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Straight from the heart, Rita Joe tells the story of her remarkable life: her tumultuous childhood in foster homes, education in an Indian residential school, turbulent marriage and daily struggles with prejudice, sexism and poverty. Over time, these battles led her to discover her poetic voice which helped her reclaim her Aboriginal heritage. In the fascinating final part of her story, Rita Joe writes movingly about old age, her lifelong spiritual quest and the promise of renewed hope and healing. Song of Rita Joe reveals to us an eloquent and courageous Mi'kmaq woman whose timely message of "gentle persuasion" has enriched the life of a nation.
"I was born in Whycocomagh in 1932. When mother died in 1937 there were many foster homes until I was twelve years old. I put myself into the Indian Residential School in Shubenacadie, Nova Scotia. That school plays an important part in my life, along with native upbringing by many mothers. My education is by my people - I have a front seat to see and feel their needs, the major one being that we, too, live with ideal productiveness. The label is deeply rooted and the stroke of a native pen does wonders, especially for the coming generation. The importance of my country is why I try to portray the Indian as they are, so that others may see the part we play in our society. If I get too sentimental in my choice of words, excuse me. I have to call attention to the gentle peopleof Canada. My song is gentle, bear with me. I still want to offer my hand in friendship, the Indian of today." - Rita Joe
Stolen Words I Am Not A Number When We Were Alone I'm Finding My Talk by Rebecca Thomas
The two-time Grammy Award-winning singer and songwriter bares her heart and soul in this intimate memoir, a story of music, stardom, love, family, heritage, and resilience. She inspired songs—Leon Russell wrote “A Song for You” and “Delta Lady” for her, Stephen Stills wrote “Cherokee.” She co-wrote songs—“Superstar” and the piano coda to “Layla,” uncredited. She sang backup for Eric Clapton, Joe Cocker, and Stills, before finding fame as a solo artist with such hits as “We're All Alone” and “(Your Love Has Lifted Me) Higher and Higher.” Following her story from Lafayette, Tennessee to becoming one of the most sought after rock vocalists in LA in the 1970s, Delta Lady chronicles Rita Coolidge’s fascinating journey throughout the ’60s-’70s pop/rock universe. A muse to some of the twentieth century’s most influential rock musicians, she broke hearts, and broke up bands. Her relationship with drummer Jim Gordon took a violent turn during the legendary 1970 Mad Dogs & Englishmen tour; David Crosby maintained that her triangle with Stills and Graham Nash was the last straw for the group. Her volatile six-year marriage to Kris Kristofferson yielded two Grammys, a daughter, and one of the Baby Boom generation’s epic love stories. Throughout it all, her strength, resilience, and inner and outer beauty—along with her strong sense of heritage and devotion to her family—helped her to not only survive, but thrive. Co-written with best-selling author Michael Walker, Delta Lady is a rich, deeply personal memoir that offers a front row seat to an iconic era, and illuminates the life of an artist whose career has helped shape modern American culture.
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
Educating Rita, about a working-class Liverpool girl's hunger for education, is 'simply a marvellous play, painfully funny and passionately serious; a hilarious social documentary; a fairy-tale with a quizzical, half-happy ending.' Sunday Times Educating Rita premiered at the RSC Warehouse, London, in June 1980. Voted Best Comedy of 1980, it was subsequently made into a highly successful film with Michael Caine and Julie Walters.
Born in 1932, in Whycocomagh, RITA JOE lived a hardscrabble existence, from foster home to foster home, experiences that helped her decide to admit herself to Shubenacadie Indian Residential School, a place most Mi'kmaq people had come to dread. It was a rare example of the child choosing Shubie, "to better myself," to get an education. That same determination compelled her to write about her personal combination of traditional Mi'kmaw spiritualism and Catholic faith, carrying forward her 'gentle war'. Her last poem, unfinished, was found in her typewriter when she died in March 2007.
With this collection, celebrated poet and Micmac Indian, Rita Joe, expands uponher desire to communicate gently with her own people, and reach out to the wider community of Canadians. On the eve of the 500th Anniversary of Columbus' arrival in the Americas, Rita Joe once again extends her hand to us in friendship, and reminds us of the native culture that was here long before the Europeans. These new poems compel us to listen.
Most of Alexander Posey?s short and remarkable life was devoted to literary pursuits. Through a widely circulated satirical column published under the pseudonym Fus Fixico, he did much to document and draw attention to conditions in Indian Territory. He rose to prominence among the Creeks and played a leading role as spokesman on a number of serious political issues. Daniel F. Littlefield Jr. has written the first full biography of Alexander Posey, a pioneer of American Indian literature and a shaper of public opinion.