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Part ancient Greek chorus, part Southern Baptist revival, Songs for Two Voices is an explosive showcase for Bruce Smith's jazz-like variations on sonnets and couplets, offering twenty-five duets: poems of call and response, song and countersong. In poems that groove and break, shimmy and dance, Smith filters his Miles Davis-like riffs through a post-World War II American sensibility to deliver verse without platitudes. As Smith's speakers wander through the detritus of American materialism-encountering jazz, football, drag, class war, Reaganomics, and Vietnam-the poems dramatize the contradictions and peculiarities of growing up male in Cold War America, both sensing promise and suffering disillusion. Each poem here speaks in two voices: one that attacks and one that cowers, one voice that leads while the other follows. But Smith's subjects are unencumbered by form, and their voices blossom in duet: the idealized lover is also a betrayer, the man is also a girl. These binaries of statement and contradiction give birth to a third voice in the unrealized possibilities of the two. A mesmerizing follow-up to 2000's The Other Lover, Smith's Songs for Two Voices is carnal yet fiercely intellectual, laid out with the self-confidence of a poet who can invoke Mozart and Coltrane, Anna Akhmatova and John Wayne, Teddy Roosevelt and Augustine in the same incendiary breath.
Titles: All Through the Night * Amazing Grace * Camptown Races * Cindy * He's Gone Away * Poor Wayfaring Stranger * Scarborough Fair * Shenandoah * Siyahamba * Skye Boat Song * Homeward Bound. Appropriate for any combination of voices, male or female. 64 pages. A Federation Festivals 2020-2024 selection.
Excerpt from Orpheus Britannicus: A Collection of Choice Songs for One, Two, and Three Voices, With a Through Bass for the Harpsicord Love thou carry} hear lpagic. 198 Let the dreadful Engines Eternal Will 222 1' Let Sullen Difiordfm 189 No, Ref/lance is but vain MI20. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
We all sing with the same voice, And we sing in harmony! The familiar words to this joyful song combine with vibrant illustrations to celebrate the idea that no matter where children live, what they look like, or what they do, they're all the same where it counts -- at heart. "We All Sing with the Same Voice" was aired and continues to be seen on Sesame Street, the celebrated educational children's television show produced by Sesame Workshop, the nonprofit educational organization. Paul Meisel is the illustrator of many popular books for children, including how to talk to your cat by Jean Craighead George.
Contains a glossary of terms and lists of performers trained using Seth Riggs' vocal therapy and technique. Includes glossary (p. 91-94) and index.
Appropriate for any combination of voices, male or female. Titles: * All Through the Night * Amazing Grace * Camptown Races * Cindy * He's Gone Away * Poor Wayfaring Stranger * Scarborough Fair * Shenandoah * Siyahamba * Skye Boat Song * Homeward Bound
Children are inherently musical. They respond to music and learn through music. Music expresses children's identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children's natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I'm working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children's lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.
(Vocal Collection). Secular duets appropriate for students of all ages. Including music by Beethoven, Grieg, Purcell, Saint-Saens, and more. Easy to Intermediate Level.
(Glory Sound). Quality compilations of sacred duet materials are not easy to find. This useful "potpourri of praise" is filled with duet material for a variety of vocal combinations. Musical diversity abounds with selections for almost every season of the church year. A lushly orchestrated accompaniment CD is available to add to the singers' performance options, and the beautifully crafted piano writing will make live presentations an equally expressive worship experience. From gospel hymn arrangements to more traditional choices, this will be the most used collection in your cabinet. A listening CD featuring Sue Martin is also available. Songs include: Ask of Me; Declaration of Faith; He Shall Feed His Flock; Immortal, Invisible; Jesus Is My Song of Grace; Just Beyond the Manger; Lullaby to a Rose; Of Tears and Sorrows; Shepherd of the Stars; Songs of the Promise; Songs of the Wayfarer; Still Is the Night; There Is a Green Hill Far Away; Wonderful Songs of Grace.
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