus. The cross-cultural and interdisciplinary approach advances our understanding of the significance of an important class of material culture of the ancient world. The volume will serve as an essential resource for scholars, students, and others interested in glyptic studies, seal production and use, and sealing practices in the Ancient Near East, Egypt, Ancient South Asia and the Aegean during the 4th-2nd Millennia BCE.
THE historical backdrop of Ancient India is a past filled with thirty hundreds of years of human culture and advance. It partitions itself into a few unmistakable periods, every one of which, for length of years, will contrast and the whole history of numerous a cutting edge individuals.The most punctual date guaranteed by current researchers for its most established scholarly landmark, the Rig-Veda, is about 2000 B. c. Indeed, even at that remote age, Hindu human progress more likely than not been hundreds or thousands of years old, furthermore, from that time the artistic works of progressive periods shape a consistent photo of the way of life and the historical backdrop of India for three thousand years, so full, so clear, that he who runs may read.