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This is a completely new, revised, updated and expanded book: Sounds From the 60s - takes you behind the scenes with the stars of rock n' roll, pop, blues and jazz at two of the top Northern UK clubs, Club 60 & The Esquire, owned by Terry Thornton. This is a fascinating and unique account of life behind the scenes during the 1960s in the great industrial city of Sheffield, when a musty old beer cellar helped stage a remarkable revival of popular music, and provided a unique live showcase and platform for a host of top British and international performers - including many notable up and coming local young stars! They included: - Joe Cocker, Dave Berry & The Cruisers, Zoot Money, Frank White, Jimmy Crawford & The Coasters, Eric Clapton, Rod Stewart, Elton John, Alan Price & The Animals, Georgie Fame, Graham Bond, Screaming Lord Sutch & The Savages, Long John Baldry, John Lee Hooker, Sonny Boy Williamson, Sister Rosetta Tharpe, Frankenstein & The Monsters, Johnny Dark & The Midnighters, The Walker Brothers, The Kinks...and many more...This revised book also includes dozens of rare, exclusive and nostalgic photographs of the stars actually performing at the clubs during a seven-year period, together with a host of exclusive stories and pictures of the many regular club members and supporters from that era.
Before 1960, Sheffield was very much a bed and work city. All night life ended at 10pm and if you saw anyone around after that hour they were generally on their way to or from work. Terry Thornton changed all that in 1960 with the opening of his live music venue 'Club 60' in the basement of the old Acorn pub at Shalesmoor.After two successful years Terry moved the club to Leadmill Road and re-named it 'The Esquire Club'. Many future stars, such as Joe Cocker, Dave Berry and Rod Stewart, played there between 1962 and 1967.Although Terry closed the club after five years to turn his attentions elsewhere he had set in motion a revolution in live music that spread across the whole country. Later, in 1980 the venue was to re-open as the equally successful 'Leadmill' under different leadership.This book tells the story of those early days, in both words and pictures.
Coming ten years after the group's first appearance, Whatever People Say They Are...That's What They're Not is the first comprehensive biography of Arctic Monkeys, the greatest British group of the internet age. This is the story of a talented group of hip-hop loving school friends from Sheffield, who entered the music scene just in time to become the first band to be propelled to stardom by online community groups. They qualified as the fastest-selling British group ever, with all four of their albums going straight to Number One. Ben Osborne’s biography charts the band’s early years in the suburbs and their fast-track success as Arctic Monkeys. He identifies the sometimes overlooked people, who helped shape the band’s music and career.
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm & blues, punk, mod subculture, and glam rock - created a sense of crisis in English society.
A Social History of Sheffield Boxing combines urban ethnography and anthropology, sociological theory and place and life histories to explore the global phenomenon of boxing. Raising many issues pertinent to the social sciences, such as contestations around state regulation of violence, commerce and broadcasting, pedagogy and elite sport and how sport is delivered and narrated to the masses, the book studies the history of boxing in Sheffield and the sport’s impact on the cultural, political and economic development of the city since the 18th century. Interweaving urban anthropology with sports studies and historical research the text expertly examines a variety of published sources, ranging from academic papers to biographies and from newspaper reports to case studies and contemporary interviews. In Volume I, Bell and Armstrong construct a vivid history of boxing and probe its cultural acceptance in the late 1800s, examining how its rise was inextricably intertwined with the industrial and social development of Sheffield. Although Sheffield was not a national player in prize-fighting’s early days, throughout the mid-1800s, many parochial scores and wagers were settled by the use of fists. By the end of the century, boxing with gloves had become the norm, and Sheffield had a valid claim to be the chief provincial focus of this new passion—largely due to the exploits of George Corfield, Sheffield’s first boxer of national repute. Corfield’s deeds were later surpassed by three British champions: Gus Platts, Johnny Cuthbert and Henry Hall. Concluding with the dual themes of the decline of boxing in Sheffield and the city's changing social profile from the 1950s onwards, the volume ends with a meditation on the arrival of new migrants to the city and the processes that aided or frustrated their integration into UK life and sport.