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The story of Ireland - its graces and shortcomings, triumphs and sorrows - is told by the ballads, dirges, and humorous songs of its common people. Music is a direct and powerful expression of Irish folk culture and a beloved aspect of Irish life in the rest of the world.
Illustrations by Resie Lonette.
Twenty-seven years in the making (1940–67), this tapestry of nearly two hundred American popular and protest songs was created by three giants of performance and musical research: Alan Lomax, indefatigable collector and preserver; Woody Guthrie, performer and prolific balladeer; and Pete Seeger, entertainer and educator who has introduced three generations of Americans to their musical heritage. In his afterword, Pete Seeger recounts the long history of collecting and publishing this anthology of Depression-era, union-hopeful, and New Deal melodies. With characteristic modesty, he tells us what’s missing and what’s wrong with the collection. But more important, he tells us what’s right and why it still matters, noting songs that have become famous the world over: “Union Maid,” “Which Side Are You On?,” “Worried Man Blues,” “Midnight Special,” and “Tom Joad.” “Now, at the turn of the century, the millennium, what’s the future of these songs?” he asks. “Music is one of the things that will save us. Future songwriters can learn from the honesty, the courage, the simplicity, and the frankness of these hard-hitting songs. And not just songwriters. We can all learn.” In addition to 123 photographs and 195 songs, this edition features an introductory note by Nora Guthrie, the daughter of Woody Guthrie and overseer of the Woody Guthrie Foundation.
"In these dark days, Saleema Nawaz dares to write of hope. Songs for the End of the World is a loving, vivid, tenderly felt novel about men, women, and a possible apocalypse. I couldn't put it down." -- Sean Michaels, author of Us Conductors and The Wagers From the award-winning, Canada Reads-shortlisted author of Bone and Bread comes a spellbinding and immersive novel about the power of community and the triumph of human connection, as the bonds of love, family, and duty are tested by an impending pandemic. How quickly he'd forgotten a fundamental truth: the closer you got to the heart of a calamity, the more resilience there was to be found. This is the story of a handful of people who find themselves living through an unfolding catastrophe. Elliot is a first responder in New York, a man running from past failures and struggling to do the right thing. Emma is a pregnant singer preparing to headline a benefit concert for victims of the outbreak--all while questioning what kind of world her child is coming into. Owen is the author of a bestselling plague novel with eerie similarities to the real-life pandemic. As fact and fiction begin to blur, he must decide whether his lifelong instinct for self-preservation has been worth the cost. As the novel moves back and forth in time, we discover these characters' ties to one another and to those whose lives intersect with theirs, in an extraordinary web of connection and community that reveals none of us is ever truly alone. Linking them all is the mystery of the so-called ARAMIS Girl, a woman at the first infection site whose unknown identity and whereabouts cause a furor. Written and revised between 2013 and 2019, and brilliantly told by an unforgettable chorus of voices, Saleema Nawaz's glittering novel is a moving and hopeful meditation on what we owe to ourselves and to each other. It reminds us that disaster can bring out the best in people--and that coming together may be what saves us in the end.
NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.
In the early nineteenth century Serb scholar Vuk Karadzic collected and published now classic transcriptions of Balkan oral poetry. This edition, by taking great care to preserve the unique meter and rhythm at the heart of Serbian oral poetry as well as the idiom of the original singers, offers the most complete and authoritative translations ever assembled in English.
It's the summer of 1960 in Atkinson, Vermont. Maria Fermoyle is a strong but vulnerable divorced woman whose loneliness and ambition for her children make her easy prey for dangerous con man Omar Duvall. Marie's children are Alice, seventeen—involved with a young priest; Norm, sixteen—hotheaded and idealistic; and Benny, twelve—isolated and misunderstood, and so desperate for his mother's happiness that he hides the deadly truth he knows about Duvall. We also meet Sam Fermoyle, the children's alcoholic father; Sam's brother-in-law, who makes anonymous "love" calls from the bathroom of his failing appliance store; and the Klubock family, who—in contrast to the Fermoyles—live an orderly life in the house next door. Songs in Ordinary Time is a masterful epic of the everyday, illuminating the kaleidoscope of lives that tell the compelling story of this unforgettably family.
The life and songs of singer-songwriter Momus during his time at Creation records and beyond. Momus - the stage name of musician Nicholas Currie - is one of the most prolific and talented indie songwriters of the last forty years. His work is controversial, influential and highly regarded. From aspiring indie pop star of the 1980s to Japanese chart success in the 1990s through many experimental works to the present day, he has been a constant in the search for intelligent, thinking person's pop. Jarvis Cocker asked him to produce his band Pulp, the NME memorably awarded his album "Hippopotamomus" 0/10, Creation Records dropped him when he proved too dangerous for them, and his more controversial work led to astounding legal tussles. His personal life has involved scandal and heartbreak and he lost an eye following an infection, resulting in his distinctive eye-patch. His songs including "The Hairstyle of the Devil", "The Guitar Lesson" and "I Want You but I Don't Need You" are acclaimed and have been covered by artists including Amanda Palmer and Steven Wilson.