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2005 Book News, Inc., Portland, OR (booknews.com).
Cyberpunk is dead. The revolution has been co-opted by half-assed heroes, overclocked CGI, and tricked-out shades. Once radical, cyberpunk is now nothing more than a brand. Time to stop flipping the channel. These sixteen extreme stories reveal a government ninja routed by a bicycle repairman, the inventor of digitized paper hijacked by his college crush, a dead boy trapped in a warped storybook paradise, and the queen of England attacked with the deadliest of forbidden technology: a working modem. You’ll meet Manfred Macx, renegade meme-broker, Red Sonja, virtual reality sex-goddess, and Felix, humble sys-admin and post-apocalyptic hero. Editors James Patrick Kelly and John Kessel (Feeling Very Strange: The Slipstream Anthology) have united cyberpunk visionaries William Gibson, Bruce Sterling, and Pat Cadigan with the new post-cyberpunk vanguard, including Cory Doctorow, Charles Stross, and Jonathan Lethem. Including a canon-establishing introduction and excerpts from a hotly contested online debate, Rewired is the first anthology to define and capture the crackling excitement of the post-cyberpunks. From the grittiness of Mirrorshades to the Singularity and beyond, it’s time to revive the revolution.
Love Nest, Andrew Coburn’s gripping new thriller, is certain to gain the same critical acclaim. The murder of a young and alluring prostitute is at the core of this compelling story of small-town crime, corruption, and desire. In her brief stay in Andover, Massachusetts, her charm and beauty had touched the lives of many of the town’s leading citizens, not the least of whom is the investigator of her murder, Sergeant Sonny Dawson. His tenacious search for the killer uncovers a netherworld of characters that shocks his sensibilities but does not dampen his thirst to solve the case. The taut psychological drama, the agonizingly suspenseful plot, and the deft prose that mark Andrew Coburn’s writing of Love Nest consolidate his stature and his fictional territory—the authentic New England world he has staked out for himself. And in his portrait of a small New England town, Coburn reveals the sophistication and breadth of a most gifted novelist.
The story of a boy growing up in Indianapolis at the turn of the century.
‘Passing’ is a common euphemism for the death of a person, as he or she is said to ‘pass away’ or ‘pass on’. This open-ended saying has at its heart a notion of transformation from one state to another, which in turn grants the possibility of grasping or approximating the passage of time and the materiality of death and decay. This book begins with the idea that since all material things - whether animals, human beings, objects or buildings - undergo some form of passing, then the specific transformation in these passages and the materiality actively given to it can offer us a grasp of otherwise precarious temporalities. It examines how human beings strive to relate to the temporal dimension of death and decay, by giving new shape and direction to being and by examining its natural transformations. Focusing on the materiality of passing, and thereby the relationship between embodiment, temporality and death, Materialities of Passing offers rich case studies from Europe, Papua New Guinea, South Africa and the Russian Far East for exploring the material, spatial and directional aspects of the very interface between life and death. As such, it will appeal to scholars of anthropology, death studies, archaeology, philosophy and cultural studies.
Switch and his heroic crew of rag-tag, superpowered kids are back! And this highly illustrated sequel has one mission: Operation Jailbreak (to Rescue the Parents who were Wrongfully Jailed by a Hero who Might Actually Turn Out to be the Real Villain?!) The Stupendous Switcheroo—Switch for short—used to idolize legendary superhero Vik Valor. He wanted to be just like him: a hero. But now that he has finally gotten used to waking up with new powers every day, Switch isn’t so sure that Mr. Valor is one of the good guys. How could he be, if he put all of Switch's new friends’ parents (who happen to be famous supervillains) in jail? Switch is left with only one course of action: Operation Jailbreak. Switch will have to get their families back, if he ever wants to find out the truth about Vik Valor—and himself. What else can you do if the good guys aren't really good? And if your parents are villains, were you born to be bad?