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Beloved spirituals include such lasting favorites as All God's Children Got Shoes, Balm in Gilead, Deep River, Down by the Riverside, Ezekiel Saw the Wheel, Gimme That Ol'-Time Religion, He's Got the Whole World in His Hand, Roll, Jordan, Roll, Sometimes I Feel Like a Motherless Child, Steal Away to Jesus, Swing Low, Sweet Chariot, This Train, Wade in the Water, We Are Climbing Jacob's Ladder, Were You There When They Crucified My Lord? and many more. Excellent for sing-alongs, community programs, church functions, and other events.
These songs are to give children the chance to thank God the Father in heaven and to give praises to the name of Jesus with songs as it is written in the King James version.(Matthew 1 l: 25-30, 18: l-4, 21: 15-16) (Psalm 32: 7, 11, 33: 1-22, 34: 1-4, 67: 3, 150: 1-6)
Jean Torrens, born in 1923, has been writing poems for most of her life.Since her first poem, written while she was stationed in St. David's in Wales serving for the WRAF, she has continued to write poems that reflect the world as she has experienced it.These poems document her early years in Landmore, Co. Londonderry, where her family lost their loving mother and throughout her adult life where faith has played an increasingly important guiding role.Here you will find poems that reflect the joy, sadness, Love and challenges that we can all experience in our lives.With faith in our Lord, there can be no fear of darkness in our lives, for we are never alone with the light of Jesus guiding the way.
In this ambitious and venturesome book, Peter W. Rose applies the insights of Marxist theory to a number of central Greek literary and philosophical texts. He explores major points in the trajectory from Homer to Plato where the ideology of inherited excellence—beliefs about descent from gods or heroes—is elaborated and challenged. Rose offers subtle and penetrating new readings of Homer's Iliad and Odyssey, Pindar's Tenth Pythian Ode, Aeschylus's Oresteia, Sophokles' Philoktetes, and Plato's Republic. Rose rejects the view of art as a mere reflection of social and political reality—a view that is characteristic not only of most Marxist but of most historically oriented treatments of classical literature. He applies instead a Marxian hermeneutic derived from the work of the Frankfurt School and Fredric Jameson. His readings focus on illuminating a politics of form within the text, while responding to historically specific social, political, and economic realities. Each work, he asserts, both reflects contemporary conflicts over wealth, power, and gender roles and constitutes an attempt to transcend the status quo by projecting an ideal community. Following Marx, Rose maintains that critical engagement with the limitations of the utopian dreams of the past is the only means to the realization of freedom in the present. Classicists and their students, literary theorists, philosophers, comparatists, and Marxist critics will find Sons of the Gods, Children of Earth challenging reading.