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The true stories that follow describe what life was like in South Africa towards the end of the Apartheid regime. During the civil war and the struggle for freedom, 'The Song of the Township' is the sound of life – the sound coming from a battle-torn Black school where 1,500 young boys and girls were struggling to find a future. It is the story of the many peoples of our 'Rainbow Nation' who lived in the heart of a very poor township. The story begins in 1987, but one can't help but wonder if the song of the township is not exactly the same 30 years later in 2020! Umlazi Township in Durban is typical of all townships in South Africa. Here we find a quarter of a million African people struggling to survive from one meal to the next. They are caught relentlessly in the grip of protest marches, forced strikes and the ruthless killings of the innocent in the middle of a civil war. All the characters of this book are fictitious and the names of places have been changed but they are based on real people. When King Solomon wrote his immortal words in the Holy Bible, he could have been speaking about one of our little townships: "A time to be born and a time to die. A time to plant and a time to uproot. A time to love and a time to hate. A time for war and a time for peace. For everything under the sun There is a season." (Extract from Ecclesiastes 3:2-8)
Popular music scholars have long been interested in the connection between place and music. This collection brings together a number of key scholars in order to introduce readers to concepts and theories used to explore the relationships between place and music. An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media, cultural, and communication studies, this book covers a wide-range of topics germane to the production and consumption of place in popular music. Through considerations of changes in technology and the mediascape that have shaped the experience of popular music (vinyl, iPods, social media), the role of social difference and how it shapes sociomusical encounters (queer spaces, gendered and racialised spaces), as well as the construction and representations of place (musical tourism, city branding, urban mythologies), this is an up-to-the-moment overview of central discussions about place and music. The contributors explore a range of contexts, moving from the studio to the stage, the city to the suburb, the bedroom to festival, from nightclub to museum, with each entry highlighting the diverse and complex ways in which music and place are mutually constitutive.
Based on fieldwork and documentary research in China, this study is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities.
'elegant reissue' -Plays International, Summer 2000'They are the wonderfully moving and amusing 'Sizwe Bansi is Dead',... 'The Coat' (previously unavailable), the urgently profound 'The Island'... Anyone interested in freedom or drama should buy this book.' Day by Day
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.