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True Stories That Transform Lives Writing with profound psychological and spiritual insight, prize-winning author Gary Zukav has had a major impact on the consciousness of millions. In his New York Times number-one bestseller, The Seat of the Soul, he explained how the expansion of human perception beyond the five senses leads to a new understanding of power -- the alignment of the personality with the soul -- which in turn leads to an awareness of our extraordinary creative abilities. Now, in one of the most important and useful books you will ever read, Soul Stories, Zukav shows how this new understanding of power -- authentic power -- transforms lives in countless ways. Soul Stories is filled with marvelous stories that show how concepts such as intuition, harmony, cooperation, sharing, and reverence for life actually express themselves in people's lives. Best of all, the stories lead to practical advice on how you can discover your own Soul Stories and the truths they reveal about the deepest sources of your being. Wonderfully readable, Soul Stories is a wise and inspirational book.
This book takes a new approach to the question, "Is the philosopher to be seen as universal human being or as eccentric?". Through a reading of the Theaetetus, Pappas first considers how we identify philosophers – how do they appear, in particular how do they dress? The book moves to modern philosophical treatments of fashion, and of "anti-fashion". He argues that aspects of the fashion/anti-fashion debate apply to antiquity, indeed that nudity at the gymnasia was an anti-fashion. Thus anti-fashion provides a way of viewing ancient philosophy’s orientation toward a social world in which, for all its true existence elsewhere, philosophy also has to live.
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
On these pages you'll find more than 101 reasons why "Black is Beautiful." From the sultry stars of film and television to the sexy divas of fashion and music, this book pays tribute to those women who are changing the way America defines fashion and beauty. Full-color photographs from such top photographers as Steven Meisel, Gilles Bensimon, Paolo Roversi, and George Holz showcase unforgettable Black women at the forefront of style and beauty--woemn who have helped lift the self-esteem of sisters everywhere. "SoulStyle" features the newly annoitned and the continuously crowned royalty of fashion. Arranged in categories from Glamour Girls to Hip-Hop chic, Seventies Goddesses to Supermodels, these remarkable photos are accompanied by insightful biographies and commentary from leading arbiters of fashion and style. The book is distinct, sensual, and extraordinary. Each chapter is a candid and provocative look at the influences these women have had on popular culture.
Author Nancy Roth says, "Exploring the church's rich tradition of hymnody has been an important part of my life over the last few years. I have found myself drawn in an extraordinary way into the stories of the poets, saints, martyrs, and quite ordinary people who wrote our hymn texts. The words of a hymn draw me into God's presence, creating a quiet space for reflection and contemplation. Often I find that the texts voice my own prayer, like an alternative prayer book." Praise My Soul contains selections from Roth's previous three books of hymn meditations in a special, large-print format to make these meditations more easily accessible to all readers. Nancy Roth's love and enthusiasm for the history and poetry of hymns gives the reader a richer and more complex understanding of even the most familiar hymns, transforming the experience of song into an experience of prayer.
Fashion | Sense is designed to explode “fashion,” and with it, the stigma in philosophy against fashion's superficiality. Fashion appears to be altogether differently occupied, disingenuous and insubstantial, even sophistic in its pretense to peddle surfaces as if they were something deep. But is fashion's apparent beguilement more philosophical than it seems? And is philosophy's longing for exposed depth concealing fashion in its anti-fashion stance? Using primarily ancient Greek texts, peppered with allusions to their echoes across the history of philosophy and contemporary fashion and pop culture, Gwenda-lin Grewal not only examines the rift between fashion and philosophy, but also challenges the claim that fashion is modern. Indeed, fashion's quarrel with philosophy may be at least as ancient as that infamous quarrel between philosophy and poetry alluded to in Plato's Republic. And the quest for fashion's origins, as if a quest for a neutrally-outfitted self, stripped of the self-awareness that comes with thinking, prompts questions about human agency and our immersion in time. The touch of reality's fabric bristles in our relationship to our looks, not simply through the structure of clothes but in the plot of our wearing them. Meanwhile, the fashion of our words sharpens our meaning like a cutting silhouette. Grewal's own writing is playfully and daringly self-conscious, aware of its style and the entrapment it arouses from the very first line. The reactions provoked by fashion's flair, not only among the philosophical set but also among those who would never deck themselves out in the title, “philosopher,” show it forth as perhaps philosophy's most important and underestimated doppelgänger.
There are references to clothing throughout Paul's letters, and the metaphor constitutes a significant aspect of his theology. The imagery appears several times in his letters: clothing with Christ (Gal 3:27; Rom 13:14), clothing with the new man (Col 3:9-10; Eph 4:22-24), and clothing with the resurrection body (1 Cor 15:49, 50-54; 2Cor 5:1-4). In order to understand the background to this use of the clothing metaphor, Jung Hoon Kim examines similar imagery in the Old Testament, 1 and 2 Enoch, the Apocalypse of Moses, Philo, rabbinic literature, Joseph and Aseneth, the Hymn of the Pearl, and Apuleius's Metamorphoses. He also discusses the Roman custom of clothing and the baptismal praxis of the ancient church. Kim concludes that Paul's metaphor suggests the life and glory of the image of God, which were lost by Adam, have been restored by baptism in Christ, and will go on to be consummated at the parousia.
Gita leads us from spiritual infancy to maturity, impulsive irrationality to intelligent rationalism, and agitation to tranquility. ‘G-OO-D’ contains two ‘O’s between ‘G’, the God, and ‘D’, the Devil. First ‘O’ near ‘G’ denotes Obeisance to God; and second ‘O’, near Devil, denotes Obfuscation. Eliminate Obfuscation from life to see God in everything ‘Good’. Ego and prejudice are the earplugs that stop us from listening to inner voice of God. Enjoy the 3 D film of life by wearing spectacle of Anaasakti, the indifference. Orthodoxy is the peel of a banana whose pulp is Dharm. We shouldn’t set foot on the peel and slip into gutter but relish soul-nourishing pulp. Our senses must follow our commands like the ‘Genie’ of Aladdin’s lamp. The best batsman defends his wicket by driving every ball to boundary but the less skilled runs to score; and the least skilled is bowled out. Dharm appears as the ferocious tiger Richard Parker in the film ‘Life of Pi’. Initially Pi struggles to save himself from tiger; then it suddenly dawns on him that the tiger is an indispensible anchor of his life in the boat. His simple attitudinal change saves the beast and himself.