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Sonny Kaniho: A Profile in Hawaiian Courage chronicles Sonnys labor of aloha (love) to bring about change and reform within the Department of Hawaiian Home Lands (DHHL), an institution created by the US Congress in 1920 to return Hawaiians to the aina (land), aina stolen from us when our beloved Queen Liliuokalani was overthrown by a coup instigated by US Minister Stevens and thirteen American businessmen with support from armed marines stationed aboard the USS Boston. DHHL (past) rather than serve its primary beneficiaries on a burgeoning waiting list for homesteads instead served large, well-financed, politically connected corporations. And Sonny was a victim of that practice. Through his courageous protest, Sonny brought that practice to an end. DHHL (present) is a better institution because of Sonnys efforts. This is a story about how this quiet, soft-spoken, peaceful, unassuming, gentle Hawaiian brought about the change he desired for the good of thousands. May we always remember Sonny Alohalani Kaniho.
Loyal to the Land is a sweeping history of one of the United States' largest working ranches, the Big Island of Hawaii's Parker Ranch. Dr. Bergin chronicles the ranch from its establishment on two acres purchased for ten dollars by John Palmer Parker to the years following World War II and the beginning of a new era of family ranch management under Parker’s grandson, Richard Smart. In this wide-ranging and insightful book, illustrated with more than 250 historical photos, Dr. Bergin first discusses the important Hispanic vaquero roots of ranching in Hawaii. He then relates the histories of the five foundation families, providing rich and detailed information on key members who contributed to the Ranch's success. The balance of the book examines every aspect of Parker Ranch development: management, labor, improvements and diversification of livestock, veterinary and animal care programs, and the Ranch’s role and influence on the Big Island and the state.
Na Wahine Koa: Hawaiian Women for Sovereignty and Demilitarization documents the political lives of four wahine koa (courageous women): Moanike‘ala Akaka, Maxine Kahaulelio, Terrilee Keko‘olani-Raymond, and Loretta Ritte, who are leaders in Hawaiian movements of aloha ‘aina. They narrate the ways they came into activism and talk about what enabled them to sustain their involvement for more than four decades. All four of these warriors emerged as movement organizers in the 1970s, and each touched the Kaho‘olawe struggle during this period. While their lives and political work took different paths in the ensuing decades—whether holding public office, organizing Hawaiian homesteaders, or building international demilitarization alliances—they all maintained strong commitments to Hawaiian and related broader causes for peace, justice, and environmental health into their golden years. They remain koa aloha ‘aina—brave fighters driven by their love for their land and country. The book opens with an introduction written by Noelani Goodyear-Ka‘opua, who is herself a wahine koa, following the path of her predecessors. Her insights into the role of Hawaiian women in the sovereignty movement, paired with her tireless curiosity, footwork, and determination to listen to and internalize their stories, helped produce a book for anyone who wants to learn from the experiences of these fierce Hawaiian women. Combining life writing, photos, news articles, political testimonies, and other movement artifacts, Na Wahine Koa offers a vivid picture of women in the late twentieth- and early twenty-first-century Hawaiian struggles. Their stories illustrate diverse roles ‘Oiwi women played in Hawaiian land struggles, sovereignty initiatives, and international peace and denuclearization movements. The centrality of women in these movements, along with their life stories, provide a portal toward liberated futures.
With My Papa at Cowboy Pond is an abbreviated autobiography. “I probably will not live to see our grandsons graduate from high school. This story is for them. Cowboy Pond on Waikoloa stream is where my story is set. It is a real place from where I impart grandfatherly advice via Lalamaikai, share tidbits about me and their Tutu (grandma), and emphasize a core message—live in the future, not the past. Lalamaikai and I are its central characters.”