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This is the story of a music-obsessed boy’s journey from his bedroom in Hitchin to the heart of nineties London just as Britpop is about to explode... From James Cook’s early encounters with pop’s pioneers – Revolver heard for the first time, Led Zeppelin glimpsed on evening TV – through an adolescence in which friendships are forged on a mutual love for the Velvet Underground, to the high-stakes gamble of moving to the metropolis, the years between the assassination of John Lennon and Kurt Cobain’s suicide are mapped in musical memories. Along the way, we explore the diverse influences that fuelled the nineties guitar pop boom, from John Barry to Bryan Ferry, and follow James as he forms a band with his twin brother and releases a critically acclaimed debut album. More than a memoir, Memory Songs stands as a testament to music’s power over the imagination, the way it punctuates our past and shapes our future. Woven through with meditations on the artists who defined the UK's last legendary scene, it delivers a passionate analysis of the music that shaped a crucial moment in British cultural history.
Includes the lyrics to 33 songs to help learn about 225 countries, continents, landmarks, maps, etc.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
The Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music book and ethnographic film offer the reader, viewer, and listener an absorbing multi-sensory experience to explore the age-old music, ceremonies, and beliefs of the Hmong. Vivid accounts of Hmong shamans, healers, ritual specialists, headmen, musicians, and villagers are brought to life by over 350 color photographs and an enclosed 75-minute DVD in Hmong and English.The Hmong have developed an astonishingly rich culture over millennia as they migrated from their source in Mongolia and Siberia, moving from mountaintop to mountaintop along the great rivers of China to the foothills of Vietnam, Laos, Thailand, and Myanmar, and, presently, to the four corners of the world.An agrarian people keenly attuned to the cycles of seasons and the wheel of life, the Hmong have created a complex, all-encompassing belief system rooted in animism, where everything in nature possesses a soul and the universe is organized by supernatural powers. Frequent rituals, ceremonies, and festivals are performed throughout the year to maintain harmony between the world of man and realm of spirits, be they benevolent or malevolent.The medium propelling these rites is music, which springs from a vast repository of songs, chants, invocations, and instrumental pieces that chart the human experience. This soundscape pervades daily life as it does sacred enactments. For a culture that historically had no literary tradition, music also serves as the most powerful channel for transmitting everything the Hmong know about their inner and outer lives, linking the first ancestors with present generations and beyond.Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music. Text, photographs, and film by Victoria Vorreiter. Summary: Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music, a book of essays and photographs accompanied by an ethnographic film, explores the Hmong vocal and instrumental musical heritage and the Hmong beliefs, traditions, and rituals that music animates. The lyrics of all pieces are cited in both the Hmong and English languages. (281 pages)
What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.
How are our personal soundtracks of life devised? What makes some pieces of music more meaningful to us than others? This book explores the role of memory, both personal and cultural, in imbuing music with the power to move us. Focusing on the relationship between music and key life moments from birth to death, the text takes a cross-disciplinary approach, combining perspectives from a ‘history of emotions’ with modern day psychology, empirical surveys of modern-day listeners and analysis of musical works. The book traces the trajectory of emotional response to music over the past 500 years, illuminating the interaction between personal, historical and contextual variables that influence our hard-wired emotional responses to music, and the key role of memory and nostalgia in the mechanisms of emotional response.
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Film has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice will undertake such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a 'late voice'. Lateness here refers to five primary issues: chronology (the stage in an artist's career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices 'look back' or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. There has been recent growth in research on ageing and the experience of later stages of life, focussing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.
Do you ever forget to remember what's true? Sometimes remembering is hard to do! But in this lyrical tale, Ellie Holcomb celebrates creation’s reminders of God’s love, which surrounds us from sunrise to sunset, even on our most forgetful of days.