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A pioneer among Palestinian artists, Sophie Halaby was the first Arab woman to study art in Paris, subsequently living independently as a professional painter in Jerusalem throughout her life. She was born in 1906 in Kiev to a Russian mother and a Christian Arab father. Her family fled to Jerusalem in 1917 in the wake of the Russian Revolution. Her life was marked by violence and war, including the Arab Revolt from 1936 to 1939, the Nakba in 1948, and the Six-Day War in 1967. In response, Halaby drew a series of political cartoons criticizing British rule and Zionist goals; later in life, she followed the work of younger artists who supported the Palestine liberation movement. However, the political turmoil of her times is largely not depicted in her art. Instead, her work is a tribute to the enduring beauty of the landscape and flora of Jerusalem, often sketched in pen and ink or red and black chalk, and painted with egg tempera, oils, and watercolors. Schor’s compelling biography shines new light on this little-known artist and enriches our understanding of modern Palestinian history.
This manuscript is both a biography of an artist, Sophie Halaby, and a history of Jerusalem as seen through her eyes. Schor seeks to bring Halaby's story and that of Christian Arabs of Jerusalem to the English-reading public, as well as to look through this artist's eyes at the history of Jerusalem--a history often viewed through the lens of growing nationalism and punctuated by a series of violent events.
This book is the first to present the unique story of the city of Jerusalem during the events of the Second World War and how it played a unique role in both the military and civilian aspects of the war. Whilst Jerusalem is usually known for topics such as religion, archaeology, or the politics of the Israeli–Arab conflict, this volume provides an in-depth analysis of this exceptional and temporary situation in Jerusalem, offering a perspective that is different from the usual political-strategic-military analysis. Although battles were raging in the nearby countries of Syria and Lebanon, and the war in Egypt and the Western Desert, the people who came to Jerusalem, as well as those who lived there, had different agendas and perspectives. Some were spies and intelligence officers, other were exiles or refugee immigrants from Europe who managed at the last moment to escape Nazi persecution. Journalists and writers described life in the city at this time. All were probably conscious of the fact that when the war came to an end, local rivalry and mounting conflict would take the centre stage again. This was a time of a special, magical drawn-out moment that may shed light on an alternative, more peaceful, kind of Jerusalem that unfortunately was not to be. This volume seeks to find an alternative approach and to contribute to the development of insightful research into life in an unordinary city in an unordinary situation. It will be of value to those interested in military history and the history of the Middle East.
There Where You Are Not brings together the writings of celebrated Palestinian artist and theorist Kamal Boullata (b. 1942). Produced over four decades of exile in Europe, North Africa, and the United States, the essays explore intersections between aesthetics, history, and politics that are central to the historiography of modern Arab art. The experience of exile and the imperatives of resistance permeate the essays, whose subjects range from autobiography to contemporary art, early ruminations on gender relations, language and the visual, to questions of identity and globalization. Taken collectively, they explore intersections between aesthetics, history, and politics that are central to the historiography of modern Arab art.
Jerusalem without God leads the reader through the streets, malls, suburbs, traffic jams, and squares of Jerusalem's present moment, into the daily lives of the men and women who inhabit it. Caridi brings contemporary Jerusalem alive by describing it as a place of sights and senses, sounds and smells, but she also shows us a city riven by the harsh asymmetry of power and control embodied in its lines, limits, walls, and borders. She explores a cruel city, where Israeli and Palestinian civilians sometimes spend hours in the same supermarkets, only to return to the confines of their respective districts, invisible to each other.
Uninterrupted Fugue features a selection of critical essays about the art of Palestinian artist Kamal Boullata. Written by leading scholars and appearing for the first time in a single volume, this range of analytical perspectives on art and exile, modernity and tradition offers rare insights to readers interested in contemporary art beyond the Western canon. The contributors include Abdelkebir Khatibi, Hans Belting, Jean Fisher, Jose Miguel Puerta Vilchez, Dorothea Sch ne and Omar Kholeif, among others. Exploring Boullata's artistic trajectory over forty years, they examine his revolutionary technique of blending temporally and geographically distinct elements into thought-provoking works of universal appeal. Readers interested in contemporary art beyond the western canon will discover in this lavishly illustrated book rare insights into an aesthetic where the boundary between verbal and visual expression is surprisingly permeable, and the hallmarks of modernism merge with traditions rooted in Byzantine and Islamic art.
As the world negotiates immense loss and questions of how to memorialize, the contributions in this volume evaluate the role of culture as a means to promote reconciliation, either between formerly warring parties, perpetrators and survivors, governments and communities, or within the self. Post-Conflict Memorialization: Missing Memorials, Absent Bodies reflects on a distinct aspect of mourning work: the possibility to move towards recovery, while in a period of grief, waiting, silence, or erasure. Drawing on ethnographic data and archival material from Bosnia-Herzegovina, Argentina, Palestine, Israel, Wales, Peru, Colombia, Hungary, Chile, Pakistan, and India, the authors analyze how memorialization and commemoration is practiced by communities who have experienced trauma and violence, while in the absence of memorials, mutual acknowledgement, and the bodies of the missing. This timely volume will appeal to undergraduate and postgraduate students, postdoctoral researchers, and scholars with an interest in memory studies, sociology, history, politics, conflict, and peace studies
Presents the history of modern Palestine and biographies of important Palestinians.
Comedy in Crises provides a novel contribution to an emerging comedy studies field, offering a fresh approach and understanding toward both the motivation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary art – focusing on its role in negotiating complex cultural identities, the expectations of art markets, the impact of historical legacies, as well as its role in bolstering cultural resilience. In so doing, this book explores a vital, yet under-explored, aspect of contemporary art. Over the last decade, we have witnessed an overwhelming emphasis on experiences of precarity and emergency in contemporary art discourse, reflecting a popular view that the decade following the outbreak of the global financial crisis has been marked by an intersection of constant crises (refugee crisis, sovereign debt crisis, environmental disaster, COVID). Comedy in Crises offers innovative analysis of the relationship between this context and the growing use of humour by artists from around the world, making clear the vital role of laughter in mediating the collective trauma that takes shape today in a period of protracted crisis.