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In the early nineteenth century, Vuk Karadzic, a Serb scholar and linguist, collected and eventually published transcriptions of the traditional oral poetry of the South Slavs. It was a monumental and unprecedented undertaking. Karadzic gathered and heard performances of the rich songs of Balkan peasants, outlaws, and professional singers and their rebel heroes. His four volumes constitute the classic anthology of Balkan oral poetry, treasured for nearly two centuries by readers of all literatures, and influential to such literary giants as Goethe, Merimee, Pushkin, Mickiewicz, and Sir Walter Scott.This edition of the songs offers the most complete and authoritative translations ever assembled in English. Holton and Mihailovich, leading scholars of Slavic literature, have preserved here the unique meter and rhythm at the heart of Serbian oral poetry, as well as the idiom of the original singers. Extensive notes and comments aid the reader in understanding the poems, the history they record and the oral tradition that lies beneath them, the singers and their audience.The songs contain seven cycles, identified here in sections titled: Songs Before History, Before Kosovo, the Battle of Kosovo, Marko Karadzic, Under the Turks, Songs of the Outlaws, and Songs of the Serbian Insurrection. The editors have selected the best known and most representative songs from each of the cycles. A complete biography is also provided.
In the early nineteenth century Serb scholar Vuk Karadzic collected and published now classic transcriptions of Balkan oral poetry. This edition, by taking great care to preserve the unique meter and rhythm at the heart of Serbian oral poetry as well as the idiom of the original singers, offers the most complete and authoritative translations ever assembled in English.
A collection of Serbian folk tales preceded by background to the history and cultural traditions of the Slavic people, including short essays on good and evil spirits, vampires, superstition, Christmas Eve, wedding rites, etc.
67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.
"Women are conspicuously absent from traditional cultural histories of South-East Europe. This book addresses that imbalance by describing the contribution of women to literary culture in the Orthodox/Ottoman areas of Serbia and Bosnia."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The relationship between the Homeric epics and archaeology has long suffered mixed fortunes, swinging between 'fundamentalist' attempts to use archaeology in order to demonstrate the essential historicity of the epics and their background, and outright rejection of the idea that archaeology is capable of contributing anything at all to our understanding and appreciation of the epics. Archaeology and the Homeric Epic concentrates less on historicity in favor of exploring a variety of other, perhaps sometimes more oblique, ways in which we can use a multidisciplinary approach – archaeology, philology, anthropology and social history – to help offer insights into the epics, the contexts of their possibly prolonged creation, aspects of their 'prehistory', and what they may have stood for at various times in their long oral and written history. The effects of the Homeric epics on the history and popular reception of archaeology, especially in the particular context of modern Germany, is also a theme that is explored here. Contributors explore a variety of issues including the relationships between visual and verbal imagery, the social contexts of epic (or sub-epic) creation or re-creation, the roles of bards and their relationships to different types of patrons and audiences, the construction and uses of 'history' as traceable through both epic and archaeology and the relationship between 'prehistoric' (oral) and 'historical' (recorded in writing) periods. Throughout, the emphasis is on context and its relevance to the creation, transmission, re-creation and manipulation of epic in the present (or near-present) as well as in the ancient Greek past.
The Indians manifest their poetry in their huge temples; the Persians in their holy books; the Egyptian in pyramids, obelisks and the like; the Hellene in their magnificent statues; the Romans in their enchanting pictures; the Germans in their beautiful music—but the Slavs have poured out their soul and their intimate thoughts in ballads and tales. Herein are 33 Serbian superstitions and national customs, 12 legends of Prince Marko, a Serbian national hero, the epic poem of the hero knight Banovitch Strahinya, 3 epic Serbian ballads, the marriages of Maximus Tzrnoyevitch, Tsar Doushan The Mighty, King Voukashin,and of Stephan Yakshitch, each filled with drama and awe, plus 20 folk tales and 7 Serbian anecdotes. All-in-all a complete volume of Serbian folklore which includes 32 colour illustrations of the stories and events contained therein. So compelling are these stories and tales that in the first half of the nineteenth century various German poets transversified some of the Serbian national ballads into German. One of these, Jacob Grimm, of Grimm's Fairy Tales, learned Serbian so that he might acquaint himself with these Serbian literary treasures. So, we invite you to get yourself a hot toddy, download this book, then sit back in front of a roaring fire and read these tales. But be prepared to be pleasantly surprised for Serbian folklore is like none other. 10% of the publisher’s profit is donated to charities.
Hero Tales and Legends of the Serbians weaves an intricate tapestry of myth, folklore, and national pride, portraying the rich cultural landscape of Serbia and its people. This anthology encapsulates a diverse range of literary styles, from epic poetry to intimate folklore, encapsulating centuries of oral and written traditions. The collection stands as a beacon of the Serbian spirit, with tales that traverse the realms of history, mythology, and legendary heroism, demonstrating the profound depth and resilience of Serbian culture. These narratives not only entertain but serve as cultural milestones, preserving the collective memory and identity of a nation through the ages. The anthology benefits from the scholarly acumen and cultural insight of Vuk Stefanovi Karad~i and Woislav M. Petrovitch, whose lifeworks have significantly contributed to the preservation of Serbian folklore and the broader discourse of Slavic studies. Karad~i, in particular, is revered as a seminal figure in the standardization of the Serbian language and a pivotal collector of folk tales and songs. Their collaborative efforts embody a confluence of historical, cultural, and literary movements, immersing readers in the heart and soul of Serbian tradition and its enduring narrative legacy. Hero Tales and Legends of the Serbians offers a unique window into the vibrant tapestry of Serbian folklore, appealing to scholars, enthusiasts of Slavic cultures, and anyone captivated by the art of storytelling. This anthology not only enriches ones understanding of Serbian heritage but also celebrates the universal power of storytelling to unite and inspire. Readers are invited to delve into this collection to discover a world where heroism, honor, and the ancestral echoes of the past speak to the present, fostering a deeper appreciation for the diversity and complexity of human culture and the bonds that tie us to our ancestral legacies.