Download Free Souls Aperture Book in PDF and EPUB Free Download. You can read online Souls Aperture and write the review.

The reader becomes emotionally committed within the first ten pages. Bart Stearman is committed to meeting his Maker. Melba Kirsham is committed to saving the life of her infant son, Arnold. Circumstance and serendipity thrust both of them into the middle of a medical experiment that will affect not only Bart's soul but the souls of others. Fighting against odds that suggest he cannot succeed, Bart struggles to save the life and soul of Arnold Kirsham, who is an unwitting player in the conflict. Before their souls can be saved, Bart must align with the only source of power capable of energizing a battle in the darkness outside the Light.
Khalik Allah is a New York–based photographer and filmmaker whose work has been described as "street opera," simultaneously penetrative, hauntingly beautiful, and visceral. His photography has been acclaimed by the New York Times, TIME Light Box, the New Yorker, the Guardian, the Village Voice, the BBC, and the Boston Globe. Since 2012, Allah has been photographing people who frequent the corner of 125th Street and Lexington Avenue in Harlem. Shooting film at night with only the light pouring from storefront windows, street lights, cars, and flashing ambulances, he captures raw and intimate portraits of "souls against the concrete." This volume presents a gallery of 105 portraits created with a Nikon F2 35mm camera and a photography predicated on reality. Inviting viewers to look deeply into the faces of people living amid poverty, drug addiction, and police brutality, but also leading everyday lives, Allah seeks to dispel fears, capture human dignity, and bring clarity to a world that outsiders rarely visit. This nuanced portrayal of nocturnal urban life offers a powerful and rare glimpse into the enduring spirit of a slowly gentrifying Harlem street corner and the great legacies of black history that live there.
As both an art form and a universal language, the photograph has an extraordinary ability to connect and communicate with others. But with over one trillion photos taken each year, why do so few of them truly connect? Why do so few of them grab our emotions or our imaginations? It is not because the images lack focus or proper exposure; with advances in technology, the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even—if we’re being truthful—with ourselves.

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'; min-height: 16.0px}

In The Soul of the Camera: The Photographer’s Place in Picture-Making, David explores what it means to make better photographs. Illustrated with a collection of beautiful black-and-white images, the book’s essays address topics such as craft, mastery, vision, audience, discipline, story, and authenticity. The Soul of the Camera is a personal and deeply pragmatic book that quietly yet forcefully challenges the idea that our cameras, lenses, and settings are anything more than dumb and mute tools. It is the photographer, not the camera, that can and must learn to make better photographs—photographs that convey our vision, connect with others, and, at their core, contain our humanity. The Soul of the Camera helps us do that.

Coincides with an exhibition of Brathwaite's work, 2019.
This first book-length study of Marguerite Porete's important mystical text, The Mirror of Simple Souls, examines Porete's esoteric and optimistic doctrine of annihilation—the complete transformative union of the soul into God—in its philosophical and historical contexts. Porete was burned at the stake as a relapsed heretic in 1310. Her theological treatise survived the flames, but it circulated anonymously or under male pseudonyms until 1946, and her message endures as testament to a distinctive form of medieval spirituality. Robinson begins by focusing on traditional speculations regarding the origin, nature, limitations, and destiny of humankind. She then examines Porete's work in its more immediate historical and literary contexts, focusing on the ways in which Porete conceptualizes and expresses her radical doctrine of annihilation through contemporary metaphors of lineage and nobility.
"One of the most interesting gatherings of material that any poet has published within living memory." --The Economist Simone Weil described “decreation” as “undoing the creature in us” -- an undoing of self. In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing. "Cool, resolute, smart, and lovely.... Carson has emerged in the last two decades as a kind of prophet of the unknowable." --The Village Voice
Emma Anderson uses one man's compelling story to explore the collision of Christianity with traditional Native religion in colonial North America. Pierre-Anthoine Pastedechouan was born into a nomadic indigenous community of Innu living along the St. Lawrence River in present-day Quebec. At age eleven, he was sent to France by Catholic missionaries to be educated for five years, and then brought back to help Christianize his people. Pastedechouan's youthful encounter with French Catholicism engendered in him a fatal religious ambivalence. Robbed of both his traditional religious identity and critical survival skills, he had difficulty winning the acceptance of his community upon his return. At the same time, his attempts to prove himself to his people led the Jesuits to regard him with increasing suspicion. Suspended between two worlds, Pastedechouan ultimately became estranged--with tragic results--from both his native community and his missionary mentors. An engaging narrative of cultural negotiation and religious coercion, Betrayal of Faith documents the multiple betrayals of identity and culture caused by one young man's experiences with an inflexible French Catholicism. Pastedechouan's story illuminates key struggles to retain and impose religious identity on both sides of the seventeenth-century Atlantic, even as it has a startling relevance to the contemporary encounter between native and non-native peoples.