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Songs from a Lead-Lined Room is a unique and remarkable book rooted in truth and raw experience, and the first memoir to focus on the personal experience of radiation treatment. As with Shea's best-selling fiction, her sharp and insightful wit and her reporter's eye for the most telling and sometimes quirky details inform every page. She shares what she learns about the process of her treatment, her bouts of despair, indignity, and fear, as well as the faux pas, the innocent blunders, and the compassion and caring of her family, friends, and fellow patients
At least nine million Americans trace their roots to Poland, and Polish Americans have contributed greatly to American history and society. During the largest period of immigration to the United States, between 1870 and 1920, more Poles came to the United States than any other national group except Italians. Additional large-scale Polish migration occurred in the wake of World War II and during the period of Solidarity's rise to prominence. This encyclopedia features three types of entries: thematic essays, topical entries, and biographical profiles. The essays synthesize existing work to provide interpretations of, and insight into, important aspects of the Polish American experience. The topical entries discuss in detail specific places, events or organizations such as the Polish National Alliance, Polish American Saturday Schools, and the Latimer Massacre, among others. The biographical entries identify Polish Americans who have made significant contributions at the regional or national level either to the history and culture of the United States, or to the development of American Polonia.
Some of the country’s most admired authors—including Andre Dubus III, Mark Doty, Marianne Leone, Michael Patrick MacDonald, Richard Blanco, Abigail Thomas, Kate Bornstein, Jerald Walker, and Kyoko Mori—describe their treks through dark memories and breakthrough moments and attest to the healing power of putting words to experience. What does it take to write an honest memoir? And what happens to us when we embark on that journey? Melanie Brooks sought guidance from the memoirists who most moved her to answer these questions. Called an essential book for creative writers by Poets & Writers, Writing Hard Stories is a unique compilation of authentic stories about the death of a partner, parent, or child; about violence and shunning; and about the process of writing. It will serve as a tool for teachers of writing and give readers an intimate look into the lives of the authors they love. Authors profiled in Writing Hard Stories: Andre Dubus III, Sue William Silverman, Michael Patrick MacDonald, Joan Wickersham, Kyoko Mori, Richard Hoffman, Suzanne Strempek Shea, Abigail Thomas, Monica Wood, Mark Doty, Edwidge Dantict, Marianne Leone, Jerald Walker, Kate Bornstein, Jessica Handler, Richard Blanco, Alysia Abbott, and Kim Stafford Insights from Writing Hard Stories “Why we endeavor collectively to write a book or paint a canvas or write a symphony...is to understand who we are as human beings, and it’s that shared knowledge that somehow helps us to survive.”—Richard Blanco “Here’s what you need to understand: your brothers [or family or friends] are going to have their own stories to tell. You don’t have to tell the family story. You have to tell your story of being in that family.”—Andre Dubus III “We all need a way to express or make something out of experiences that otherwise have no meaning. If what you want is clarity and meaning, you have to break the secrets over your knee and make something of those ingredients.”—Abigail Thomas “What we remember and how we remember it really tells us how we became who we became.”—Michael Patrick MacDonald “The reason I write memoir is to be able to see the experience itself...I hardly know what I think until I write...Writing is a way to organize your life, give it a frame, give it a structure, so that you can really see what it was that happened.”—Sue William Silverman “After a while in the process, you have some distance and you start thinking of it as a story, not as your story...It was a personal grief, but no longer personal...[It’s] something that has not just happened to me and my family, but something that’s happened in the world.”—Edwidge Danticat “Tibetan Buddhists believe that eloquence is the telling of a truth in such a way that it eases suffering...The more suffering that is eased by your telling of the truth, the more eloquent you are. That’s all you can really hope for—being eloquent in that fashion. All you have to do is respond to your story honestly, and that’s the ideal.”—Kate Bornstein “You can never entirely redeem the experience. You can’t make it not hurt anymore. But you can make it beautiful enough so that there’s something to balance it in the other scale. And if you understand that word beautiful as not necessarily pretty, then you’re getting close to recognizing the integrative power of restoring the balance, which is restoring the truth.”—Richard Hoffman
This compilation of stories will touch the reader's soul with the funny moments and sentimental times shared by mothers and daughters. Chicken Soup for the Mother & Daughter's Soul II includes stories about young women leaving home for the first time to attend college, how mothers and daughters at odds with each other learn to forgive and forget, and how one daughter comes to terms with saying goodbye. The relationship a mother and daughter shares is at times difficult, but in the end, it can be one of the most precious.
A Generous Presence is a collection of story-driven essays about the philosophy, tools, and work of coaching that is designed to support all spiritual leaders in deepening and enriching their personal and professional relationships. By practicing the coaching tools Rochelle Melander offers, spiritual leaders will be better equipped to guide those they work with toward accepting the past, creating a life vision, and setting goals for the future. Additionally, the tools provided in this book will help leaders understand themselves and enable them to strengthen their definitions for healthy living, raise their awareness about their own life and relationship skills, and improve their skills in relating to individuals and groups.
Suzanne Shea has always loved a good book-and she's written five of them, all acclaimed. In the course of her ten-year career, she's done a good bit of touring, including readings and drop-ins at literally hundreds of bookstores. She never visited one that wasn't memorable. Two years ago, while recovering from radiation therapy, Shea heard from a friend who was looking for help at her bookstore. Shea volunteered, seeing it as nothing more than a way to get out of her pajamas and back into the world. But over next twelve months, from St. Patrick's Day through Poetry Month, graduation/Father's Day/summer reading/Christmas and back again to those shamrock displays, Shea lived and breathed books in a place she says sells'ideas, stories, encouragement, answers, solace, validation, the basic ammunition for daily life.' Her work was briefly interrupted by an author tour that took her to other great bookstores. Descriptions of these and her memories of book-lined rooms reaching all the way back to childhood visits to the Bookmobile are scattered throughout this charming, humorous, and engrossing account of reading and rejuvenation. For anyone who loves books, and especially for anyone who has fallen under the spell of a special bookstore, Shelf Life will be required reading.
A spirited, spiritual pilgrimage to different Christian churches for a year of Sundays-from storefronts to mega-churches, from Massachusetts to Maui When Pope John Paul II died, Suzanne Strempek Shea, who had turned away from the Catholic Church of her childhood, recognized in his mourners a faith-filled passion that she wanted to recapture. She set out on a yearlong to visit a different church every Sunday for a year-a journey that would take her through the broad spectrum of contemporary Christianity lived in this country, from her New England home to the West Coast, the Deep South, the Midwest, and even to Hawaii. Beginning with a rousing Baptist Easter service in Harlem, including a sing-along at the Cowboy Church in Colorado's Pro Rodeo Hall of Fame and a multimedia experience at Joel Osteen's Lakewood Church, the largest church in the country, Shea approaches each congregation with the curiosity of a newcomer and with respect for each unique expression of faith. Sundays in America weaves the threads of Christianity in America into a vibrant tapestry, an essential guide for those seeking a new house for their worship, as well as a colorful road trip for the armchair explorer.
"A collection of short stories that makes it possible to be proud to be human." Carolyn See, "Washington Post"
Against a backdrop of highways, diners, and cheap coffee, one couple finds peace through the redemptive power of love. Told from a wife’s perspective, Dirt Roads and Diner Pie is the story of one couple’s struggle to confront the long-reaching effects of childhood sexual abuse. Musician and former lead singer of the United States Air Force Band, Travis James Humphrey lived for thirty months in a culture of childhood sexual abuse while studying at New Jersey’s prestigious American Boychoir School. After his tenure, Travis buried his memories deep. Years into the marriage, these memories began to surface and threaten their relationship. In an effort to resolve the problems, Shonna and her husband hit the road and navigated their way through the treacherous terrain of mental illness, sexual dysfunction, and shame. She details their journey within a month-long road trip throughout the southeastern United States taken shortly after Travis made his experience public. While the effect of child sex abuse informs nearly every aspect of their shared life, it does not define their relationship. That is the message Shonna offers: Sexual trauma may dominate, but it need not define the relationship. Shonna Milliken Humphrey’s nonfiction has appeared in the New York Times, the Atlantic, Salon.com, Down East, and Maine magazine. For two years, she wrote regular food, restaurant, and lifestyle columns for the Maine Sunday Telegram. She holds an MFA in Nonfiction Writing and Literature from Bennington College.
Women have been writing about cancer for decades, but since the early 1990s, the body of literature on cancer has increased exponentially as growing numbers of women face the searing realities of the disease and give testimony to its ravages and revelations. Fractured Borders: Reading Women's Cancer Literature surveys a wide range of contemporary writing about breast, uterine, and ovarian cancer, including works by Marilyn Hacker, Margaret Edson, Carole Maso, Audre Lorde, Eve Sedgwick, Mahasweta Devi, Lucille Clifton, Alicia Ostriker, Jayne Anne Phillips, Terry Tempest Williams, and Jeanette Winterson, among many others. DeShazer's readings bring insights from body theory, performance theory, feminist literary criticism, French feminisms, and disability studies to bear on these works, shining new light on a literary subject that is engaging more and more writers. "An important and useful book that will appeal to people in a variety of fields and walks of life, including scholars, teachers, and anyone interested in this subject." --Suzanne Poirier, University of Illinois at Chicago "A book on a timely and important topic, wisely written beyond scholarly boundaries and crossing many theoretical and disciplinary lines." --Patricia Moran, University of California, Davis