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The scope of this work is enormous. The Chinese government and General Secretary Zhao Ziyang in particular, encouraged and supported the project. The Chinese Academy of Social Sciences commissioned over 100 of China's authorities to write for the work. The result is China's view of herself, written in a refreshingly self-critical style, highlighting past errors and plans for the future and identifying areas of collaboration between China and outside agencies. It embraces every aspect of the physical, political, economic, social, and cultural life of China, with a detailed historical background and soundly based projections for the future. Sections deal with geography and climate, natural resources, history, conservation, agriculture, economy, industry, trade and commerce, literature and the arts, and tourism. An end section, "China in Figures" provides a current statistical data source and an important primary resource. Topics are discussed in an historical context, followed by a detailed analysis of the current situation and by an analysis of defects and errors made to date, ending with future economic and cultural plans. The three volumes are illustrated with some 1250 photographs (250 in color), line drawings and tables. Well-printed in the UK on alkaline paper. Biennial supplementary volumes are planned starting in 1990. An important reference despite its self-congratulating bent. The bibliography is small and contains a disproportion of Pergamon Press titles. Those using Kaplan and Sobin, Encyclopedia of China today must consider this work. Annotation copyrighted by Book News, Inc., Portland, OR
The Mongolian Yuan dynasty, 1272-1368, is a short but interesting chapter in the long history of Sino-Mongolian relations. Faced with the challenge of governing a huge sedentary empire, the traditionally nomadic Mongols acceded to some Chinese institutional precedents, but, in large part, adhered to their own Inner Asian practices of staffing and administering the government apparatus.Yuan administrative documents provide information that permits a fairly accurate reconstruction of the day-to-day functioning of the local government bureaucracy. From these materials, Elizabeth Endicott-West has put together a detailed picture of the Mongols' methods of selecting local officials, the ethnic backgrounds of officials, and policy formation and implementation at the local level.
This book comprises five invited papers, each of which touches on a topic directly or indirectly related to the music of China in the twentieth century. And it consists of the catalogue of library materials related to new music of China donated by Liu Ching-chih to the University of Hong Kong.
This book offers a unique contribution to the burgeoning field of Chinese historical geography. Urban transformation in China constitutes both a domestic revolution and a world-historical event. Through the exploration of nine urban sites of momentous change, over an extended period of time, this book connects the past with the present, and provides much-needed literature on city growth and how they became complex laboratories of prosperity. The first part of this book puts Chinese urban changes into historical perspective, and probes the relationship between nation and city, focusing on Shanghai, Beijing and Changchun. Part two deals with the relationship between history and modernity, concentrating on Tunxi, a traditional trade center of tea, New Villages in Shanghai and street names in Taipei and Shanghai. Part three showcases the complexities of urban regeneration vis-à-vis heritage preservation in cities such as Datong, Tianjin and Qingdao. This book offers an innovative interdisciplinary and international perspective, which will be of interest to students and scholars of Chinese urban studies, as well Chinese politics and society.
Song Blue and White Porcelain on the Silk Road disproves received opinion that pre-Ming blue and white dates to the Yuan (1279-1368 A.D.) and establishes the proper foundation for 21st century study of ancient Chinese porcelain.
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
In On Their Own Terms, Benjamin A. Elman offers a much-needed synthesis of early Chinese science during the Jesuit period (1600-1800) and the modern sciences as they evolved in China under Protestant influence (1840s-1900). By 1600 Europe was ahead of Asia in producing basic machines, such as clocks, levers, and pulleys, that would be necessary for the mechanization of agriculture and industry. In the seventeenth and eighteenth centuries, Elman shows, Europeans still sought from the Chinese their secrets of producing silk, fine textiles, and porcelain, as well as large-scale tea cultivation. Chinese literati borrowed in turn new algebraic notations of Hindu-Arabic origin, Tychonic cosmology, Euclidian geometry, and various computational advances. Since the middle of the nineteenth century, imperial reformers, early Republicans, Guomindang party cadres, and Chinese Communists have all prioritized science and technology. In this book, Elman gives a nuanced account of the ways in which native Chinese science evolved over four centuries, under the influence of both Jesuit and Protestant missionaries. In the end, he argues, the Chinese produced modern science on their own terms.
Following a hit and run that injures his son, John Spector is shocked when the driver comes forward to confess the accident was planned and that John made the arrangements. Upset by the suggestion, he embarks on a quest that will take him through the bizarre underbelly of the city in search of the truth. Even when faced with demons bent on stopping him, haunted by dreams of a man he's never met or sidelined by concerns for his mental health, John remains unshakable. Only after his path leads to the philanthropist Charles Dapper does his determination waver, for this is when he must make an extraordinary self sacrifice to realize his goal or risk losing everything.