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Have you ever wondered if time travel is actually possible? Or where the Australian accent came from? Or what it feels like to have dementia? If you’re an inquisitive person who likes to understand how things came to be the way they are, this collection of thought-provoking explainers from The Age and The Sydney Morning Herald has got you covered. Explain That answers some of the year’s – and life’s – most baffling questions. Thoroughly researched and eloquently set out by some of Australia’s finest journalists, it provides nourishment for curious minds and fun facts to share with friends and family. What do sharks want (and why do they bite)? How do you win an Oscar? Who thought up table manners? Funny, weird and insightful topics are inventively illustrated and embellished with diagrams, pictures and factoids. If you like to learn new things, if you enjoy trivia or you want to reflect on some of the big questions, this is the book for you. Absorbing, illuminating and always engaging, Explain That is for anyone who has ever asked how and why?
Australian English Pronunciation and Transcription is the first textbook to clearly describe Australian English speech patterns. Now in its second edition, this ground-breaking work addresses speech production characteristics and provides detailed instruction in both phonetic and phonemic transcription of the dialect. Each chapter features practical exercises to allow readers to develop skills and test their knowledge as they progress through the text. These exercises are complemented by an extensive companion website, which contains valuable explanatory materials, audio examples and accompanying activities for students. A new assessment bank includes exercises of varying difficulty, allowing lecturers to build unique assessment tasks tailored to their students' needs. Drawing on their extensive experience as teachers and researchers in phonetics and phonology, Felicity Cox and new author Janet Fletcher have crafted a comprehensive resource that remains essential reading for students, teachers and practitioners of linguistics, speech pathology and language education.
New Release February 2017 The birds found in Australia's bush, deserts and coastal regions, and even in its urban areas, provide an endless source of interest and entertainment, from noisy honeyeaters squabbling over wattle flowers to tiny pardalotes flitting high in the treetops. This very useful book and audio CD combination will be an essential addition to the bookshelves of birdwatchers of all levels. It helps the reader to identify a wide selection of species by sight and sound, with the focus being on those which are uniquely Australian. A little knowledge of songs and calls goes a long way to identifying the large number of birds that are heard but not seen. In the book each of the 70 species covered has a photo, along with descriptions of key ID features, habitat, distribution and the songs and calls which can be heard on the corresponding CD audio track. The CD incorporates hundreds of recordings of birds from all over the country, which have been accumulated over many decades
Australia offers tremendous scope for understanding the relationship between music, spirituality and landscape. This major, generously-illustrated new volume examines, in fifteen chapters, some of the ways in which composers and performers have attempted to convey a sense of the Australian landscape through musical means. The book embraces the different approaches of ethnomusicology, gender studies, musical analysis, performance studies and cultural history. Ranging across the country, from remote parts of the Northern Territory to the bustling east coast cities, from Tasmanian wilderness to tropical Queensland, the book includes references to art and literature as well as music. Issues of national identity, belonging and aboriginalization are an integral part of the book, with indigenous responses to place examined alongside music from the western orchestral, chamber and choral repertories. The book provides valuable insight into a wide range of music inspired by Australia, from the Yanyuwa people to Jewish communities in Victoria; from Peter Sculthorpe's opera Quiros to the work of European expats living in Australia before the Second World War; from historic Ealing film scores to contemporary sound installations. The work of many significant composers is discussed in detail, among them Ross Edwards, Barry Conyngham, David Lumsdaine, Anne Boyd and Fritz Hart. Throughout the book there is a sense of the vibrancy and diversity of the music inspired by the sights and sounds of the Australian landscape.
Australia’s Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s–c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country’s landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or ‘programmes’. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom ‘Jindyworobak’ has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.
Australians have become increasingly visible outside of the country as speakers and actors in radio and television, their media moguls have frequently bought up foreign companies, and people around the world have been able to enjoy such Australian productions as The Flying Doctors, Neighbours, and Kath and Kim. The origins, early development, and later adaptations of radio and television show how Australia has gone from being a minor and rather parochial player to being a significant part of the international scene. The A to Z of Australian Radio and Television provides essential facts and information concerning the Australian radio and television industry. This is accomplished through the use of a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on directors, producers, writers, actors, television and radio series, and television and radio stations.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The Ugly Australian Underground documents the music, song writing, aesthetics, lives and struggles of 50 of Australia's most innovative and creatively significant bands and artists at the creative peak of their careers. The book provides a rare insight into the most happening cult music scenes in Australia. The author, Jimi Kritzler is both a journalist and a musician and is personally connected to the musicians he interviews through his own involvement in this music sub culture. The interviews are extremely personal and reveal much more than any interview granted to street press or blogs. The interviews deal with not only the music and song writing processes of each band but in some circumstances their struggles with drugs, the death of bands members and involvement in crime. The book is complimented by previously unpublished photographs of all the bands interviewed.