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Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides (Pullman, WA) and the Romantic poets (The Appeal). Now she piles her deconstructive scorn upon ethnic stereotypes in Song...
There s a crocodile in the closet. Don t go inside! Let s put him in the attic, then run downstairs and hide!
The amazing story of a groundbreaking scientific quest over five continents to study our modern dinosaurs—that ends up changing a life, as well as our understanding about crocodiles and their relatives. A born naturalist and a fearless traveler, Vladimir Dinets wrote travel guides, conducted field research, and lived a couple of lives before he was accepted into the PhD program in zoology at the University of Miami. He thought crocodiles were a dead-end research topic—survivors from the age of the dinosaurs but not much else—until he witnessed groups of up to seventy alligators performing mating choruses that included infrasound vibrations—a form of communication extremely rare in nature—and a “dance” unknown in the scientific literature but that resembled a scene from Jurassic Park. To prove his thesis about the language of crocodiles, he spent the next six years traveling around the world on shoestring budgets and in extreme circumstances, studying almost every living species. At the same time, as a man desiring companionship in life, he sought love. With adventures on five continents, Dragon Songs is his account of this quest. It includes an escape from a boiling lava lake in the Afar Desert, being chased up a tree by a tiger in India, hitching a ride with a cocaine smuggler in Bolivia, and diving with giant Greenland sharks—all in the name of studying crocodiles, among which he routinely paddled in his inflatable kayak. Of course, not everything went according to plan. But, in the end, his ground-breaking research helped change the field. And during the course of his adventures, he met and courted his future wife.
An "excellent collection....Prelutsky and Sis...bring to life so many sorts of dragons: the large, the small, the ferocious, the technological, the gentle, the ominous, and the disconsolate. There's a `just right' quality to the verse that makes it a pleasure to read the words aloud. Their sounds fit together with seamless craftsmanship and their sense rewards listeners with humor, imagination, and occasional poignancy....Because it appeals on so many levels, this is one poetry book that won't siton the shelf for long."--Booklist.
Song of Dragons, an epic fantasy trilogy, tells the story of Requiem -- a fallen, ancient land whose people could become dragons... and whose last survivors dream of flying again. With hundreds of thousands of copies sold, the Song of Dragons novels have captivated readers around the world. Now you can read the entire trilogy in one collection. BOOK 1: BLOOD OF REQUIEM -- Requiem, a kingdom of men who could become dragons, lies in ruin. Its destroyer, the tyrant Dies Irae, leads his griffins on a hunt for survivors. Will Requiem's last children perish in the wilderness... or once more become dragons and fly to war? BOOK 2: TEARS OF REQUIEM -- Dies Irae masters new servants: the nightshades, demons of shadow who fear no sword or arrow. They suck the souls from all who live, like a glutton sucking marrow from bones. Can Requiem's last children, a mere scattering of survivors, defeat them? BOOK 3: LIGHT OF REQUIEM -- The world lies in ruin. Forests smolder. The crows feast. From the ashes, Dies Irae raises new soldiers: monsters sewn together from dead body parts. As the undead army marches, Requiem's survivors muster what forces they can... and prepare for their last stand. Song of Dragons -- an epic fantasy trilogy. For fans of dragons, shapeshifters, swords and sorcery, A Game of Thrones, Eragon, The Hobbit and The Lord of the Rings. _____________ THE REQUIEM SERIES: Dawn of Dragons Book 1: Requiem's Song Book 2: Requiem's Hope Book 3: Requiem's Prayer Song of Dragons Book 1: Blood of Requiem Book 2: Tears of Requiem Book 3: Light of Requiem Dragonlore Book 1: A Dawn of Dragonfire Book 2: A Day of Dragon Blood Book 3: A Night of Dragon Wings The Dragon War Book 1: A Legacy of Light Book 2: A Birthright of Blood Book 3: A Memory of Fire Requiem for Dragons Book 1: Dragons Lost Book 2: Dragons Reborn Book 3: Dragons Rising Flame of Requiem Book 1: Forged in Dragonfire Book 2: Crown of Dragonfire Book 3: Pillars of Dragonfire Dragonfire Rain Book 1: Blood of Dragons Book 2: Rage of Dragons Book 3: Flight of Dragons
Only a naive misfit with the perfect voice can save the world with lost magic.
“Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides (Pullman, WA) and the Romantic poets (The Appeal). Now she piles her deconstructive scorn upon ethnic stereotypes in Songs of the Dragons Flying to Heaven, a sweet-and-sour parade of Asian minstrelsy.”—Time Out New York “A perverse, provocative, and very funny festival of racism . . . Songs offers not only chauvinistic monologues and ass-slapping Korean dances, but also a rigorous exploration of art-making and its associated terrors.”—The Village Voice “Have you ever noticed how most Asian Americans are slightly brain-damaged from having grown up with Asian parents?” begins the Korean American protagonist of Songs of the Dragons Flying to Heaven, the singular work of Young Jean Lee, whose plays are like nothing you have ever seen or read. This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching—and seat-squirming funny. Also includes Groundwork of the Metaphysic of Morals; The Appeal; Pullman, WA; Church; and Yaggoo. Young Jean Lee was born in Korea and moved to the United States at age two. She grew up in Pullman, Washington, and attended college at the University of California, Berkeley, where she also studied Shakespeare in the English PhD program before moving to New York. She is the founder of the Young Jean Lee’s Theater Company, where she directs her own work, and has toured internationally in Vienna, Hanover, Berlin, Switzerland, Brussels, Norway, France, and Rotterdam; and across the United States in Portland, Seattle, Pittsburgh, and Minneapolis. She is the recipient of a 2007 Emerging Playwright OBIE Award.
A bitter end: The air grows stale, the soil sterile and the waters too polluted to sustain life. As the world begins to die, the former Guardians of Earth can only sit by helplessly and watch from their exile. The prophecy of a human with the power to repair the damage has not yet come to pass, and time is running out. An invincible evil: Craving an end to his tortured life, a psychotic immortal secretly plots against the Guardians to ensure the end of all existence. An unlikely hero: 12-year-old Kathryn is a normal girl with a normal life. Her biggest challenges consist of helping with household chores, the impending school year and dealing with an annoying little brother. That was, until she found the Dragons. An impossible task: Kathryn's normal life quickly fades into the background as she learns of the dying planet, and her true destiny. She embarks on a fantastic journey full of unimaginable danger and self-discovery: A quest to return the dragons to their rightful place as guardians, and save the ear
This books offers a comprehensive sampling of the major genres of poetry and prose written from about A.D. 600 to the end of the nineteenth century. The book contains a dazzling array of myths and legends, essays and biographies, love poems and Zen poems, satirical tales and tales of wonder, stories of adventure and of heroism, as well as quieter works treating the farmer's works and days and the pleasures and sorrows of the simple life.
Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.