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A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Songs of Joy and Praise from Catholic Book Publishing contains twelve familiar songs, including "Rise and Shine," "This Little Light of Mine," "Now Thank We All Our God," "He's Got the Whole World in His Hands," "Amazing Grace," and "When the Saints Go Marching In." Playing one of the songs in Songs of Joy and Praise on the electric piano is easy: simply push the key that matches the color and number of the note above each word. Intended for children age 3 and up and enhanced by delightful illustrations, Songs of Joy and Praise from Catholic Book Publishing will provide hours of fun.
Based on the smash-hit musical that has become one of the most popular children's plays of all time, this beautiful book retells in verse and illustrations one of the most action-packed stories of the Old Testament. The lively lyrics by Andrew Lloyd Webber and Tim Rice and the humorous illustrations by Quentin Blake are a delight for children of all ages. A book to be treasured!Age range: 6+ years
Audio Files located on Soundcloud Essential Song: Three Decades of Northern Cree Music, a study of subarctic Cree hunting songs, is the first detailed ethnomusicology of the northern Cree of Quebec and Manitoba. The result of more than two decades spent in the North learning from the Cree, Lynn Whidden’s account discusses the tradition of the hunting songs, their meanings and origins, and their importance to the hunt. She also examines women’s songs, and traces the impact of social change—including the introduction of hymns, Gospel tunes, and country music—on the song traditions of these communities. The book also explores the introduction of powwow song into the subarctic and the Crees struggle to maintain their Aboriginal heritage—to find a kind of song that, like the hunting songs, can serve as a spiritual guide and force. Including profiles of the hunters and their songs and accompanied (online) by original audio tracks of more than fifty Cree hunting songs, Essential Song makes an important contribution to ethnomusicology, social history, and Aboriginal studies.
In his many travels as a researcher for Youth With A Mission, Bryan Bishop discovered a startling phenomenon: hidden movements of Muslims, Hindus, and Buddhists who are experiencing and following Jesus outside the boundaries of traditional Western Christianity. And they have plenty to teach Christians in the West who feel spiritually stagnant or disillusioned. Through colorful firsthand accounts, Bishop unveils fresh expressions of faith that can revitalize our own. Those who have left or are feeling the pull to leave the church, along with those who chafe against Christianity's European-American cultural box, will welcome this expansive view of what it looks like to follow Christ.
This book by such poets is to help raise badly needed funds for the ongoing relief work in Haiti. The book is a tribute in poetic form to the talented men and women who have entertained us with their music for the past century. Here you will see names from the world of Popular Music, Heavy Rock, Folk, Gospel, and Opera. You name it and it’s represented here. For some of you there will be names that you grew up with, as far back as the nineteen sixties who are still making chart topping hits, even today. Music is an art form that can stir the emotions, and the brutal passions of a revolution to the gentle elegance of love.
This is a chronology of the most famous songs from the years before rock 'n' roll. The top hits for each year are described, including vital information such as song origin, artist(s), and chart information. For many songs, the author includes any web or library holdings of sheet music covers, musical scores, and free audio files. An extensive collection of biographical sketches follows, providing performing credits, relevant professional awards, and brief biographies for hundreds of the era's most popular performers, lyricists, and composers. Includes an alphabetical song index and bibliography.
This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, disability studies, musicology, psychoanalysis, music psychology, emotion and affect theory, new media, cosmopolitanism, globalization, ethnicity and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book argues that conjunctions between words and music create emergent structures and meanings that can facilitate culturally transgressive and boundary- interrogating effects. In particular, it conceptualises ways in which word-music relationships can facilitate cross-cultural exchange as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Furthermore, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies.